A sinister case of deadly poisoned chocolates from Sodbury Cross's high street shop haunts the group of friends and relatives assembled at Bellegarde, among the orchards of 'peach-fancier' Marcus Chesney. To prove a point about how the sweets could have been poisoned under the nose of the shopkeeper, Chesney stages an elaborate memory game to test whether any of his guests can see beyond their 'black spectacles'; that is, to see the truth without assumptions as witnesses. During the test - which is also being filmed - Chesney is murdered by his accomplice, dressed head to toe in an 'invisible man' disguise. The keen wits of Dr Gideon Fell are called for to crack this brazen and bizarre murder committed in full view of an audience. Also known by its US title The Problem of the Green Capsule, this classic novel is widely regarded as one of John Dickson Carr's masterpieces and remains among the greatest impossible crime mysteries of all time.

‘It almost seemed that the murder, if it was a murder, must have been committed by someone who could rise up unsupported in the air…’ When Miles Hammond is invited to a meeting of the Murder Club in London, he is met instead with just two other guests and is treated to a strange tale of an impossible crime in France from years before; the murder of a man on a tower with only one staircase, under watch at the time at which the murder took place. With theories of levitating vampires abounding, the story comes home to Miles when he realises that the librarian he has just hired for his home is none other than Fay Seton, a woman whose name still echoes from the heart of this bizarre and unsolved murder of the past. First published in 1946, in later years Carr considered this novel one of his finest works. It shows the masterful author at the height of his powers, boasting an ingenious plot delivered with an astounding pace and striking characters including none other than the great detective, Dr Gideon Fell.

Over a long career in the courts Justice Horace Ireton has a garnered a reputation for merciless rulings and his dedication to meting out strict, impartial justice. Taking a break from his duty after a session of assizes, Ireton retreats to his seaside bungalow in Devon and turns his attention to family, and specifically in attempting to bribe his daughter's lover Morrell to leave her alone so that she may instead marry the respectable clerk, Fred Barlow. It seems something about the deal with Morrell must have gone amiss, however, when the police are called to the Justice's residence to find Morrell shot dead and the judge still holding a pistol. But would the lawman be so bold to commit a murder like this? With a number of strange items making up the physical evidence Dr Gideon Fell, himself an old friend of Ireton's, is summoned to help with the deceptively simple - yet increasingly complex - investigation.

'"The purpose, the illusion, the spirit of a waxworks. It is an atmosphere of death. It is soundless and motionless... Do you see?"' Last night Mademoiselle Duchene was seen heading into the Gallery of Horrors at the Musee Augustin waxworks, alive. Today she was found in the Seine, murdered. The museum's proprietor, long perturbed by the unnatural vitality of his figures, claims that he saw one of them following the victim into the dark - a lead that Henri Bencolin, head of the Paris police and expert of 'impossible' crimes, cannot possibly resist. Surrounded by the eerie noises of the night, Bencolin prepares to enter the ill-fated waxworks, his associate Jeff Marle and the victim's fiance in tow. Waiting within, beneath the glass-eyed gaze of a leering waxen satyr, is a gruesome discovery and the first clues of a twisted and ingenious mystery. First published in 1932 at the height of crime fiction's Golden Age, this macabre and atmospheric dive into the murky underground of Parisian society presents an intelligent puzzle delivered at a stunning pace. This new edition also includes 'The Murder in Number Four', a rare Inspector Bencolin short story.

'That is the case. Alison has been murdered. His blazing body was seen running about the battlements of Castle Skull.' And so a dark shadow looms over the Rhineland where Inspector Henri Bencolin and his accomplice Jeff Marle have arrived from Paris. Entreated by the Belgian financier D'Aunay to investigate the gruesome and grimly theatrical death of actor Myron Alison, the pair find themselves at the imposing hilltop fortress Schloss Schadel, in which a small group of suspects are still assembled. As thunder rolls in the distance, Bencolin and Marle enter a world steeped in macabre legends of murder and magic to catch the killer still walking the maze-like passages and towers of the keep. This new edition of John Dickson Carr's spirited and deeply atmospheric early novel also features the rare Inspector Bencolin short story 'The Fourth Suspect'.

Crime author Dick Markham is in love again; his fiancee the mysterious newcomer to the village, Lesley Grant. When Grant accidentally shoots the fortune teller through the side of his tent at the local fair - following a very strange reaction to his predictions - Markham is reluctantly brought into a scheme to expose his betrothed as a suspected serial husband-poisoner. That night the enigmatic fortune teller - and chief accuser - is found dead in an impossible locked-room setup, casting suspicion onto Grant and striking doubt into the heart of her lover. Lured by the scent of the impossible case, Dr Gideon Fell arrives from London to examine the perplexing evidence and match wits with a meticulous killer at large. First published in 1944, Till Death Do Us Part remains a pacey and deeply satisfying impossible crime story, championed by Carr connoisseurs as one of the very best examples of his mystery writing talents.

John Dickson Carr lays on the macabre atmosphere again in this follow-up to It Walks by Night, in which Inspector Bencolin attempts to piece together a puzzle involving a disappearing street, a set of gallows which mysteriously reveals itself to a number of figures traipsing through the London fog, and the bizarre suggestion that a kind of fictional bogeyman, Jack Ketch, may be afoot and in the business of wanton execution. An early gem from one of the great writers of the classic crime genre. This edition also includes the rare Inspector Bencolin short story 'The Ends of Justice'.

Is the world better off without Christianity? Combining narrative with keen critique of contemporary debates, author and historian John Dickson gives an honest account of 2,000 years of Christian history that helps us understand what Christianity is and what it's meant to be. To say that the Christian Church has an "image problem" doesn't quite capture it. From the Crusades and the Inquisition to the racism and abuse present in today's Church--both in Catholic and Protestant traditions--the institution that Christ established on earth has a lot to answer for. But the Church has also had moments throughout history when it has been in tune with Jesus' teachings--from the rise of charity to the invention of hospitals. For defenders of the faith, it's important to be able to recognize the good and bad in the church's history and be inspired to live aligned with Christ. For skeptics, this book is a thought-provoking introduction to the idea that Christianity is, despite all, an essential foundation of our civilization. Now in softcover, this new edition provides a new chapter on the conversion of the Vikings. Bullies and Saints will take you on a big-picture journey from the Sermon on the Mount to the modern church: Giving contextual accounts of infamous chapters of Christian history, such as the Crusades, and acknowledging their darkness. Outlining the great movements of the faith and defending its heroes and saints, some of whom are not commonly recognized. Examining the Church beside the teachings and life of Jesus and how it has succeeded in its mission to imitate Christ.

We are thrilled to welcome John Dickson Carr into the Crime Classics series with his first novel, a brooding locked room mystery in the gathering dusk of the French capital. In the smoke-wreathed gloom of a Parisian salon, Inspector Bencolin has summoned his allies to discuss a peculiar case. A would-be murderer, imprisoned for his attempt to kill his wife, has escaped and is known to have visited a plastic surgeon. His whereabouts remain a mystery, though with his former wife poised to marry another, Bencolin predicts his return. Sure enough, the Inspector's worst suspicions are realized when the beheaded body of the new suitor is discovered in a locked room of the salon, with no apparent exit. Bencolin sets off into the Parisian night to unravel the dumbfounding mystery and track down the sadistic killer.

This book discusses the issues underlying contemporary Holocaust fiction. Using Gillian Rose's theory of Holocaust piety, it argues that, rather than enhancing our understanding of the Holocaust, contemporary fiction has instead become overly focused on gratuitous representations of bodies in pain. The book begins by discussing the locations and imagery which have come to define our understanding of the Holocaust, before then highlighting how this gradual simplification has led to an increasing sense of emotional distance from the historical past. Holocaust fiction, the book argues, attempts to close this emotional and temporal distance by creating an emotional connection to bodies in pain. Using different concepts relating to embodied experience - from Sonia Kruks' notion of feeling-with to Alison Landsberg's prosthetic memory - the book analyses several key examples of Holocaust literature and film to establish whether fiction still possesses the capacity to approach the Holocaust impiously.

According to the Psalms, God is enthroned on the praises of His people--and it is from that throne that He governs the heavens and the earth. If this picture of God's rule, found throughout the Scriptures, is accurate, shouldn't the Body of Christ seek to praise the King of heaven and earth in ways that release His kingdom government into specific circumstances? John A. Dickson and Chuck D. Pierce, coauthors of Worship As It Is in Heaven, offer the church a fresh look at heaven's pattern of worship, instituted in David's tabernacle and renewed through Jesus' apostles in the earliest days of the church. This "apostolic worship" is God's chosen way of establishing His will on earth; through worship, the forces of darkness are pushed back and righteousness prevails. In Worship As It Is in Heaven, readers are invited to enter in to a fullness of worship that the world has too rarely seen: worship that is the conduit of God's government of peace, justice, and holiness on the earth.

The Christmas season is one of comfort and joy, sparkling lights and steam rising from cups of mulled wine at frosty carol services. A season of goodwill to all men, as families and friends come together to forget their differences and celebrate the year together.

Unless, of course, you happen to be harbouring a grudge. Or hiding a guilty secret. Or you want something so much you just have to have it - whatever the cost. In A Very Murderous Christmas, ten of the best classic crime writers come together to unleash festive havoc, with murder, mayhem and twists aplenty.

Following Murder on Christmas Eve and Murder under the Christmas Tree, this is the perfect accompaniment to a mince pie and a roaring fire. Just make sure you're really, truly alone ...

This book takes the form of intellectual histories of eight major representative figures of the twentieth century, who inherited and responded to the spiritual problematic left by Nietzsche. With each figure offering very different ethical and spiritual positions, all shed light on what we mean when we talk confusedly around the topics of politics and religion. With portraits of Max Weber, Georg Lukacs, T.S. Eliot, W.H. Auden, Sigmund Freud, Carl Jung, George Orwell and Hannah Arendt, the author explores the "latent" content of their worldview-the moral (or immoral) intention of their intellectual project. In each of the case studies, the aim is to move toward an understanding of their ultimate values, to get at their particular picture of the soul, as well as the implications of this vision for religion and politics. As such, The Politics of the Soul will appeal to scholars of sociology and social theory, religion, philosophy, political theory and cultural studies.

For believers and skeptics alike, A Doubter's Guide to World Religions introduces the five major world religions so that you can explore their similarities and differences in a fair and engaging way. The world is a very religious place. Wherever you look, people are worshipping, praying, believing, following, even dying for their faith. But what does it mean to be religious? Are all religions the same? Do they all call on the same God simply using different names? Are their beliefs and practices simply cultural expressions of the same spiritual longings? Written by historian and theologian John Dickson in his characteristically engaging style, this book presents each of the world's five major systems of faith, carefully outlining the history, doctrines, beliefs, and spiritual practices of: Hinduism ("The Way of Release") Buddhism ("The Way of Enlightenment") Judaism ("The Way of the Torah") Christianity ("The Way of the Christ") Islam ("The Way of Submission") In his own words, Dickson acts as an art curator in a gallery, presenting each of these "works of art" in their best light and letting each have their say. Along the way, he demonstrates the importance of religion in general-to society and to individual believers-and addresses many of the universal questions that all of these serious and ancient religions ask: Who are we? What is our worth? How should we live? Are we alone? At the end of each section is a bibliography of helpful books and websites for those who are interested in learning even more.

Christmas Eve. While the world sleeps, snow falls gently from the sky, presents await under the tree ... and murder is afoot. In this collection of ten classic murder mysteries from the best crime writers in history, death and mayhem take many festive forms, from the inventive to the unexpected. From a Santa Claus with a grudge to a cat who knows who killed its owner on Christmas Eve, these are stories to enjoy - and be mystified by - in front of a roaring fire, mince pie to hand.

Who was Jesus? Historical sources portray a person who was complex, multi-layered, and often contradictory to the tidy portrait that much of modern Christianity paints him as. Even the gospel accounts render him as both judge and healer, teacher and temple, servant and savior. A Doubter's Guide to Jesus is a persuasive and often challenging investigation into the historical figure found in the earliest sources. These sources, which include references both direct and indirect-from Roman, Jewish, and Christian accounts-offer us more than simple evidence that Jesus existed; they begin to form a picture that is both deeply credible and profoundly counterintuitive. Each chapter explores the evidence for a different aspect of the most influential figure in human history, exploring: His words and their impact. The scandal of his social life. His preference for the poor and lowly. The meaning of his death and influence of his promises. The goal is not to turn Jesus into something neater, more systematic and digestible; but to see him more clearly as someone who stretches our imaginations, confronts our beliefs, and challenges our lifestyles. After two millennia of spiritual devotion and more than two centuries of modern critical research, we still cannot fit Jesus into a box-and this is as challenging as it is deeply compelling.