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John Lyly
John Dover Wilson
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R777
Discovery Miles 7 770
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Ships in 12 - 17 working days
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Entertaining and informative, this 1956 anthology paints a vivid
picture of the world in which Shakespeare lived. Using the
playwright's life as the framework - his birth, his education, his
move to London, his life in theatre, his death - the book uses
selected extracts from key Elizabethan publications to embody the
atmosphere of this period. From sport to superstition, from
festival to fashion, from the plague to playhouses, the significant
features of the age are described through its prose, providing the
reader with first-hand accounts of the conditions in which
Shakespeare's masterpieces were created. All chapters are prefaced
with illustrative Shakespearean quotations; the collection
representing a commentary on the work as well as the life of
Shakespeare. All texts have been modernised to assist the reader,
and a glossary is included which explains names, unfamiliar words
and difficult passages.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
John Dover Wilson's New Shakespeare, published between 1921 and
1966, became the classic Cambridge edition of Shakespeare's plays
and poems until the 1980s. The series, long since out-of-print, is
now reissued. Each work is available both individually and as a
set, and each contains a lengthy and lively introduction, main
text, and substantial notes and glossary printed at the back. The
edition, which began with The Tempest and ended with The Sonnets,
put into practice the techniques and theories that had evolved
under the 'New Bibliography'. Remarkably by today's standards,
although it took the best part of half a century to produce, the
New Shakespeare involved only a small band of editors besides Dover
Wilson himself. As the volumes took shape, many of Dover Wilson's
textual methods acquired general acceptance and became an
established part of later editorial practice, for example in the
Arden and New Cambridge Shakespeares.
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