Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Six-part thriller series from Francis Durbridge. When a famous athlete (Anthony Sagar) dies on a golf course, his detective son Jack (Gerald Harper) supects murder, despite the coroner's misadventure verdict. In pursuit of the facts and events behind his death, Jack embarks on a murder hunt that takes him into the seedy underworld of the Soho red-light district. As the body count rises Jack's suspicions are proved correct but will he be able to discover the mystery behind it all?

First published in 1942, Reflections documents the life of John Henry Muirhead and the philosophical age that he observed. The first part of the volume derives from Muirhead's own autobiographical narrative, left unfinished when he died in May 1940. The second part features two final chapters written by John W. Harvey that comprehensively record the final stages of Muirhead's life. Harvey's chapters incorporate Muirhead's unfinished final years of commentary and begin at the man's retirement from Birmingham Chair in 1921. As a student and teacher of philosophy, Muirhead's life ran almost precisely parallel to what he himself refers to as 'one of the most vivid and important movements in British and American philosophy'. He came into contact with some of the age's primary thinkers and as such, his own autobiography is important in providing an insight into his contemporary philosophical environment.

An increasing number of agencies, academic institutes, and governmental and industrial bodies are embracing the principles of sustainability in managing their activities. Life Cycle Assessment (LCA) is an approach developed to provide decision support regarding the environmental impact of industrial processes and products. LCA is a field with ongoing research, development and improvement and is being implemented world-wide, particularly in the areas of pavement, roadways and bridges. Pavement, Roadway, and Bridge Life Cycle Assessment 2020 contains the contributions to the International Symposium on Pavement, Roadway, and Bridge Life Cycle Assessment 2020 (Davis, CA, USA, June 3-6, 2020) covering research and practical issues related to pavement, roadway and bridge LCA, including data and tools, asset management, environmental product declarations, procurement, planning, vehicle interaction, and impact of materials, structure, and construction. Pavement, Roadway, and Bridge Life Cycle Assessment 2020 will be of interest to researchers, professionals, and policymakers in academia, industry, and government who are interested in the sustainability of pavements, roadways and bridges.

When artist Stephen Bloodsmith creates a series of images inspired by Rubens' trip to London in 1629, he enters a historical world of suspicion and intrigue. But will the manipulations he portrays in art spill over into the real world? When he practises deception inside his own marriage, falling in love with his model even as the romance of his wife Robyn unravels, the corrosive parallels between Bloodsmith's and Rubens' lives - the discovery of intimate secrets, the pain caused by desire and jealousy, the consequences of power and conflict - become hard to live with and impossible to ignore. Rubens believed he could make peace between the warring powers of Europe. To succeed he must win over Charles I of England, while in Paris 'the Cardinal' is working to frustrate him. Will nation cheat nation as people deceive one another in their personal lives? At once an intimate portrait of sexual pain in two centuries, and a gripping depiction of international 'deal-making', Pax is a rich, compelling study of desire, power, art - and the necessity of finding peace.

"Ut pictura poesis", Horace said, but through the two millennia in which "the sister arts" have been compared, little has been said about the nature of sight itself. What we see in "our mind's eye" as we read has not been explored, though by following the visual prompts in texts, one can anatomize the process of visualization. The Poetics of Sight analyses the role of sight in memory, dream and popular culture and demonstrates the structure of a complex sight within the metaphors of Shakespeare, Pope and Dickens; and within the visual metaphors of Picasso, Magritte and Bacon. This book explores the difference between the great and the failed works of the supreme poet-painter, William Blake, and tracks the migrations of the Satiric muse between verbal mockery and scabrous images in Persius, Pope, Gillray and Gogol. It records the rise, and partial decline, of the vividly "seen" novel in Dickens, Flaubert, Tolstoy, Proust and Hardy. The key concept throughout this book is visual metaphor, which in the twentieth century acquired overarching importance: in art from Picasso to Kapoor, in poetry from Eliot to Hughes, in aesthetics from Pound to Derrida. The book closes with a far-reaching definition of visual metaphor and with the great visual metaphor of the human body.

NINETEEN CWA DAGGER AWARD-WINNING SHORT STORIES FROM THE BEST OF THE BEST IN CRIME FICTION Maxim Jakubowski has edited all the great names in crime fiction and stories from his anthologies have won the CWA Dagger six times. Now he has collected 19 Dagger award-winning stories in one volume, making it the first retrospective deep dive into the CWA's archive of Dagger Award winners. Bringing together the greatest crime fictions authors such as Ian Rankin, Jeffery Deaver, John Connolly, Denise Mina, John Harvey and many more. Edgy, twisted and disturbing, Daggers Drawn is a visceral and thrilling collection showcasing the very best modern crime fiction has to offer. Contributors include: Ian Rankin Jeffery Deaver John Connolly John Harvey Denise Mina Julian Rathbone Martin Edwards Peter Lovesey Lauren Henderson Stella Duffy Peter O'Donnell (writing as Madeleine Brent) Danuta Reah Cath Staincliffe Margaret Murphy L.C. Tyler Phil Lovesey Larry Beinhart Richard Lange Jerry Sykes

First published in 1942, Reflections documents the life of John Henry Muirhead and the philosophical age that he observed. The first part of the volume derives from Muirhead's own autobiographical narrative, left unfinished when he died in May 1940. The second part features two final chapters written by John W. Harvey that comprehensively record the final stages of Muirhead's life. Harvey's chapters incorporate Muirhead's unfinished final years of commentary and begin at the man's retirement from Birmingham Chair in 1921. As a student and teacher of philosophy, Muirhead's life ran almost precisely parallel to what he himself refers to as 'one of the most vivid and important movements in British and American philosophy'. He came into contact with some of the age's primary thinkers and as such, his own autobiography is important in providing an insight into his contemporary philosophical environment.

Jack Kiley, a professional footballer turned private investigator, is hired to track down a soldier who has gone missing while on leave from Iraq. The soldier's mind is disturbed by what he has seen and done in the war, and he is armed.

An increasing number of agencies, academic institutes, and governmental and industrial bodies are embracing the principles of sustainability in managing their activities and conducting business. Pavement Life-Cycle Assessment contains contributions to the Pavement Life-Cycle Assessment Symposium 2017 (Champaign, IL, USA, 12-13 April 2017) and discusses the current status of as well as future developments for LCA implementation in project- and network-level applications. The papers cover a wide variety of topics: - Recent developments for the regional inventory databases for materials, construction, and maintenance and rehabilitation life-cycle stages and critical challenges - Review of methodological choices and impact on LCA results - Use of LCA in decision making for project selection - Implementation of case studies and lessons learned: agency perspectives - Integration of LCA into pavement management systems (PMS) - Project-level LCA implementation case studies - Network-level LCA applications and critical challenges - Use-phase rolling resistance models and field validation - Uncertainty assessment in all life-cycle stages - Role of PCR and EPDs in the implementation of LCA Pavement Life-Cycle Assessment will be of interest to academics, professionals, and policymakers involved or interested in Highway and Airport Pavements.

Clothes protect our vulnerable skin and they keep us warm or cool. They help us show that we are young or old, rich or poor, at work or play, and whether we may be good to know. But though they are basic, much as food and shelter are - and also may be beautiful - they have long had a bad press in serious, moral and philosophical writing. The main reason for this is that they are external to us, a cover we may hide behind, and one on which some people spend too much money, perfecting a pompous plumage of vanity: also they, and the fashions for them, may not last long. Nonetheless, when we choose our own clothes, we know the choice is a sensitive matter and far from being merely superficial. John Harvey considers the overlapping values that clothes have for us. Clothes both cover and advertise the bodies within them. They help make us the men and women we are, and help us to attract each other. They enroll us in groups, from our own circle to our generation worldwide; and they show just how, as individuals, we want to be noticed. Clothes, like their wearers, may compete in claiming power. They may also, on and off the catwalk, compete to claim the spotlight. In sum they show how we think we matter - and they can matter themselves in ways that may be intimate and even crucial to us. At all times clothes have demanded attention, even when they have been castigated for their vanity, and contemporary opinion is still divided. Are clothes the most frivolous of consumer disposables - or are they, however extravagant, art? Though we wear and see them every day, the value that they have for us is multiple and fugitive and hard to catch exactly. "Clothes" attempts to sort the many-coloured wardrobe which marks off mankind from other creatures.