The cult classic novel from the author of Climbers and The Sunken Land Begins to Rise Again

With an introduction by bestselling author of Our Wives Under the Sea, Julia Armfield

'A spare textual elegance and closure-denying restraint that impresses and fulfils' IAIN BANKS

On a hot May night, three Cambridge students carry out a ritualistic act that changes their lives. Decades later, none of the participants can remember what transpired; but their clouded memories bind them together. Unable to move on, Pam Stuyvesant has epilepsy and is plagued by sensual visions. Her husband Lucas believes that a dwarfish creature is stalking him, and invents histories to soothe Pam's fears. Self-styled Sorcerer Yaxley becomes obsessed with a terrifyingly transcendent reality. The narrator is seemingly the least effected participant in the ritual: he is haunted by the smell of roses, and his guilt as he attempts to help his friends escape the torment that has engulfed their lives.

Strange, dreamlike and moving, The Course of the Heart is an examination of the edges of humanity where we lie, hide, hurt and heal.

'A gloriously intelligent, beautifully written and thoroughly maddening book' INDEPENDENT

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

'Wish I Was Here is a masterpiece' Helen Macdonald, author of H is for Hawk 'It will surprise you, sometimes astound you, and leave you profoundly changed' Jonathan Coe, author of The Rotters' Club M. John Harrison has produced one of the greatest bodies of fiction of any living British author, encompassing space opera, speculative fiction, fantasy, magical and literary realism. Every book is subversive of genre and united by restless intelligence, experimentation and rebelliousness of spirit. This is his first memoir, an 'anti-memoir', written in his mid-seventies with aphoristic daring and trademark originality and style, fresh after winning the Goldsmiths Prize in 2020. Many of our most prominent younger writers now recognise him as the most significant British writer of his generation. He is 'brilliantly unsettling' (Olivia Laing), 'magnificent' (Neil Gaiman), 'one of the best writers of fiction currently at work in English' (Robert Macfarlane).