"A Hymn of Praise to the Palaces of Delight that should grace every street corner. Absolutely exquisite." Ian McMillan. John Bevis is a writer and book-lover on an eccentric quest: to obtain a membership card from every library authority in England. In a ten-year mission criss-crossing the country - from Solihull to Slough, from Cleveland to Cornwall - he enrols at libraries of all shapes and sizes: monuments to Art Deco or Brutalism; a converted corset factory; one even shaped like a pork pie. With the architectural eye of Pevsner and the eavesdropping ear of Bill Bryson, he engages us at every step with anecdotes and apercus about the role of the public library in our national life, while ruing its decline in the age of austerity. As interested in the people he finds as he is in the buildings and their history, he is a humane, witty and erudite guide. The result is a book to be treasured by anyone who has ever used a library.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT033824London: printed for J. Clarke, J. Shuckburgh, and J. Walter, 1760. 4],61, 3]p; 8

The distinctive and amazing songs and calls of birds: a meditation and a lexicon. "A miraculous little book: a compressed encyclopedia of our fascination with avifauna." -The Nation "A charming, funny, and eccentric book." -Times Literary Supplement "An elegant tribute to the beauty of its subject." -Los Angeles Times Birds sing and call, sometimes in complex and beautiful arrangements of notes, sometimes in one-line repetitions that resemble a ringtone more than a symphony. Listening, we are stirred, transported, and even envious of birds' ability to produce what Shelley called "profuse strains of unpremeditated art." And for hundreds of years, we have tried to write down what we hear when birds sing. Poets have put birdsong in verse (Thomas Nashe: "Cuckoo, jug-jug, pu-we, to-witta-woo") and ornithologists have transcribed bird sounds more methodically. Drawing on this history of bird writing, in Aaaaw to Zzzzzd John Bevis offers a lexicon of the words of birds. For tourists in Birdland, there could be no more charming phrasebook. Consulting it, we find seven distinct variations of "hoo" attributed to seven different species of owls, from a simple hoo to the more ambitious hoo hoo hoo-hoo, ho hoo hoo-hoo; the understated cheet of the tree swallow; the resonant kreeaaaaaaaaaaar of the Swainson's hawk; the modest peep peep peep of the meadow pipit. We learn that some people hear the Baltimore oriole saying "here, here, come right here, dear" and the yellowhammer saying "a little bit of bread and no cheese." Bevis, a poet, frames his lexicons-one for North America and one for Britain and northern Europe-with an evocative appreciation of birds, birdsong, and human attempts to capture the words of birds in music and poetry. He also offers an engaging account of other methods of documenting birdsong-field recording, graphic notation, and mechanical devices including duck calls and the serinette, an instrument used to teach song tunes to songbirds. The singing of birds is nature at its most sublime, and words are our medium for expressing this sublimity. Aaaaw to Zzzzzd belongs in the bird lover's backpack and on the word lover's bedside table, an unexpected and sui generis pleasure.