Originally published in 1928, this book contains an edition of John Dryden's play King Arthur, which was first performed in 1691. The subsequent alterations made by Henry Purcell are noted where they alter or expand the text. This book will be of value to anyone with an interest in English opera or Restoration drama.

Originally published in 1911 and part of the English Literature for Schools series, this book contains three books from the 1697 edition of John Dryden's translation of Virgil's Aeneid. Hamilton Thompson supplies an introduction on the history of the Aeneid and Dryden's translation of it, as well as critical notes on variations in the translation's text. This book will be of value to anyone with an interest in the history of Classical education.

Although John Dryden the poet is best known for his alexandrine epics, John Dryden the playwright is most honored for this blank verse tragedy. The summit of Dryden's dramatic art, All for Love (1677) is a spectacle of passion as felt, feared, and disputed in the suspicious years following the English Civil War. Due to its dramatic compression and elegance, All for Love is one of the most enduring plays of the Restoration repertory. It was so successful that in the eighteenth century Dryden's tragedy drove Shakespeare's Antony and Cleopatra from the stage. The play depicts the catastrophic passion of Cleopatra and Marc Antony, who could not be conquered but by love. Fidelity to family and friends, adherence to codes of honor, national loyalties, and the rule of law compete with each other, tearing the world with violence.

Aureng-Zebe was John Dryden's last rhymed play and it is frequently considered his best. In this tragedy, produced in 1675, published in 1676, the plot is loosely based on a contemporary account of the struggle between the four sons of Shah Jahan, the fifth Mogul emperor, for the succession to the throne. The hero is a figure of exemplary rationality, virtue, and patience whose stepmother lusts after him and whose father pursues the woman with whom Aureng-Zebe is himself in love. Dryden evinces a deeply disturbing awareness of the anarchy and impotence which threaten every aspect of human life, emotional, moral, and political.