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When the film Clue came out in 1985, audiences were baffled. A
movie based on a board game, with three different endings, and you
had to pick which one to go see? Bad reviews compounded the
problem, and instead of choosing one ending, most people stayed
away entirely. Clue, outgrossed at the box office by films that had
been released months earlier, quickly faded away. When it
unceremoniously premiered on Showtime a year after its theatrical
debut, there was no sign it was destined for anything other than
obscurity, another flop bound to be forgotten. Instead, Gen Xers
and millennials, raised on pop culture and cable TV in an era long
before the streaming wars, discovered this zany farce about a group
of six strangers locked in a remote house with a killer. The movie
appealed to kids. The creepy mansion and eerie music contrasted
with slapstick gags and double entendres, deflating the tension.
Today, almost forty years later, Clue is the epitome of a cult
classic, with midnight screenings, script readings for charity,
cosplaying fans, and a stage play. “What Do You Mean, Murder?”
dives deep into the making of Clue and walks fans through the movie
they know and love.
Philosophy of Communication Ethics is a unique and timely
contribution to the study of communication ethics. This series of
essays articulates unequivocally the intimate connection between
philosophy of communication and communication ethics. This
scholarly volume assumes that there is a multiplicity of
communication ethics. What distinguishes one communication ethic
from another is the philosophy of communication in which a
particular ethic is grounded. Philosophy of communication is the
core ingredient for understanding the importance of and the
difference between and among communication ethics. The position
assumed by this collection is consistent with Alasdair MacIntyre's
insights on ethics. In A Short History of Ethics, he begins with
one principal assertion-philosophy is subversive. If one cannot
think philosophically, one cannot question taken-for-granted
assumptions. In the case of communication ethics, to fail to think
philosophically is to miss the bias, prejudice, and assumptions
that constitute a given communication ethic.
Philosophy of Communication Ethics is a unique and timely
contribution to the study of communication ethics. This series of
essays articulates unequivocally the intimate connection between
philosophy of communication and communication ethics. This
scholarly volume assumes that there is a multiplicity of
communication ethics. What distinguishes one communication ethic
from another is the philosophy of communication in which a
particular ethic is grounded. Philosophy of communication is the
core ingredient for understanding the importance of and the
difference between and among communication ethics. The position
assumed by this collection is consistent with Alasdair MacIntyre s
insights on ethics. In A Short History of Ethics, he begins with
one principal assertion philosophy is subversive. If one cannot
think philosophically, one cannot question taken-for-granted
assumptions. In the case of communication ethics, to fail to think
philosophically is to miss the bias, prejudice, and assumptions
that constitute a given communication ethic."
This is a reproduction of a book published before 1923. This book
may have occasional imperfectionssuch as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed
worksworldwide. We appreciate your understanding of the
imperfections in the preservation process, and hope you enjoy this
valuable book.++++The below data was compiled from various
identification fields in the bibliographic record of this title.
This data is provided as an additional tool in helping to ensure
edition identification: ++++ Logs For The Christmas Fire, By J.
Harris, H. J. Hatch, And J. F. T. Wiseman James Harris, Henry John
Hatch
Here is the Biblical case for the divinity of Jesus Christ and the
divine nature of the Holy Spirit. Important questions that are
addressed include, "Is Jesus Christ God?" "Is the Holy Spirit more
than a force?" and "Is it okay to worship the Son?" These questions
and more are answered by scripture itself in the pages of this
book. Here is the Biblical case for the divinity of Jesus Christ
and the divine personality of the Holy Spirit in a series of
provable statements. This is a most persuasive study because it
lets scripture speak for itself in a logical format that is easy to
follow.
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