Discover the remarkable history of Dupont Circle in Washington, D.C.

Author Ray John de Aragon has collected various folkloric stories from all regions of New Mexico throughout its changing history, most of them foreboding or cautionary tales of witches and specters. Stories rooted in the folklore of Native American culture, the Spanish colonial era, Mexican period, and the Wild West and epic-ranching years of New Mexico's past have been gathered by the author from all corners of the state. He frames them with historical context, old traditions, and other information to explain how they were promulgated among the peoples of specific times and places.

"Washington seems the eternal and unchanging Federal City with its grand avenues and stately monuments. Yet the city that locals once knew lavish window displays at Woodies, supper at the grand Raleigh Hotel and a Friday night game at Griffith Stadium is gone. Author John DeFerrari investigates the bygone institutions of the nineteenth and twentieth centuries with an engaging collection of new vignettes and reader favorites from his blog "The Streets of Washington." From the raucous age of burlesque at the Gayety Theater and the once bustling Center Market to the mystery of Suter's Tavern and the disappearance of the Key Mansion in Georgetown, DeFerrari recalls the lost Washington, D.C., of yesteryear.

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Managing risk is a requirement of the SRA Handbook and quality schemes. Land law in England and Wales remains complex and to a large extent uncodified and claims against solicitors for negligence form the largest number of all claims against solicitors. This unique new book examines the specific issues that may arise at different stages in the acquisition and conveyance of land and identifies the problems, pitfalls and risks faced when acting for the buyer, seller and lender which may give rise to liability in negligence. As well as covering routine matters such as compliance with CML Conditions, it includes chapters on discrete issues, such as options or environmental matters, which will be of particular help to non-specialist practitioners.

Jeremy M. Inman writes and directs this action spoof starring Casper Van Dien and Lou Ferrigno. When Rumpelstiltskin (Van Dien) escapes to the Land Without Magic through Snow White (Lauren Parkinson)'s magic mirror he inadvertently takes her and the other princesses of Grimm, Cinderella (Milynn Sarley), Sleeping Beauty (Marah Fairclough) and Rapunzel (Rileah Vanderbilt), with him. Aided by Red Riding Hood (Elizabeth Peterson), the princesses must stop Rumpelstiltskin from using his magic powers to rule over both worlds with The Wolf (Kimo Leopoldo) and Iron John (Lou Ferrigno) by his side.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.