‘It almost seemed that the murder, if it was a murder, must have been committed by someone who could rise up unsupported in the air…’ When Miles Hammond is invited to a meeting of the Murder Club in London, he is met instead with just two other guests and is treated to a strange tale of an impossible crime in France from years before; the murder of a man on a tower with only one staircase, under watch at the time at which the murder took place. With theories of levitating vampires abounding, the story comes home to Miles when he realises that the librarian he has just hired for his home is none other than Fay Seton, a woman whose name still echoes from the heart of this bizarre and unsolved murder of the past. First published in 1946, in later years Carr considered this novel one of his finest works. It shows the masterful author at the height of his powers, boasting an ingenious plot delivered with an astounding pace and striking characters including none other than the great detective, Dr Gideon Fell.

A sinister case of deadly poisoned chocolates from Sodbury Cross's high street shop haunts the group of friends and relatives assembled at Bellegarde, among the orchards of 'peach-fancier' Marcus Chesney. To prove a point about how the sweets could have been poisoned under the nose of the shopkeeper, Chesney stages an elaborate memory game to test whether any of his guests can see beyond their 'black spectacles'; that is, to see the truth without assumptions as witnesses. During the test - which is also being filmed - Chesney is murdered by his accomplice, dressed head to toe in an 'invisible man' disguise. The keen wits of Dr Gideon Fell are called for to crack this brazen and bizarre murder committed in full view of an audience. Also known by its US title The Problem of the Green Capsule, this classic novel is widely regarded as one of John Dickson Carr's masterpieces and remains among the greatest impossible crime mysteries of all time.

Crime author Dick Markham is in love again; his fiancee the mysterious newcomer to the village, Lesley Grant. When Grant accidentally shoots the fortune teller through the side of his tent at the local fair - following a very strange reaction to his predictions - Markham is reluctantly brought into a scheme to expose his betrothed as a suspected serial husband-poisoner. That night the enigmatic fortune teller - and chief accuser - is found dead in an impossible locked-room setup, casting suspicion onto Grant and striking doubt into the heart of her lover. Lured by the scent of the impossible case, Dr Gideon Fell arrives from London to examine the perplexing evidence and match wits with a meticulous killer at large. First published in 1944, Till Death Do Us Part remains a pacey and deeply satisfying impossible crime story, championed by Carr connoisseurs as one of the very best examples of his mystery writing talents.

Over a long career in the courts Justice Horace Ireton has a garnered a reputation for merciless rulings and his dedication to meting out strict, impartial justice. Taking a break from his duty after a session of assizes, Ireton retreats to his seaside bungalow in Devon and turns his attention to family, and specifically in attempting to bribe his daughter's lover Morrell to leave her alone so that she may instead marry the respectable clerk, Fred Barlow. It seems something about the deal with Morrell must have gone amiss, however, when the police are called to the Justice's residence to find Morrell shot dead and the judge still holding a pistol. But would the lawman be so bold to commit a murder like this? With a number of strange items making up the physical evidence Dr Gideon Fell, himself an old friend of Ireton's, is summoned to help with the deceptively simple - yet increasingly complex - investigation.

'That is the case. Alison has been murdered. His blazing body was seen running about the battlements of Castle Skull.' And so a dark shadow looms over the Rhineland where Inspector Henri Bencolin and his accomplice Jeff Marle have arrived from Paris. Entreated by the Belgian financier D'Aunay to investigate the gruesome and grimly theatrical death of actor Myron Alison, the pair find themselves at the imposing hilltop fortress Schloss Schadel, in which a small group of suspects are still assembled. As thunder rolls in the distance, Bencolin and Marle enter a world steeped in macabre legends of murder and magic to catch the killer still walking the maze-like passages and towers of the keep. This new edition of John Dickson Carr's spirited and deeply atmospheric early novel also features the rare Inspector Bencolin short story 'The Fourth Suspect'.

John Dickson Carr lays on the macabre atmosphere again in this follow-up to It Walks by Night, in which Inspector Bencolin attempts to piece together a puzzle involving a disappearing street, a set of gallows which mysteriously reveals itself to a number of figures traipsing through the London fog, and the bizarre suggestion that a kind of fictional bogeyman, Jack Ketch, may be afoot and in the business of wanton execution. An early gem from one of the great writers of the classic crime genre. This edition also includes the rare Inspector Bencolin short story 'The Ends of Justice'.

We are thrilled to welcome John Dickson Carr into the Crime Classics series with his first novel, a brooding locked room mystery in the gathering dusk of the French capital. In the smoke-wreathed gloom of a Parisian salon, Inspector Bencolin has summoned his allies to discuss a peculiar case. A would-be murderer, imprisoned for his attempt to kill his wife, has escaped and is known to have visited a plastic surgeon. His whereabouts remain a mystery, though with his former wife poised to marry another, Bencolin predicts his return. Sure enough, the Inspector's worst suspicions are realized when the beheaded body of the new suitor is discovered in a locked room of the salon, with no apparent exit. Bencolin sets off into the Parisian night to unravel the dumbfounding mystery and track down the sadistic killer.

The Christmas season is one of comfort and joy, sparkling lights and steam rising from cups of mulled wine at frosty carol services. A season of goodwill to all men, as families and friends come together to forget their differences and celebrate the year together.

Unless, of course, you happen to be harbouring a grudge. Or hiding a guilty secret. Or you want something so much you just have to have it - whatever the cost. In A Very Murderous Christmas, ten of the best classic crime writers come together to unleash festive havoc, with murder, mayhem and twists aplenty.

Following Murder on Christmas Eve and Murder under the Christmas Tree, this is the perfect accompaniment to a mince pie and a roaring fire. Just make sure you're really, truly alone ...

It's the middle of summer. On Cornish sea-fronts, happy children grip melting ice-creams. In the south of France, sunlight filters through leaves as families picnic in the shade. And in the fashionable resorts of the Mediterranean, the beautiful people sun themselves on picture-postcard beaches.

And in those long, hot summer nights ... murder walks abroad. Away from familiar surroundings, and as the temperature rises, old grudges come to the surface, new hatreds reach boiling point - and clever minds start to make dangerous plans. These ten classic mysteries, from some of the finest crime writers, prove that no matter where you travel to - there's no rest for the wicked.

Christmas Eve. While the world sleeps, snow falls gently from the sky, presents await under the tree ... and murder is afoot. In this collection of ten classic murder mysteries from the best crime writers in history, death and mayhem take many festive forms, from the inventive to the unexpected. From a Santa Claus with a grudge to a cat who knows who killed its owner on Christmas Eve, these are stories to enjoy - and be mystified by - in front of a roaring fire, mince pie to hand.

'"The purpose, the illusion, the spirit of a waxworks. It is an atmosphere of death. It is soundless and motionless... Do you see?"' Last night Mademoiselle Duchene was seen heading into the Gallery of Horrors at the Musee Augustin waxworks, alive. Today she was found in the Seine, murdered. The museum's proprietor, long perturbed by the unnatural vitality of his figures, claims that he saw one of them following the victim into the dark - a lead that Henri Bencolin, head of the Paris police and expert of 'impossible' crimes, cannot possibly resist. Surrounded by the eerie noises of the night, Bencolin prepares to enter the ill-fated waxworks, his associate Jeff Marle and the victim's fiance in tow. Waiting within, beneath the glass-eyed gaze of a leering waxen satyr, is a gruesome discovery and the first clues of a twisted and ingenious mystery. First published in 1932 at the height of crime fiction's Golden Age, this macabre and atmospheric dive into the murky underground of Parisian society presents an intelligent puzzle delivered at a stunning pace. This new edition also includes 'The Murder in Number Four', a rare Inspector Bencolin short story.

To solve a centuries-old crime, a man makes a deal with the devil: "The fantasy, the murder and the historical action are . . . all wonderful" (San Francisco Chronicle). An aging scholar of Restoration history, Nicholas Fenton has long dreamed of traveling into the past. He has a date in mind--May 10, 1675--as well as a purpose: to solve the murder case of the woman he loves, his rakehell ancestor's lovely wife. Obsessed with delivering her from danger, he turns to an unlikely accomplice: the devil. After striking a bargain with the prince of darkness, Fenton awakens in the seventeenth century in the much-younger body of dashing Sir Nick Fenton. In an era when gentlemen died by the blade, Fenton is handy with a rapier, and his knowledge of local history gives him a leg up on the swashbucklers who would have his hide. But while his sword may help him rescue his beloved, it will take more than that to save his soul. Even in 1675, the devil is in the details.

John Dickson Carr, a master of the Golden Age British-style mystery novel, presents Dr. Gideon Fell's most chilling case, in which a clock-obsessed killer terrorizes London A clockmaker is puzzled by the theft of the hands of a monumental new timepiece he is preparing for a member of the nobility. That night, one of the stolen hands is found buried between a policeman's shoulder blades, stopping his clock for all time. The crime is just peculiar enough to catch the attention of Dr. Gideon Fell, the portly detective whose formidable intellect is the terror of every criminal in London. Working closely with Scotland Yard, he finds that the case turns on the question of why the clock hands were stolen. And learning the answer will put Dr. Fell squarely in the path of a madman with nothing but time on his hands. "There has probably never been, either in real life or in fiction, a more elaborately planned crime than this one." -The New York Times "Very few detective stories baffle me, but Mr. Carr's always do." -Agatha Christie "Mr. Carr can lead us away from the small, artificial world of the ordinary detective plot into the menace of outer darkness. . . . Every sentence gives a thrill of positive pleasure." -Dorothy L. Sayers John Dickson Carr (1906-1977) was one of the most popular authors of Golden Age British-style detective novels. Born in Pennsylvania and the son of a US congressman, Carr graduated from Haverford College in 1929. Soon thereafter, he moved to England where he married an Englishwoman and began his mystery-writing career. In 1948, he returned to the US as an internationally known author. Carr received the Mystery Writers of America's highest honor, the Grand Master Award, and was one of the few Americans ever admitted into the prestigious, but almost exclusively British, Detection Club.

The Mystery Fancier, Volume 1 Number 6, November 1977, contains: "Raymond Chandler on Film: An Annotated Checklist, Part I," by Peter Pross, "The Degeneration of Donald Hamilton," by George Kelley, "The Mysterious John Dickson Carr," by Larry L. French, and "The Nero Wolfe Saga, Part IV," by Guy M. Townsend.