Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This major international Handbook offers the most up-to-date and original viewpoints on critical debates relating to the rapidly transforming geographies of regions and territories, as well as related key concepts such as place, scale, networks and regionalism. This interdisciplinary Handbook brings together renowned specialists who have extensively theorized these spatial concepts and contributed to rich empirical research in disciplines such as geography, sociology, political science and international relations. It offers fresh, cutting-edge, and contextual insights on the significance of regions and territories in today?s dynamic world. This is a timely and vital resource for both students and researchers of human geography and regional studies. Political geographers and international relations scholars will also benefit from reading the Handbook as it offers a comprehensive yet accessible examination of the geography of regions and territories. Contributors include: J. Agnew, B.T. Asheim, S. Ayres, A. Beer, I. Braverman, G. Bristow, J. Bryson, I. Calzada, R. Castriota, J. Clark, A. Cochrane, R. Comunian, K.R. Cox, M. Deciancio, K. Dodds, M. Dunford, L. England, J.N. Entrikin, D. Gibbs, M. Glass, J. Harrison, A. Hemmings, Y. Herrera, R. Huggins, B. Jessop, A.E.G. Jonas, A. Jones, M. Jones, R. Jones, J.M. Kanai, D. Kofanov, D.F. Kogler, W. Liu, J. Loughlin, F. Mattheis, S. Moisio, R.L. Monte-Mor, C. Nine, A. Paasi, M. Pace, K. Peters, P. Riggirozzi, D. Rwehumbiza, S. Schindler, A. Shirikov, C. Sohn, D. Storey, N.-L. Sum, K. Terlouw, P. Thompson, I. Turok, L. Van Langenhove, A. Whittle

'Wish I Was Here is a masterpiece' Helen Macdonald, author of H is for Hawk 'It will surprise you, sometimes astound you, and leave you profoundly changed' Jonathan Coe, author of The Rotters' Club M. John Harrison has produced one of the greatest bodies of fiction of any living British author, encompassing space opera, speculative fiction, fantasy, magical and literary realism. Every book is subversive of genre and united by restless intelligence, experimentation and rebelliousness of spirit. This is his first memoir, an 'anti-memoir', written in his mid-seventies with aphoristic daring and trademark originality and style, fresh after winning the Goldsmiths Prize in 2020. Many of our most prominent younger writers now recognise him as the most significant British writer of his generation. He is 'brilliantly unsettling' (Olivia Laing), 'magnificent' (Neil Gaiman), 'one of the best writers of fiction currently at work in English' (Robert Macfarlane).