Thanks to its engaging writing style and accessible structure, Fletcher has become the ultimate one-stop text for any student studying Tourism. Its broad appeal and popularity increases with each new edition, making it excellent value for any student who wants to understand and explore the principles of the subject. Well-liked by students and lecturers alike, Tourism: Principles and Practice is the ultimate reference text for anyone wishing to understand the complex and varied issues involved with such a diverse and constantly changing subject.

A multi-stranded historical epic set in China in 1937, when Wuhan stood alone against a whirlwind of war and violence. 'Fletcher impresses in this searing debut... Fletcher makes all his characters realistic, even if they only appear briefly, and excels at portraying the horrors of war and the moral challenges it poses. Fans of J.G. Ballard's Empire of the Sun will be riveted' Publishers Weekly, Starred Review 1937. CHINA IS AT WAR. Soldiers of the Empire of Japan sweep through the country, killing and displacing the millions who stand in their way. As vast swathes of the country fall to the invaders, Wuhan, an industrial city in the centre of China, is appointed wartime capital. While the rest of the world looks the other way, the citizens of Wuhan stand alone against a whirlwind of violence - transforming militarily, educationally, medically and culturally. Their heroic efforts halted the Japanese. Weaving together a multitude of narratives, Wuhan is a historical fiction epic that pulls no punches: the heart-in-mouth tale of a peasant family forced onto a thousand-mile refugee death-march; the story of Lao She - China's greatest writer - leaving his family in a war zone to assist with the propaganda effort in Wuhan; the hellish battlefields of the Sino-Japanese war; the approaching global conflict seen through a host of colourful characters - from Chiang Kai-Shek, China's nationalist leader, to Peter Fleming, a British journalist based in Wuhan and the prototype for his younger brother Ian Fleming's James Bond.

The authoritative edition of The Two Noble Kinsmen from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers. Written by Shakespeare and John Fletcher, this play tells the familiar story of a love triangle. Here, though, it seems distant and strange. Initially, the Theban knights Arcite and Palamon are devoted kinsmen, both serving their king, Creaon, who is defeated by Theseus, Duke of Athens. After they are imprisoned in Athens, they see Emilia, sister of the Duchess of Athens, through a window. They become rivals for her love, eager to fight each other to the death, even though she does not know they exist. After Arcite is released and banished, and Palamon escapes, they begin their would-be fight to the death with chivalric ceremony. Theseus, happening on them, decrees that they must compete for her in a tournament, after which the loser will be executed. Emilia is no willing bride; as a girl, she loved Flavina, who has died. Still, she tries to avert the tournament by choosing between Arcite and Palamon, only to find she cannot. The jailer's daughter, a character added by the playwrights, is infatuated with Palamon and helps him escape. But the social gulf between her and Palamon is unimaginably wide. Only the gods can bring the play to resolution. This edition includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by Dieter Mehl The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

In the fifth century, the Roman Empire collapsed and Western Europe began remaking itself in the turmoil that followed. In south-west Britain, old tribal authorities and identities reasserted themselves and a ruling elite led a vibrant and outward-looking kingdom with trade networks that stretched around the Atlantic coast of Europe and abroad into the Mediterranean. They and their descendants would forge their new kingdom into an identity and a culture that lasts into the modern age. The Western Kingdom is the story of Cornwall, and of how its unique language, culture and heritage survived even after politically merging with England in the tenth century. It’s a tale of warfare, trade and survival – and defiance in the face of defeat.

Wuhan, 1937. China is at war, invaded by the Japanese Army, who sweep through the country killing indiscriminately. As the capital city falls, Wuhan takes its place and will become pivotal in China's future. 1937. China is at war. Japanese soldiers sweep through the country, killing and displacing the millions who stand in their way. Nanjing has fallen, and Wuhan promoted in its place. While the rest of the world looks the other way, Wuhan stands alone against a whirlwind of violence which forced unprecedented cultural and political change. This will be a moment that shapes China's future. Weaving together a multitude of narratives, Wuhan is a historical fiction epic that pulls no punches: the heart-in-mouth story of a peasant family forced onto a thousand-mile refugee death-march; the story of Lao She - the influential Chinese novelist - who leaves his family in a war-zone to assist with the propaganda effort in Wuhan; the hellish battlefields of the Sino-Japanese war; the incipient global conflict seen through a host of colourful characters - from Chiang Kai-Shek, China's nationalist leader, to Peter Fleming, British journalist based in Wuhan and a prototype for his younger brother Ian Fleming's James Bond.

This book, first published in 1985, stresses Beckett's success as an innovator in the theatre through a close reading and analysis of his plays. The differing backgrounds of the two authors enables them to approach Beckett's drama in a particularly fruitful way: 'Their analysis is clever yet level-headed, readable but does not shirk complexities.' (Times Educational Supplement). 'Brilliant collection of essays on Beckett and his works.' (Irish Times)

This volume begins with a new essay by Julia Kristeva, 'The Adolescent Novel', in which she examines the relation between novelistic writing and the experience of adolescence as an 'open structure'. It is this blend of the literary with the psychoanalytic that places Kristeva's work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. The essays in this volume offer insight into the workings of Kristeva's thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature. Kristeva's persistent humanity, her profound understanding of the dynamics of intention and creativity, mark her out as one of the leading theoreticians of desire. Each essay offers the reader a new insight into the many aspects that make up Kristeva's entire oeuvre.

Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet's script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet's work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.

This book, first published in 1985, stresses Beckett's success as an innovator in the theatre through a close reading and analysis of his plays. The differing backgrounds of the two authors enables them to approach Beckett's drama in a particularly fruitful way: 'Their analysis is clever yet level-headed, readable but does not shirk complexities.' (Times Educational Supplement). 'Brilliant collection of essays on Beckett and his works.' (Irish Times)

This volume begins with a new essay by Julia Kristeva, 'The Adolescent Novel', in which she examines the relation between novelistic writing and the experience of adolescence as an 'open structure'. It is this blend of the literary with the psychoanalytic that places Kristeva's work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. The essays in this volume offer insight into the workings of Kristeva's thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature. Kristeva's persistent humanity, her profound understanding of the dynamics of intention and creativity, mark her out as one of the leading theoreticians of desire. Each essay offers the reader a new insight into the many aspects that make up Kristeva's entire oeuvre.

Published in 1987: This thesis presents an edition of the author's play, Monsieur Thomas, with a substantial introduction in several sections and a sizeable apparatus.

Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet's script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet's work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.

Published in 1987: This thesis presents an edition of the author's play, Monsieur Thomas, with a substantial introduction in several sections and a sizeable apparatus.

'Essays on Otherness offers the most original, philosophical sophisticated, and far-reaching critical reading of Freud's metapsychology since Lacan. Exegetically scrupulous and rigorously argued, these essays go straight to the heart of the psychoanalytical enterprise.' - Peter Osborne, Professor of Modern European Philosophy, Middlesex University

'[Laplanche's] philosophical and psychoanalytical studies are now becoming increasingly drawn upon by cultural theorists and critics, and this work is helped enormously by the publication of Essays on Otherness and the comprehensive and illuminating introduction by John Fletcher.' - New Formations

'[Laplanche's] philosophical and psychoanalytical studies are now becoming increasingly drawn upon by cultural theorists and critics, and this work is helped enormously by the publication of Essays on Otherness and the comprehensive and illuminating introduction by John Fletcher.' - New Formations

Our understanding of the historical ecology of European forests has been transformed in the last twenty years. Bringing together key findings from across the continent, Europe's Changing Woods and Forests: From Wildwood to Managed Landscapes provides a comprehensive account of recent research and the relevance of historical studies to our current conservation and management of forests. Combining theory with a series of regional case studies, this book shows how different aspects of forestry play out according to the landscape and historical context of the local area, with broad implications for woodland history, policy and management. Beginning with an overview of Europe's woods and forests, the book reviews a variety of management techniques (including wood-pastures, coppicing, close-to-nature forestry and the impact of hunting), describes how plants and animals respond to changes in woodland and forest cover, and includes case histories from around the continent. It concludes with a discussion of how lessons learned from the past can help in the future. This book is both a vital resource and an interesting read for foresters, conservationists, landscape historians, geographers and ecologists.

This is the first book devoted to international deer husbandry techniques for the growing industries of venison, velvet antler, and antler trophy production as well as long established extensive park systems for amenity. Written by world leaders in their specialised subjects, chapters shed light on widely differing management systems and the optimum design of deer farms, handling yards and fencing layouts. Moreover, readers will discover the requisites of good stockmanship and specialist veterinarians describe different diseases the deer may develop. Details on available treatments, the general biology of deer and an explanation of controversial ethics of velvet and trophy production complete this work. As deer farming has come of age this collection is timely. At fifty years the New Zealand deer industry carries one million animals with annual venison exports to America, Europe and growing antler markets in China and Korea. Chinese antler production is well-established and Asian reindeer husbandry even more ancient. In North America and Europe, deer are now being kept for antler trophies and amenity in many historic parks. This volume is a valuable resource for everyone researching deer management systems, be it practising veterinarians, deer farmers, park managers or agricultural and veterinary students.

Wuhan, 1937. China is at war, invaded by the Japanese Army, who sweep through the country killing indiscriminately. As the capital city falls, Wuhan takes its place and will become pivotal in China's future. 1937. China is at war. Japanese soldiers sweep through the country, killing and displacing the millions who stand in their way. Nanjing has fallen, and Wuhan promoted in its place. While the rest of the world looks the other way, Wuhan stands alone against a whirlwind of violence which forced unprecedented cultural and political change. This will be a moment that shapes China's future. Weaving together a multitude of narratives, Wuhan is a historical fiction epic that pulls no punches: the heart-in-mouth story of a peasant family forced onto a thousand-mile refugee death-march; the story of Lao She - the influential Chinese novelist - who leaves his family in a war-zone to assist with the propaganda effort in Wuhan; the hellish battlefields of the Sino-Japanese war; the incipient global conflict seen through a host of colourful characters - from Chiang Kai-Shek, China's nationalist leader, to Peter Fleming, British journalist based in Wuhan and a prototype for his younger brother Ian Fleming's James Bond.

Do you want to know why Beckett has become a figure of such continuing influence and importance in the theatre? Are you studying his plays and looking for help with interpretation? Do you teach Beckett and need a reliable guide to his plays? A Faber Critical Guide to Samuel Beckett's major work gives all this and more: An introduction to the distinctive features of the playwright's work The significance of the playwright in the context of modern theatre A detailed analysis of each of the classic plays: language, structure and character features of performance select bibliography Compiled by experts in their field, for use in classroom, college or at home, Faber Critical Guides are the essential companions to the work of all leading dramatists. Also in this series: Faber Critical Guides to the major works of Sean O'Casey, Brian Friel, Harold Pinter and Tom Stoppard.

This book argues that Freud's mapping of trauma as a scene is central to both his clinical interpretation of his patients' symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients' lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud's break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud and many since him have felt between psychoanalysis and literature (and artistic production more generally), and the privileged role of literature at certain turning points in the development of his thought. It is Freud's scenography of trauma and fantasy that speaks to the student of literature and painting.
Overall, the book develops the thesis of Jean Laplanche that in Freud's shift from a traumatic to a developmental model, along with the undoubted gains embodied in the theory of infantile sexuality, there were crucial losses: specifically, the recognition of the role of the adult other and the traumatic encounter with adult sexuality that is entailed in the ordinary nurture and formation of the infantile subject.

This book argues that Freud's mapping of trauma as a scene is central to both his clinical interpretation of his patients' symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients' lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud's break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud and many since him have felt between psychoanalysis and literature (and artistic production more generally), and the privileged role of literature at certain turning points in the development of his thought. It is Freud's scenography of trauma and fantasy that speaks to the student of literature and painting.
Overall, the book develops the thesis of Jean Laplanche that in Freud's shift from a traumatic to a developmental model, along with the undoubted gains embodied in the theory of infantile sexuality, there were crucial losses: specifically, the recognition of the role of the adult other and the traumatic encounter with adult sexuality that is entailed in the ordinary nurture and formation of the infantile subject.