In 1967, John Gregory Dunne asked for unlimited access to the inner workings of Twentieth Century Fox. Miraculously, he got it. For one year Dunne went everywhere there was to go and talked to everyone worth talking to within the studio. He tracked every step of the creation of pictures like "Dr. Dolittle," "Planet of the Apes," and "The Boston Strangler." The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny portrait of the motion picture business.

Whether he is recounting a showdown between Fox's studio head and two suave shark-like agents, watching a producer's girlfriend steal a silver plate from a restaurant, or shielding his eyes against the glare of a Hollywood premiere where the guests include a chimp in a white tie and tails, Dunne captures his subject in all its showmanship, savvy, vulgarity, and hype. Not since F. Scott Fitzgerald and Nathanael West has anyone done Hollywood better.

"Reads as racily as a novel...(Dunne) has a novelist's ear for speech and eye for revealing detail...Anyone who has tiptoed along those corridors of power is bound to say that Dunne's impressionism rings true."--Los Angeles Times

A reissue of Calvin Trillin's memoir of his relationship with a brilliant but tragic Yale classmate that is also a rumination on social change in the 1950s and 1960s"Remembering Denny" is perhaps Calvin Trillin's most inspired and powerful book: a memoir of a friendship, a work of investigative reporting, and an exploration of a country and a time that captures something essential about how America has changed since Trillin--and Denny Hansen--were graduated from Yale in 1957. Roger "Denny" Hansen had seemed then a college hero for the ages: a charmer with a dazzling smile, the subject of a feature in "Life "magazine, a member of Phi Beta Kappa, a varsity swimmer, a Rhodes scholar...perhaps a future president, as his friends only half-joked. But after early jobs in government and journalism, Hansen's life increasingly took a downward turn and he gradually lost touch with family and old friends before eventually committing suicide--an obscure, embittered, pain-racked professor--in 1991. In contemplating his friend's life, Calvin Trillin considers questions both large and small--what part does the pressure of high expectations place on even the most gifted, how difficult might it have been to be a closeted homosexual in the unyielding world of the 1960s Foreign Service, how much responsibility does the individual bear for all that happens in his life--in a book that is also a meditation on our country's evolving sense of itself.

In September 1965, Filipino and Mexican American farm workers went on strike against grape growers in and around Delano, California. More than a labor dispute, the strike became a movement for social justice that helped redefine Latino and American politics. The strike also catapulted its leader, Cesar Chavez, into prominence as one of the most celebrated American political figures of the twentieth century. More than forty years after its original publication, "Delano: The Story of the California Grape Strike, "based on compelling first-hand reportage and interviews, retains both its freshness and its urgency in illuminating a moment of unusually significant social ferment.

In Hollywood, screenwriters are a curse to be borne, and beating up on them is an industry blood sport. But in this ferociously funny and accurate account of life on the Hollywood food chain, it's a screenwriter who gets the last murderous laugh. That may be because the writer is John Gregory Dunne, who has written screenplays, along with novels and non-fiction, for thirty years. In 1988 Dunne and his wife, Joan Didion, were asked to write a screenplay about the dark and complicated life of the late TV anchorwoman Jessica Savitch. Eight years and twenty-seven drafts later, this script was made into the fairy tale "Up Close and Personal" starring Robert Redford and Michelle Pfeiffer. Detailing the meetings, rewrites, fights, firings, and distractions attendant to the making of a single picture, Monster illuminates the process with sagacity and raucous wit.