The Making of Modern Law: Foreign, Comparative and International Law, 1600-1926, brings together foreign, comparative, and international titles in a single resource. Its International Law component features works of some of the great legal theorists, including Gentili, Grotius, Selden, Zouche, Pufendorf, Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among others. The materials in this archive are drawn from three world-class American law libraries: the Yale Law Library, the George Washington University Law Library, and the Columbia Law Library.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.+++++++++++++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: +++++++++++++++Yale Law LibraryLP3Y005530019250101The Making of Modern Law: Foreign, Comparative, and International Law, 1600-1926Cover-title. Reprinted from 9 Minnesota law review, 122-139, 240-268.Minneapolis, Minn., c1925]47 p.; 26 cmUnited States

With Selected Songs Collected, Transcribed And Arranged For Voice And Piano.

With Selected Songs Collected, Transcribed And Arranged For Voice And Piano.

First published in 1954 when Robb was Dean of the College of Fine Arts at the University of New Mexico, "Hispanic Folk Songs of New Mexico" has been revised to feature arrangements for voice and piano with the addition of chord symbols for guitar. Contributors to the revision are James Bratcher, Marilyn Fletcher, UNM Professor Emeritus, Tomas Ruiz-Fabrega, Ph.D., and Robert Tillotson, Ph.D.

Robb's discussion falls into three major divisions: a general examination of the Hispanic folk song in New Mexico (types, origins, and literary and musical characteristics), of specific folk songs, and, finally, the songs presented in both Spanish and English.

Aimed at general folk music enthusiasts and educators for use in the classroom, yet avoiding being overly technical, Robb conveys basic principles and imparts his contagious enthusiasm for the flavor of New Mexico's folk songs.

Composer John Donald Robb (1892-1989) built an invaluable legacy in the preservation of New Mexico's rich musical traditions. His extensive field recordings, compositions, papers, and photographs now comprise the John Donald Robb Archives in the University of New Mexico Libraries' Center for Southwest Research. Cancionero presents thirteen Hispanic folk songs from Robb's renowned archive. Created for musicians and vocalists, Cancionero features arrangements for voice with piano or guitar accompaniments as well as selected concert versions for voice, oboe, harp, and piano. Introductions include information about song forms, history, and subjects, providing further insight into each song.

First published in 1980 and now available only from the University of New Mexico Press, this classic compilation of New Mexico folk music is based on thirty-five years of field research by a giant of modern music. Composer John Donald Robb, a passionate aficionado of the traditions of his adopted state, travelled New Mexico recording and transcribing music from the time he arrived in the Southwest in 1941.