Rib Hillis and Eric Roberts stars in this low-budget sci-fi action feature. An explosion at a mine in Montana inadvertently unleashes a group of fearsome prehistoric dinosaurs that proceed to cause havoc on the nearby town. Cowboy Val Walker (Hillis), who has returned home to get a job and hopefully reunite with his ex-girlfriend Sky (Casey Fitzgerald), teams up with his estranged dad Trent (Roberts) and tries to use his rodeo skills to fight off the giant predators before they completely destroy the town.

Featuring new work from Rebecca Makkai, Aleksandar Hemon, Rachel Khong, Louise Erdrich, and more, the tenth and final installment of the boundary-pushing literary journal Freeman's, which explores all the ways of coming to an end Over the course of ten years, Freeman's has introduced the English-speaking world to countless writers of international import and acclaim, from Olga Tokarczuk to Valeria Luiselli, while also spotlighting brilliant writers working in English, from Tommy Orange to Tess Gunty. Now, in its last issue, this unique literary project ponders all the ways of reaching a fitting conclusion. For Sayaka Murata, keeping up with the comings and goings of fashion and its changing emotional landscapes can mean being left behind, while in her poem "Amenorrhea," Julia Alvarez experiences the end of a line as menstruation ceases. Yet sometimes an end is merely a beginning, as Barry Lopez meditates while walking through the snowy Oregonian landscapes. While Chinelo Okparanta's story "Fatu" confronts the end of a relationship under the specter of new life, other writers look towards aging as an opportunity for rebirth, such as Honorée Fanonne Jeffers, who takes on the role of being her own elder, comforting herself in the ways that her grandmother used to. Finally, in his comic story "Everyone at Dinner Has a Max von Sydow Story," Dave Eggers suggests that sometimes stories don't have neat or clean endings--that sometimes the middle is enough. With new writing from Sandra Cisneros, Colum McCann, Omar El Akkad, and Mieko Kawakami, Freeman's: Conclusions is a testament to the startling power of literature to conclude in a state of beauty, fear, and promise.

Evoking childhood memories and lifelong relationships with humour, poignancy, and preternatural clarity, What Possessed Me also explores the natural world and landscapes in various parts of England, Wales, France, and Greece. Another theme is the work of teaching and other professions seen from the vantage points of provider, recipient, and witness. There are salutes to writers like Edward Thomas, Dannie Abse and Jack Gilbert who, we are told, 'put his life into poetry.' Separate sequences celebrate years of occasional visits to Llandaff Cathedral and its surrounding landscape, and the delights and political revelations of a stay in Athens. This is a book diverse in its moods and subjects but unified by an infectious openness to the moment and to life's joys and sorrows, and an unfolding sense of accumulating experience and insight. It is illuminated by a recurrent sense of inspiration, of 'what possessed me.'

Thirty-six major contemporary writers examine life in a deeply divided America-including Anthony Doerr, Ann Patchett, Roxane Gay, Rebecca Solnit, Hector Tobar, Joyce Carol Oates, Edwidge Danticat, Richard Russo, Eula Bliss, Karen Russell, and many more America is broken. You don't need a fistful of statistics to know this. Visit any city, and evidence of our shattered social compact will present itself. From Appalachia to the Rust Belt and down to rural Texas, the gap between the wealthiest and the poorest stretches to unimaginable chasms. Whether the cause of this inequality is systemic injustice, the entrenchment of racism in our culture, the long war on drugs, or immigration policies, it endangers not only the American Dream but our very lives. In Tales of Two Americas, some of the literary world's most exciting writers look beyond numbers and wages to convey what it feels like to live in this divided nation. Their extraordinarily powerful stories, essays, and poems demonstrate how boundaries break down when experiences are shared, and that in sharing our stories we can help to alleviate a suffering that touches so many people.

This insightful and practically-focused collection brings together different approaches to actor training from professionals based at universities and conservatoires in the UK, the US and Australia. Exploring the cultural and institutional differences which affect actor training, and analysing developments in the field today, it addresses a range of different approaches, from Stanislavski's System to contemporary immersive theatre. With hands-on focus from some of the world's leading programmes, and attention paid to ethical control, consent and safe practice, this book sees expert tutors exploring pathways to sustainable 21st century careers. Designed for tutors, students and practitioners, Approaches to Actor Training examines what it means to train as an actor, what actors-in-training can expect from their programmes of study and how the road to professional accomplishment is mapped and travelled.

This is the definitive practical guide to getting the most out of your digital SLR camera, written by top working photographer, John Freeman. Full of inspiring photography and professional tips, it is ideal for all keen amateur photographers and those aspiring to move over from using a traditional film SLR camera. The digital single lens reflex (DSLR) camera is now the must-have camera for all serious amateur photographers. Whether you already own one or are thinking of making the move from a point-and-shoot digital camera or a film SLR, this practical guide will provide all the help, advice and inspiration you need. Chapters include: understanding the DSLR system, seeing the picture, photographing landscapes, nature, people, architecture, still life, action, getting more from your DSLR and post-production techniques. Updates include: New product images and updated technical information.

A selection of the best and most representative contemporary American short fiction from 1970 to 2020, including such authors as Ursula K. LeGuin, Toni Cade Bambara, Jhumpa Lahiri, Sandra Cisneros, and Ted Chiang, hand-selected by celebrated editor and anthologist John Freeman In the past fifty years, the American short story has changed dramatically. New voices, forms, and mixtures of styles have brought this unique genre a thrilling burst of energy. The Penguin Book of the Modern American Short Story celebrates this avalanche of talent. This rich anthology begins in 1970 and brings together a half century of powerful American short stories from all genres, including-for the first time in a collection of this scale-science fiction, horror, and fantasy, placing writers such as Ursula K. Le Guin, Ken Liu, and Stephen King next to some beloved greats of the literary form: Raymond Carver, Grace Paley, Chimamanda Ngozi Adichie, and Denis Johnson. Culling widely, John Freeman, the former editor of Granta and now editor of his own literary annual, brings forward some astonishing work to be regarded in a new light. Often overlooked tales by Dorothy Allison, Percival Everett, and Charles Johnson will recast the shape and texture of today's enlarging atmosphere of literary dialogue. Stories by Lauren Groff and Ted Chiang raise the specter of engagement in ecocidal times. Short tales by Tobias Wolff, George Saunders, and Lydia Davis rub shoulders with near novellas by Susan Sontag and Andrew Holleran. This book will be a treasure trove for readers, writers, and teachers alike.

From Borges to Garcia Marquez, Vargas Llosa, Marias or Bolano , the Spanish language has given us some of the 20th century's most beloved writers. But as the reach of Spanish culture extends far beyond Spain and Latin America, and the US tilts towards a majority Hispanic population, the time is right to ask who and what is next in Spanish language fiction? In this, the first translated issue of Granta's Best of Young Novelists, a distinguished panel of six judges looks to new writing across the Hispanophone world and asks, 'Who are the most promising novelists telling the stories from the old and new worlds today?' Granta 113, published simultaneously in Spain as Los mejores narradores jovenes en espanol, will showcase the work of 20 promising new writers. Granta's previous Best Young Novelist issues have been startlingly accurate crystal balls, by first calling attention to the work of writers from Salman Rushdie to Jonathan Franzen to Zadie Smith. Here, for the first time in translation, we will again attempt to predict the stars of the future.

The latest installment from "a powerful force in the literary world" (Los Angeles Times) Freeman's turns to one of the greatest elevating forces of life: love In a time of contentiousness and flagrant abuse, it often feels as if our world is run on hate. Invective. Cruelty and sadism. But is it possible the greatest and most powerful force is love? In the newest issue of this acclaimed series, Freeman's Love asks this question, bringing together literary heavyweights like Tommy Orange, Anne Carson, Louise Erdrich, and Nobel Prize winner Olga Tokarczuk alongside emerging writers such as Gunnhild Oyehaug and Semezdin Mehmedinovic. Mehmedinovic contributes a breathtaking book-length essay on the aftermath of his wife's stroke, describing how the two reassembled their lives outside their home country of Bosnia. Richard Russo's charming and painful "Good People" introduces us to two sets of married professors who have been together for decades, and for whom love still exists, but between the wrong pair. Haruki Murakami tells the tale of a one-night stand that feels like a dying sun. Together, the pieces comprise a stunning exploration of the complexities of love, tracing it from its earliest stirrings, to the forbidden places where it emerges against reason, to loss so deep it changes the color of perception. In a time when we need it the most, this issue promises what only love can bring: a solace of complexity and warmth.

For John Freeman - literary critic, essayist, editor, poet and 'one of the preeminent book people of our time' (Dave Eggers) - it is a rare moment when words are not enough. But in the wake of the election of 2016, words felt useless, even indulgent. Action was the only reasonable response. He took to the streets in protest and the sense of community and collective conviction felt right. But the assaults continued - on citizens' rights and long-held compacts, on the core principles of our culture and civilisation, and on our language itself. Words seemed to be losing the meanings they once had and Freeman was compelled to return to their defence. The result is his Dictionary of the Undoing. From A to Z, 'Agitate' to 'Zygote,' Freeman assembled the words that felt most essential, most potent, and began to build a case for their renewed power and authority, each word building on the last. The message that emerged was not to retreat behind books, but to emphatically engage in the public sphere, to redefine what it means to be a literary citizen. With an afterword by Valeria Luiselli, Dictionary of the Undoing is a necessary, resounding cri de coeur in defense of language, meaning, and our ability to imagine, describe, and build a better world.

Over the course of ten years, Freeman's has introduced the English-speaking world to countless writers of international import and acclaim, from Olga Tokarczuk to Valeria Luiselli, while also spotlighting brilliant writers working in English, from Tommy Orange to Tess Gunty. Now, in its last issue, this unique literary project ponders all the ways of reaching a fitting conclusion. For Sayaka Murata, keeping up with the comings and goings of fashion and its changing emotional landscapes can mean being left behind, and in her poem 'Amenorrhea' Julia Alverez experiences the end of the line as menopause takes hold. Yet sometimes an end is merely a beginning, as Barry Lopez meditates while walking through the snowy Oregonian landscapes. While Chinelo Okparanta's story 'Fatu' confronts the end of a relationship under the spectre of new life, other writers look towards aging as an opportunity for rebirth, such as Honorée Fanonne Jeffers, who takes on the role of being her own elder, comforting herself in the ways that her grandmother used to. Finally, in his comic story 'Everyone at Dinner Has a Max Von Sydow Story,' Dave Eggers suggests that sometimes stories don't have neat or clean endings - that sometimes the middle is enough. With new writing from Sandra Cisneros, Colum McCann, Omar El Akkad and Mieko Kawakami, Freeman's: Conclusions is a testament to the startling power of literature to conclude in a state of beauty, fear and promise.

Barker, Barnes, Hollinghurst, Ishiguro, Mitchell, Rushdie, Smith, Tremain, Winterson ...Long before they were household names, they were Granta Best of Young British Novelists. With each Young Novelist list - in 1983, 1993, and 2003 - came new ways of witnessing the world, introductions to unforgettable characters and mysterious and addictive voices. In 2013, thirty years after the first collection, the magazine asked once again: which writers are setting the bar for a new decade in British literature?

This is an examination of how the Conference on Security and Co-operation in Europe has dealt with the problem of European security. The book opens with an analysis of conditions in post-war Europe and shows how these gave rise to the CSCE and the Conference for Disarmament in Europe (CDE).

Ten years later, where are we looking? How do we see things differently? From Ground Zero to Kampala to London to Mumbai, the echoes are still heard, the impact is still felt. The way we interact, the way we travel, our relationship to media and technology, and the very way we regard the world we live in have all been irrevocably changed. Granta 116 will examine the consequences of the attacks that occurred on 11 September 2001 from a global perspective. Rather than recounting where we were when it happened and what we saw, this issue will look at how our lives and viewpoints have been altered since that day. Declan Walsh reports from the tribal areas of northwest Pakistan: breeding ground for Al Qaeda and target of U.S. drone strikes. Elliott Woods travels across the US, talking to recruits, noncombatants and veterans and taking the pulse of a nation a decade at war. Pico Iyer considers what air travel is like in the post-9/11 security state; Nicole Krauss writes a melancholy, impressionistic portrait of family, war, life and death in Paris. Adam Johnson and Nuruddin Farah provide extracts from forthcoming novels: in Johnson's, the 'third mate' on a North Korean fishing trawler listens in on mysterious radio transmissions; in Farah's, a father pleads with a Somali warlord for help finding his runaway son. Showcasing some of the most insightful essayists, fiction writers, poets and visual artists working today, Ten Years Later will explore the complexity of how we regard an event that forever shifted our conceptions of fear, anger and hope.

We're all seduced by the idea of going back. But can we ever trust our memories? We return (or attempt to return) to places, friends, lovers, missed opportunities, and versions of ourselves that no longer exist. Or we're haunted and shaped by the fact that returning--going back--isn't an option. Can we ever trust our memories? In this latest issue of "Granta," writers meditate on these essential questions from an exciting array of vantage points. Wendell Steavenson revisits Iraq, where she follows up with the former prisoner of war she interviewed after Saddam's fall. Owen Sheers returns to Zimbabwe and the memories of family who lived there, witnessing how the country has changed in the past decade. The issue will feature new fiction by up-and-coming writer Claire Watkins, a profound essay on Detroit by the poet Lawrence Joseph, a photo essay on Shanghai, and startling memoirs and stories by the best writers from around the world.

The sixth volume in the series that has been hailed by NPR, O Magazine and Vogue, Freeman's: California features stunning new work from a broad selection of writers, revealing everything that is important and fascinating about America's most populous state. In Freeman's: California, Lauren Markham describes how four generations of her family have lived in and tried to manipulate the water in one of the driest parts of the state and how water and land means everything. Rabih Alameddine recounts becoming a bartender in the mid-1980s as his friends began to die of AIDS. Rachel Kushner reminisces on all the amazing cars she's owned and their peculiar, vivid personalities. Natalie Diaz narrates the process of making her body into a professional basketball player, and how that assembly stalled some of the internal vulnerabilities she'd felt as a gay native woman growing up in California. And Elaine Castillo visits her brother in prison. Amid the raging the forest fires plaguing California, William T. Vollmann drives to the Carr fire and sees how fire has become the new state of normality for California. And Jaime Cortez riffs on pulling over at a rest-stop and smelling the fires of Paradise burning. Meanwhile home is in transition as Karen Tei Yamashita recalls a Japanese-American who goes to Japan after the dropping of the bomb, writing back and forth. Reyna Grande explores how her mother fell out of society and became a woman who collects recycling, while she and her siblings have become model immigrants. Also featuring a haunting ghost story from Oscar Villalon, bold new fiction from Tommy Orange, and stunning poems from Mai Der Vang, Juan Felipe Herrera, Maggie Millner and more, Freeman's: California assembles a diverse list of brilliant writers.

Sex is our oldest obsession. For as long as we've been doing it, it has been used as a mark of decline and a measure of progress. It has been at the center of rituals and responsible for revolutions. We make money from it, hide behind it, prohibit and promote it. It relaxes us, revolts us, hurts us, and helps us. But whatever we think about it, however we do it, it defines us. As always, "Granta 110" will showcase the most exciting new voices' writing from around the world as they confront the most powerful stories and will feature outstanding new fiction, reportage, memoir, and photography. Plus: look for candid interviews, exclusive podcasts, and brand-new interactive features, which allow readers to comment on the issue, and our ambitious archive project on our Web site, granta.com.

How long is the shadow of a battle, an explosion, a revolution? What stories arise in the wake of devastation? This issue explores the complicated aftermath and legacy of conflict. Lindsey Hilsum returns to Rwanda two decades after witnessing the beginning of genocide. Patrick French writes of a great-uncle whose heroism in World War I left behind a 'saturating cult of remembrance'. From air-raid drills in Paul Auster's America to a calf with a broken foot in Herta Muller's Rumania, this is how we live after the war. With new writing by Aminatta Forna, Romesh Gunesekera, A.L. Kennedy, Hari Kunzru, Yiyun Li, Thomas McGuane, poetry by Jean-Paul de Dadelsen, Ange Mlinko and Rowan Ricardo Phillips and photography by Dave Heath and Justin Jin.

In 2012, Britain is a nation in flux, managing difficult socioeconomic realities, contending with new political alliances and negotiating shifting demographics. Yet it is a country that is still perceived as being bound by tradition and class structures. With new fiction, memoir, poetry, photography and art, Granta's Britain explores landscape, identities and stories of the British Isles. In 'Silt', Robert Macfarlane writes of the beauty and danger of a stretch of coastline in Essex. Nobel laureate Mario Vargas Llosa tells the story of Irish revolutionary nationalist Roger Casement, executed at Pentonville Prison in 1916. Memoirs by Gary Younge, Andrea Stuart and Nikolai Khalezin and Natalia Kaliada focus on the upheavals and migrations that brought them and their families to (and from) Britain. Rachel Seiffert, Ross Raisin, Cynan Jones and Jim Crace provide extracts of their new novels: Seiffert describes Glasgow and Northern Ireland in the 1990s; Raisin paints a portrait of a young footballer struggling with his identity; Jones follows a boy on a strange, dangerous outing with his father; Crace shows how the lives of English farmers changed during the Enclosures in the late 1700s and early 1800s. The issue includes original short fiction by Adam Foulds, Mark Haddon, Tania James and Jon McGregor as well as poems by Simon Armitage, Jamie McKendrick, Don Paterson and Robin Robertson. It also introduces a new voice, Sam Byers, with an extract from his darkly comic debut novel, Idiopathy.

Be it a wrong turn, a bad relationship, a debilitating illness or a war, every action creates a reaction, every move is followed by another move. How do we get out of what we've gotten ourselves into? Granta 118 zooms in close on the phenomenon of the exit strategy. In a new story, Alice Munro writes of an elderly woman whose attempts to care for her husband are undermined by her own deteriorating thought processes; Claire Messud searches for her father's past in Beirut, Lebanon as he lays dying in a hospital in the US; and Aleksandar Hemon remembers the importance of smuggling his family's dog out of war-torn Sarajevo. Exit Strategies also features new writing by John Barth, Gish Jen, Ann Beattie, and newcomer Chinelo Okparanta - examining how we get ourselves out and the repercussions that follow. Hindsight is 20/20, but it's what we do moving forward that defines us and - in the best of all worlds - redeems us.

A writer chronicles the surrender of her body to MS; a woman running a substance-abuse clinic faces challenges from clients, donors and her own past; two brothers fix up a house - but can't quite fix the aging parents who will live in it. From the chalky horse-pills of faceless pharmaceutical conglomerates to the hot toddy that was Grandmother's remedy for bruised knees, broken hearts and everything besides - here are stories about the ways we face our ailments and the ways we seek to cure ourselves.