The story Raven and the Box of Daylight, which tells how Raven transformed the world and brought light to the people by releasing the stars, moon, and sun, holds great significance to the Tlingit people of the Pacific Northwest Coast. A new body of work by artist Preston Singletary (American, born 1963) will immerse readers in Tlingit traditions by telling this story through his monumental glass works and installations. Primarily known for his celebration of Tlingit art and design, Singletary will explore new ways of working with glass inspired by Tlingit design principles. Tlingit objects were traditionally used to show wealth and tell stories by representing elements of the natural world, as well as the histories of individual families. By drawing upon this tradition, Singletary's art creates a unique theatrical atmosphere, in which the pieces follow and enhance a narrative. This book includes texts that place Singletary's work within the wider histories of both glass art and native arts traditions-especially the art of spoken-word storytelling. Also included are a biography and an interview with the artist.

Crowds in the 21st Century presents the latest theory and research on crowd events and crowd behaviour from across a range of social sciences, including psychology, sociology, law, and communication studies. Whether describing the language of the crowd in protest events, measuring the ability of the crowd to empower its participants, or analysing the role of professional organizations involved in crowd safety and public order, the contributions in this volume are united in their commitment to a social scientific level of analysis. The crowd is often depicted as a source of irrationality and danger - in the form of riots and mass emergencies. By placing crowd events back in their social context - their ongoing historical and proximal relationships with other groups and social structures - this volume restores meaning to the analysis of crowd behaviour. Together, the studies described in this collection demonstrate the potential of crowd research to enhance the positive experience of crowd participants and to improve design, planning, and management around crowd events. This book was originally published as a special issue of Contemporary Social Science.

Crowds in the 21st Century presents the latest theory and research on crowd events and crowd behaviour from across a range of social sciences, including psychology, sociology, law, and communication studies. Whether describing the language of the crowd in protest events, measuring the ability of the crowd to empower its participants, or analysing the role of professional organizations involved in crowd safety and public order, the contributions in this volume are united in their commitment to a social scientific level of analysis. The crowd is often depicted as a source of irrationality and danger - in the form of riots and mass emergencies. By placing crowd events back in their social context - their ongoing historical and proximal relationships with other groups and social structures - this volume restores meaning to the analysis of crowd behaviour. Together, the studies described in this collection demonstrate the potential of crowd research to enhance the positive experience of crowd participants and to improve design, planning, and management around crowd events. This book was originally published as a special issue of Contemporary Social Science.

English critics were brilliant initiators and exploiters of biblical criticism. This momentous exercise, whereby the 'Holy Scriptures' became the object of human critique independent of church control, is illustrated by John Drury in the present volume with excerpts from such famous critics as Coleridge, Blake and Matthew Arnold, and lesser names such as Collins and Deist and Bishop Sherlock. Robert Lowth's famous lectures on the Psalms, which had an important influence on Blake and Christopher Smart, are well represented here, as is the famous contribution to Essays and Reviews by Benjamin Jowett. This book provides the only available collection of biblical criticism from this important period of critical enquiry, the eighteenth and nineteenth centuries. The extracts are accompanied by a full editorial introduction, notes and a bibliography. They should be read by all students of literature and theology interested in the period.

A classic work in the history of science, and described as “a good book on rocket stuff…that’s a really fun one� by SpaceX founder Elon Musk, readers will want to get their hands on this influential classic, available for the first time in decades.   This newly reissued debut book in the Rutgers University Press Classics imprint is the story of the search for a rocket propellant which could be trusted to take man into space. This search was a hazardous enterprise carried out by rival labs who worked against the known laws of nature, with no guarantee of success or safety. Acclaimed scientist and sci-fi author John Drury Clark writes with irreverent and eyewitness immediacy about the development of the explosive fuels strong enough to negate the relentless restraints of gravity. The resulting volume is as much a memoir as a work of history, sharing a behind-the-scenes view of an enterprise which eventually took men to the moon, missiles to the planets, and satellites to outer space.  

A wonderful edition of Herbert's poetry, edited by his acclaimed biographer John Drury and including elegant new translations of his Latin verse by Victoria Moul. George Herbert wrote, but never published, some of the very greatest English poetry, recording in an astonishing variety of forms his inner experiences of grief, recovery, hope, despair, anger, fulfilment and - above all else - love. This volume, edited by John Drury, collects Herbert's complete poetry - including such classics of English devotional poetry as 'The Altar', Easter-Wings' and 'Love'. It also includes the verse Herbert wrote in Latin, newly translated into English by Victoria Moul. George Herbert was born in 1593 and died at the age of 39 in 1633, before the clouds of civil war gathered. He showed worldly ambition and seemed sure of high public office and a career at court, but then for a time 'lost himself in a humble way', devoting himself to the restoration of a church and then to his parish of Bemerton, three miles from Salisbury. When in the year of his death his friend Nicholas Ferrar published Herbert's poems under the title The Temple, his fame was quickly established. John Drury is Chaplain and Fellow of All Souls College, Oxford. His books include The Burning Bush (1990), Painting the Word (1999), and, most recently, Music at Midnight, the culmination of a lifetime's interest in Herbert. Victoria Moul is Lecturer in Latin Literature and Language at Kings College London. She is author of Jonson, Horace and the Classical Tradition (2010) and editor of Neo-Latin Literature (2014).

For the first time, John Drury convincingly integrates the life and poetry of George Herbert, giving us in Music at Midnight the definitive biography of the man behind some of the most famous poems in the English Language. 'Love bade me welcome . . .' 'Teach me my God and King . . .' George Herbert wrote, but never published, some of the very greatest English poetry, recording in an astonishing variety of forms his inner experiences of grief, recovery, hope, despair, anger, fulfilment and - above all else - love. He was born in 1593 and died at the age of 39 in 1633, before the clouds of civil war gathered, his family aristocratic and his upbringing privileged. He showed worldly ambition and seemed sure of high public office and a career at court, but then for a time 'lost himself in a humble way', devoting himself to the restoration of the church at Leighton Bromswold in Buckinghamshire and then to his parish of Bemerton, three miles from Salisbury, whose cathedral music he called 'my heaven on earth'. When in the year of his death his friend Nicholas Ferrar, leader of the quasi-monastic community at Little Gidding, published Herbert's poems under the title The Temple, his fame was quickly established. Because he published no English poems during his lifetime, and dating most of them exactly is impossible, writing Herbert's biography is an unusual challenge. In this book John Drury sets the poetry in the whole context of the poet's life and times, so that the reader can understand the frame of mind and kind of society which produced it, and depth can be added to the narrative of Herbert's life. (T.S. Eliot: 'What we can confidently believe is that every poem in the book [The Temple] is in tune to the poet's experience.') His Herbert is not the saintly figure who has come down to us from John Aubrey, but a man torn for much of his life between worldly ambition and the spiritual life shown to us so clearly through his writings. The result is the most satisfying biography of this exceptional English poet yet written. JOHN DRURY is Chaplain and Fellow of All Souls College, Oxford. He began as a biblical scholar, and while Dean of King's College, Cambridge, worked with Frank Kermode on the Gospels for The Literary Guide to the Bible, which sharpened his sense of the role of imagination in the formation of the Gospel stories. He took this interest further, and into the realm of Christian paintings and their meaning, in Painting the Word, written while he was Dean of Christ Church, Oxford. Music at Midnight is the culmination of a lifetime's interest in Herbert, whose Complete Poetry he is now editing for Penguin Classics.

This is a new release of the original 1948 edition.

A THEOLOGY FOR ARTISANS OF A NEW HUMANITY

A THEOLOGY FOR ARTISANS OF A NEW HUMANITY

A THEOLOGY FOR ARTISANS OF A NEW HUMANITY

A THEOLOGY FOR ARTISANS OF A NEW HUMANITY

A THEOLOGY FOR ARTISANS OF A NEW HUMANITY

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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