Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Recently returned from South Africa, adventurer Richard Hannay is bored with life, but after a chance encounter with an American who informs him of an assassination plot and is then promptly murdered in Hannay's London flat, he becomes the obvious suspect and is forced to go on the run. He heads north to his native Scotland, fleeing the police and his enemies. Hannay must keep his wits about him if he is to warn the government before all is too late.

With an introduction by Christopher Hitchens. Richard Hannay is tasked to investigate rumours of an uprising in the Muslim world and takes off on a hair-raising journey through German-occupied Europe to meet up with his old friend Sandy Arbuthnot in Constantinople, where they must thwart the Germans' plans to use religion to help them win the war. Set during World War I, Greenmantle is a controversial meditation on the power of political Islam.

Foxton Readers are a series of carefully graded books aimed at ESL / EAL learners of beginner to advanced levels. They are based on a comprehensive grammar and vocabulary framework to match each ability level and to ensure each learner progresses. They are not only suitable for ESL / EAL learners but can also be used with native speakers of primary and secondary school age.

Young Englishwoman Kore Arabin has inherited a remote Greek island from her father. The superstitious islanders blame Kore for every mishap and natural disaster. Sir Edward Leithen and Vernon Milburne must save her before the islanders sacrifice her as a witch in the sacred ground called The Dancing Floor.

What begins as a straightforward holiday weekend for Sir Edward Leithen in a splendid stately home in the Cotswolds soon turns into something altogether different when one of Lady Flambard's other guests, the enigmatic Professor Moe, enlists the help of Leithen and his companions in a bizarre experiment to glimpse the future. For those who take part, the consequences are dramatic and Leithen's formidable powers of reasoning are brought to the fore.

John Buchan's thrilling tale of an innocent man caught up in a web of spies, lies and murder. Can Richard Hannay save himself by solving the mystery of the 39 Steps? Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of John Buchan, theme discussions and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.

Introduced by Hew Strachan, "Mr Standfast" is the third of five Richard Hannay thrillers. Recalled from active service on the Western Front, Richard Hannay is sent undercover on a crucial secret mission to find a dangerous German agent at large in Britain. Disguised as a pacifist, Hannay travels from London to Glasgow to the Scottish Highlands and Islands in his search, which eventually ends in a spectacular climax above the battlefields of Europe. John Buchan's inside knowledge of trench warfare and government intelligence lend a formidable realism to this superlative spy story. This is a nail-biting classic from a master storyteller.

The Jacobite army marches into England and Alistair Maclean, close confident of Charles Edward Stewart embarks on a secret mission to raise support for the cause in the west. He soon begins to suspect someone close to the Prince is passing information to the Government, but just as he closes in on the traitor his own life is put in danger. Who is the turncoat and can Maclean save his own life and his Prince?

In 1925, John Buchan published his second most famous novel, John Macnab; three high-flying men – a barrister, a cabinet minister and a banker – are suffering from boredom. They concoct a plan to cure it. They inform three Scottish estates that they will poach from each two stags and a salmon in a given time. They sign collectively as ‘John Macnab’ and await the responses. This novel is a light interlude within the Leithen Stories series – an evocative look at the hunting, shooting and fishing lifestyle in Highland Scotland. With an introduction by Andrew Greig. This edition is authorised by the John Buchan Society.

He told me some queer things that explained a lot that had puzzled me - things that happened in the Balkan War, how one state suddenly came out on top, why alliances were made and broken, why certain men disappeared, and where the sinews of war came from.

The turbulent 'Killing Times' of the Covenanters is the backdrop to a desperate struggle between lifelong rivals. John Burnet of Barns, the last of an ancient line of Border Reivers, returns home from abroad to find himself denounced as an agent of the Covenanters. Outlawed and deprived of his inheritance by his ruthless cousin, Captain Gilbert Burnet, John must now fight just to survive. John Buchan's first full-length work of fiction is a tale of adventure in the tradition of Robert Louis Stevenson.