This girl-loves-ghoul rock and roll Off Broadway musical is set in the atomic 1950s at Enrico Fermi High, where the law is laid down by a zany, tyrannical principal. Pretty senior Toffee has fallen for the class bad boy. Family pressure forces her to end the romance, and he charges off on his motorcycle to the nuclear waste dump. He returns glowing and determined to reclaim Toffee's heart. He still wants to graduate, but most of all he wants to take Toffee to the prom. The principal orders him t

5m, 5f (with doubling) / Ints. This girl loves ghoul rock and roll Off Broadway musical is set in the atomic 1950s at Enrico Fermi High, where the law is laid down by a zany, tyrannical principal. Pretty senior Toffee has fallen for the class bad boy. Family pressure forces her to end the romance, and he charges off on his motorcycle to the nuclear waste dump. He returns glowing and determined to reclaim Toffee's heart. He still wants to graduate, but most of all he wants to take Toffee to the prom. The principal orders him to drop dead while a scandal reporter seizes on him as the freak du jour. History comes to his rescue while a tuneful selection of original songs in the style of 50s hits keeps the action rocking across the stage. "A blast.... Slick fun for the whole nuclear family." - N.Y. Daily News "Stays safely on the sunny side of the macabre.... A gentle send up of the teenage romance films ... given a radioactive glow of novelty." - N.Y. Times "If you like Grease ... you will] like Zombie Prom." N.Y. Daily News

Discover the challenges, excitement and rewards of law enforcement today with Dempsey, Forst, and Carter's AN INTRODUCTION TO POLICING, 9th Edition. Written by law enforcement veterans with extensive first-hand experience in all areas of policing, this book is an essential read for you or anyone you know who is considering a career in law enforcement. You'll get insight into the Black Lives Matter movement, questionable police shootings of civilians and ambush shootings of police officers, strained police-community relations, the President's Task Force on 21st Century Policing, recent terrorism incidents, Specialized Policing Responses to homeless individuals, advances in policing technology and other current issues. You'll also find the latest research as well as up-to-date applications, statistics, court cases and information on law enforcement careers.

Riders shuffle into the London Tube more than four million times a day. Danny the Demon was among them, back in Maggie Thatcher's Brave New 1980s. Always late, he would race down the stairs, guitar banging his shoulder as he leapt off every third step, then jump the barrier without paying. He wasn't a rider, but a singer - begging for money from the commuting throng. Welcome to the punked-out world of the London Underground's music-making buskers. They could stop you in your tracks with delight - or revulsion. Not exactly savoury characters: drinking and drugging, squatting in abandoned houses, squabbling over prime spots, dodging the cops. They would wake up broke, earn enough to get brained, and wake up broke again. This slice of life below the streets wasn't in the London guidebooks, nor on your standard tour. There was Olga the Swedish Sorceress, turning tricks to forget. Shy Saxophone George, entranced by his own solos. Lora Buchanan, the voice of restraint - when sober. Skinhead Charlie, Beryl the Peril. All hoping for a state of ecstasy, mostly settling for a state of excess. Danny himself only wanted rock stardom. "And the first thing I'll do," he promised himself, "is get my teeth fixed." Not tripping out, not our Danny. Today buskers win licenses and book spots in advance, all very tidy. Back then, they balanced wit with delusion, community with desolation. Mrs. Thatcher promised opportunity for those who could seize it. But Danny and his mates in 1980s London - basically honorable but utterly debauched - could barely mind the gap.

The Dempsey saga continues with the story of one man's love/hate relationship with New York and its varied inhabitants.

Matchbook continues John Dempsey's unique vision of life on the edge of reason. It could also portray life on the verge of success, but John politely tasks the reader for interpretations. The truth likely resides with his sources, but in true journalistic fashion, John is protecting his sources (or maybe himself). The disquieting yet amusing quality of Dempsey's work is that readers often recognize someone they know, or even themselves in his stories. Therein lies Dempsey's talent; the ability to draw readers into a story that rekindles memories of the way things were, or the way readers always hoped things would never turn out.

Everyday life through the eyes or imagination (reader's discretionary choice) of one man struggling to succeed in love, life and business.