Why does Christianity feel the need to impose its customs and beliefs on the rest of the world? And why has an impulse driven at least partially by sincere concern for the "salvation" of others so often played into the hands of ruthless colonizers with more cynical aims?

Bringing together scholars in literature, history, and religion, Christian Encounters with the Other Approaches these questions by analyzing literary accounts of historically famous sites of conversion. Covering the Renaissance through to the present and spanning much of the globe, the volume discusses a range of authors and their works--from Daniel Defoe's Robinson Crusoe and Stephen Riggs's ethnographic representations of the Sioux, to Salvation Army pamphleteers and Victorian missionaries, to China, to the works of Cameroonian novelist Mongo Beti, Guatemalan Nobel laureate Rigoberta Menchu, and Japanese novelist Shusaku Endo.

Using a cultural studies approach, each account discusses the missionaries' intentions, how these were perceived, and what social forces helped to shape the messages that were preached, as well as fascinating accounts of counter-conversions, in which "the other" is not only exoticized but valorized and empowered."

The series Religion and Society (RS) contributes to the exploration of religions as social systems- both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.

With a focus on the connected spiritual legacy of the black Atlantic, Literary Expressions of African Spirituality leads the way to more comprehensive trans-geographical studies of African spirituality in black art. With essays focusing on African spirituality in creative works by several trans-Atlantic black authors across varying locations in the Ameri-Atlantic diaspora, this collection reveals and examines their shared spiritual cosmology. Diasporic in scope, Literary Expressions of African Spirituality offers new readings of black literatures through the prism of spiritual memory that survived the damaging impact of trans-Atlantic slaving. This memory is a significant thread that has often been missed in the reading and teaching of the literatures of the African diaspora. Essays in this collection explore unique black angles of seeing and ways of knowing that characterize African spiritual presence and influence in trans-Atlantic black artistic productions. Essays exploring works ranging from turn-of-the-century African American figure W.E.B. DuBois, South African novelist Zakes Mda, Haitian novelists Edwidge Danticat and Jacques Roumain, as well as African belief systems such as Voudoun and Candomble, provide a scope not yet offered in a single published volume. This collection explores the deep and often unconscious spiritual and psychosocial connectedness of people of African descent in the African and Ameri-Atlantic world.

With a focus on the connected spiritual legacy of the black Atlantic, Literary Expressions of African Spirituality leads the way to more comprehensive trans-geographical studies of African spirituality in black art. With essays focusing on African spirituality in creative works by several trans-Atlantic black authors across varying locations in the Ameri-Atlantic diaspora, this collection reveals and examines their shared spiritual cosmology. Diasporic in scope, Literary Expressions of African Spirituality offers new readings of black literatures through the prism of spiritual memory that survived the damaging impact of trans-Atlantic slaving. This memory is a significant thread that has often been missed in the reading and teaching of the literatures of the African diaspora. Essays in this collection explore unique black angles of seeing and ways of knowing that characterize African spiritual presence and influence in trans-Atlantic black artistic productions. Essays exploring works ranging from turn-of-the-century African American figure W.E.B. DuBois, South African novelist Zakes Mda, Haitian novelists Edwidge Danticat and Jacques Roumain, as well as African belief systems such as Voudoun and Candomble, provide a scope not yet offered in a single published volume. This collection explores the deep and often unconscious spiritual and psychosocial connectedness of people of African descent in the African and Ameri-Atlantic world.

As well as a rare examination of Egyptian literature, this volume includes a non-themed section of Featured Articles and a Literary Supplement. Creativity has flourished in Egypt, a historically important and strategically located North African country and a leading nation in the Arab world. The main focus in this volume is to examine Egyptian writers, especially those whose works have enriched African Literature through their depiction of historical, cultural and socio-political forces such as Naguib Mahfouz, Yusuf Idris, Nawal El Saadawi, Ahdaf Soueif, Tawfiq al-Hakim and Alifa Rifaat (Fatimah Rifaat). Writing in both Arabic and the English language, their thematic concerns have been as versatile as they have been controversial. Nawal El Saadawi provides a Foreword to the volume and an interview. This volume also includes a non-themed section of Featured Articles and a Literary Supplement. Volume Editor: Ernest N. Emenyonu Series Editor: Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA. Reviews Editor: Obi Nwakanma

Why does Christianity feel the need to impose its customs and beliefs on the rest of the world? And why has an impulse driven at least partially by sincere concern for the "salvation" of others so often played into the hands of ruthless colonizers with more cynical aims?

Bringing together scholars in literature, history, and religion, Christian Encounters with the Other Approaches these questions by analyzing literary accounts of historically famous sites of conversion. Covering the Renaissance through to the present and spanning much of the globe, the volume discusses a range of authors and their works--from Daniel Defoe's Robinson Crusoe and Stephen Riggs's ethnographic representations of the Sioux, to Salvation Army pamphleteers and Victorian missionaries, to China, to the works of Cameroonian novelist Mongo Beti, Guatemalan Nobel laureate Rigoberta Menchu, and Japanese novelist Shusaku Endo.

Using a cultural studies approach, each account discusses the missionaries' intentions, how these were perceived, and what social forces helped to shape the messages that were preached, as well as fascinating accounts of counter-conversions, in which "the other" is not only exoticized but valorized and empowered."

PAPERBACK FOR SALE IN AFRICA ONLY As well as a rare examination of Egyptian literature, this volume includes a non-themed section of Featured Articles and a Literary Supplement. The main focus in this volume is to examine Egyptian writers, especially those whose works have enriched African Literature through their depiction of historical, cultural and socio-political forces such as Naguib Mahfouz, Yusuf Idris, Nawal El Saadawi, Ahdaf Soueif, Tawfiq al-Hakim and Alifa Rifaat (Fatimah Rifaat). Writing in both Arabic and the English language, their thematic concerns have been as versatile as they have been controversial. Nawal El Saadawi provides a Forewrod to the volume and an interview. Volume Editor: Ernest N. Emenyonu Series Editor: Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA. Reviews Editor: Obi Nwakanma

Written from a cultural studies point of view, thirteen original essays analyse literary accounts of historically famous sites of conversion. Beginning with the Renaissance and extending to the present, authors under discussion include: Beaumont and Fletcher, Lope de Vega, Guamam Poma, Thomas Nashe, Daniel Defoe, Chateaubriand, Salvation Army pamphleteers, Chinese missionaries, Stephen Riggs, Samson Occom, Shusaku Endo, Mongo Beti, and Rigoberta Menchu. What were the missionaries' intentions, and how were they perceived?

ALT 36 turns a "queer eye" on Africa, offering provocative (re-)readings of texts to position formerly erased sexualities and contemporary sexual expression among Africans on the continent, and abroad. Debates on the future of the African continent and the role of gender identities in these visions are increasingly present in literary criticism forums as African writers become bolder in exploring the challenges they face and celebrating gender diversity in the writing of short stories, novels, poetry, plays and films. Controversies over the rights of Lesbian, Gay, Bisexual, Trans, Intersex, Queer (LGBTIQ) communities in Africa, as elsewhere, continue inthe context of criminalization and/or intimidation of these groups. Residual colonial moralizing and contemporary western identity norms and politics vie with longstanding polyvalent indigenous sexual expression. In addition to traditional media, the new social media have gained importance, both as sources of information exchange and as sites of virtual construction of gender identities. As with many such contentious issues, the variety of responses to the"state of the question" is strikingly visible across the continent. In this issue of ALT, guest editor John Hawley has sampled the ongoing conversations, in both African writing and in the analysis of contemporary African cinema,to show how queer studies can break with old concepts and theories and point the way to new gender perspectives on literary and cinematic output. This volume also includes a non-themed section of Featured Articles anda Literary Supplement. Guest Editor: John C. Hawley is Professor in the Department of English, Santa Clara University Series Editor: Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA. Reviews Editor: Obi Nwakanma

PAPERBACK FOR SALE IN AFRICA ONLY ALT 36 turns a "queer eye" on Africa, offering provocative (re-)readings of texts to position formerly erased sexualities and contemporary sexual expression among Africans on the continent, and abroad. Debates on the future of the African continent and the role of gender identities in these visions are increasingly present in literary criticism forums as African writers become bolder in exploring the challenges they face and celebrating gender diversity in the writing of short stories, novels, poetry, plays and films. Controversies over the rights of Lesbian, Gay, Bisexual, Trans, Intersex, Queer (LGBTIQ) communities in Africa, as elsewhere, continue inthe context of criminalization and/or intimidation of these groups. Residual colonial moralizing and contemporary western identity norms and politics vie with longstanding polyvalent indigenous sexual expression. In addition to traditional media, the new social media have gained importance, both as sources of information exchange and as sites of virtual construction of gender identities. As with many such contentious issues, the variety of responses to the"state of the question" is strikingly visible across the continent. In this issue of ALT, guest editor John Hawley has sampled the ongoing conversations, in both African writing and in the analysis of contemporary African cinema,to show how queer studies can break with old concepts and theories and point the way to new gender perspectives on literary and cinematic output. This volume also includes a non-themed section of Featured Articles anda Literary Supplement. Guest Editor: John C. Hawley is Professor in the Department of English, Santa Clara University Series Editor: Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA. Reviews Editor: Obi Nwakanma

This interdisciplinary work brings the humanities and social sciences into dialogue by examining issues such as globalized capital, discourses of antiterrorism, and identity politics. Essayists from the fields of postcolonial studies and globalization theory address the ethical and pragmatic ramifications of opposing interpretations of these issues and, for the first time, seek common ground.
Contributors: Pal Ahluwalia, U of California, San Diego; Arjun Appadurai, New School U; Geoffrey Bowker, Santa Clara U; Timothy Brennan, U of Minnesota; Ruth Buchanan, U of British Columbia; Verity Burgmann, U of Melbourne; Pheng Cheah, U of California, Berkeley; Inderpal Grewal, U of California, Irvine; Ramon Grosfoguel, U of California, Berkeley; Barbara Harlow, U of Texas, Austin; Anouar Majid, U of New England; John McMurtry, U of Guelph; Walter D. Mignolo, Duke U; Sundhya Pahuja, U of Melbourne; R. Radhakrishnan, U of California, Irvine; Ileana Rodriguez, Ohio State U; E. San Juan, Philippine Forum, New York; Saskia Sassen, U of Chicago; Ella Shohat, New York U; Leslie Sklair, London School of Economics; Robert Stam, New York U; Madina Tlostanova, Russian Peoples' Friendship U; Harish Trivedi, U of Delhi.
Revathi Krishnaswamy is associate professor of English at San Jose State University.
John C. Hawley is professor and chair of English at Santa Clara University.

India in Africa, Africa in India traces the longstanding interaction between these two regions, showing that the Indian Ocean world provides many examples of cultural flows that belie our understanding of globalization as a recent phenomenon. This region has had, and continues to have, an internal integrity that touches the lives of its citizens in their commerce, their cultural exchanges, and their concepts of each other and of themselves in the world. These connections have deep historical roots, and their dynamics are not attributable solely to the effects of European colonialism, modernity, or contemporary globalization although these forces have left their mark. The contributors to this interdisciplinary volume come from the fields of history, literature, dance, sociology, gender studies, and religion, making this collection unique in its recreation of an entire world too seldom considered as such."