First published in 1988, this book is concerned with the definite and indefinite articles in English. It provides an integrated pragmatic-semantic theory of definite and indefinite reference, on the basis of which, many co-occurance restrictions between articles and non-modifiers are explained. At the general theoretical level, the book looks at the role of semantics in the prediction of all and only the grammatical sentences of a language. At a more particular level, it explores the nature of reference, examining an important selection of subjects such as the contrast between definiteness and indefiniteness, the relationship between definite and demonstrative reference, and the relationship between pragmatic and logical aspects of determining meaning.

First published in 1986, this book draws together analyses of English and German. It defines the contrasts and similarities between the two languages and, in particular, looks at the question of whether contrasts in one area of the grammar is systematically related to contrasts in another, and whether there is any 'directionality' or unity to contrast throughout grammar as a whole. It is suggested that there is, and that English and German can serve as a case study for a more general typology of languages than we now have. This volume will be of interest to a wide range of linguists, including students of Germanic languages; language typologists; generative grammarians attempting to 'fix the parameters' on language variation;' historical linguists; and applied linguists.

First published in 1988, this book is concerned with the definite and indefinite articles in English. It provides an integrated pragmatic-semantic theory of definite and indefinite reference, on the basis of which, many co-occurance restrictions between articles and non-modifiers are explained. At the general theoretical level, this book looks at the role of semantics in the prediction of all and only the grammatical sentences of a language. A generalisation is proposed uniting semantic oppositions underlying ungrammaticality with syntactic oppositions between conditions of application on transformational generative rules. A procedure is suggested for distinguishing semantic from syntactic causes of ungrammaticality. At a more particular level, the book explores the nature of reference. It examines an important selection of subjects such as the contrast between definiteness and indefiniteness, the relationship between definite and demonstrative reference, and the relationship between pragmatic and logical aspects of determining meaning.

First published in 1986, this book draws together analyses of English and German. It defines the contrasts and similarities between the two languages and, in particular, looks at the question of whether contrasts in one area of the grammar is systematically related to contrasts in another, and whether there is any 'directionality' or unity to contrast throughout grammar as a whole. It is suggested that there is, and that English and German can serve as a case study for a more general typology of languages than we now have. This volume will be of interest to a wide range of linguists, including students of Germanic languages; language typologists; generative grammarians attempting to 'fix the parameters' on language variation;' historical linguists; and applied linguists.

Sir John Hawkins (1719 1789), lawyer, friend of Samuel Johnson and member of the Academy of Ancient Music, published his pioneering five-volume history in 1776 just after the first volume of Burney's. Hawkins' work suffered badly in the resulting competition between the two, partly because of his difficult personality, partly because of the scholarly style of the writing contrasting with Burney's more engaging approach. However, it is Hawkins' accuracy and attention to detail, his appreciation of sixteenth- and seventeenth-century music and his account of London music society in the early eighteenth century, supported by his painstaking research, which makes the History of indispensable value to music scholars. Whilst there are neither contents list nor chapter headings, there is an index, and each volume includes generous illustrations and musical examples. Volume 1 includes a Preliminary Discourse, the development of music notation, plainchant and the music treatises of Arezzo and Boethius.

Sir John Hawkins (1719 1789), lawyer, friend of Samuel Johnson and member of the Academy of Ancient Music, published his pioneering five-volume history in 1776 just after the first volume of Burney's. Hawkins' work suffered badly in the resulting competition between the two, partly because of his difficult personality, partly because of the scholarly style of the writing contrasting with Burney's more engaging approach. However, it is Hawkins' accuracy and attention to detail, his appreciation of sixteenth- and seventeenth-century music and his account of London music society in the early eighteenth century, supported by his painstaking research, which makes the History of indispensable value to music scholars. Whilst there are neither contents list nor chapter headings, there is an index, and each volume includes generous illustrations and musical examples. Volume 2 includes music of the troubadours, measured notation, modes, organum, the rise of polyphony and Glarean's Dodecachordon.

Sir John Hawkins (1719 1789), lawyer, friend of Samuel Johnson and member of the Academy of Ancient Music, published his pioneering five-volume history in 1776 just after the first volume of Burney's. Hawkins' work suffered badly in the resulting competition between the two, partly because of his difficult personality, partly because of the scholarly style of the writing contrasting with Burney's more engaging approach. However, it is Hawkins' accuracy and attention to detail, his appreciation of sixteenth- and seventeenth-century music and his account of London music society in the early eighteenth century, supported by his painstaking research, which makes the History of indispensable value to music scholars. Whilst there are neither contents list nor chapter headings, there is an index, and each volume includes generous illustrations and musical examples. Volume 3 looks at the music of the Reformation, the English madrigalists and the rise of opera and oratorio.

Sir John Hawkins (1719 1789), lawyer, friend of Samuel Johnson and member of the Academy of Ancient Music, published his pioneering five-volume history in 1776 just after the first volume of Burney's. Hawkins' work suffered badly in the resulting competition between the two, partly because of his difficult personality, partly because of the scholarly style of the writing contrasting with Burney's more engaging approach. However, it is Hawkins' accuracy and attention to detail, his appreciation of sixteenth- and seventeenth-century music and his account of London music society in the early eighteenth century, supported by his painstaking research, which makes the History of indispensable value to music scholars. Whilst there are neither contents list nor chapter headings, there is an index, and each volume includes generous illustrations and musical examples. Volume 4 covers the seventeenth century, including portraits of Gibbons, Lully and Purcell, and discusses of Mersenne's Harmonie Universelle.

Sir John Hawkins (1719 1789), lawyer, friend of Samuel Johnson and member of the Academy of Ancient Music, published his pioneering five-volume history in 1776 just after the first volume of Burney's. Hawkins' work suffered badly in the resulting competition between the two, partly because of his difficult personality, partly because of the scholarly style of the writing contrasting with Burney's more engaging approach. However, it is Hawkins' accuracy and attention to detail, his appreciation of sixteenth- and seventeenth-century music and his account of London music society in the early eighteenth century, supported by his painstaking research, which makes the History of indispensable value to music scholars. Whilst there are neither contents list nor chapter headings, there is an index, and each volume includes generous illustrations and musical examples. Volume 5 includes the Baroque era, an account of the contemporary music scene in England and the general index.

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 1 is entirely devoted to a biography of Johnson by Hawkins, his close friend. Although Boswell's 1791 Life is much better known, Hawkins had been acquainted with Johnson for far longer, and was present at his death. Although his narrative is less colourful than that of Boswell, he had a better understanding of some aspects of Johnson's character, especially regarding his religious beliefs, and Boswell did not hesitate to borrow from this work.

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 2 contains the first part of his Lives of the Poets, his last major work. This was a commission to provide short accounts of over fifty poets of the seventeenth and eighteenth centuries, and set a new standard for English literary biography. Although not all of the subjects have been regarded as eminent by posterity, and Johnson was criticised for brusque treatment of well-connected courtier poets now largely forgotten, the work was a great success.

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 3 contains the second part of his Lives of the Poets, his last major work. This was a commission to provide short accounts of over fifty poets of the seventeenth and eighteenth centuries, and it set a new standard for English literary biography. Although not all of the subjects have been regarded as eminent by posterity, and Johnson was criticised for brusque treatment of well-connected courtier poets now largely forgotten, the work was a great success.

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 4 contains the third part of his Lives of the Poets, his last major work. This was a commission to provide short accounts of over fifty poets of the seventeenth and eighteenth centuries, and set a new standard for English literary biography. Although not all of the subjects have been regarded as eminent by posterity, the work was a great success. The volume also includes miscellaneous historical and literary biographies of figures such as Paolo Sarpi, Sir Francis Drake and Roger Ascham.

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 5 contains the first part of The Rambler, the periodical published by Johnson twice a week between 1750 and 1752. Modelled on Addison's Spectator, the essays address a wide range of social, religious, political and literary themes, and are not exclusively by Johnson himself: there are contributions by others, particularly women writers such as Hester Chapone and Elizabeth Carter. The Rambler adopted an 'elevated' style, and topics range from criticism of the emerging novel genre to discussions of humanitarian issues such as prostitution and capital punishment.

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 6 contains the second part of The Rambler, the periodical published by Johnson twice a week between 1750 and 1752. Modelled on Addison's Spectator, the essays address a wide range of social, religious, political and literary themes, and are not exclusively by Johnson himself: there are contributions by others, particularly women writers such as Hester Chapone and Elizabeth Carter. The Rambler adopted an 'elevated' style, and topics range from criticism of the emerging novel genre to discussions of humanitarian issues such as prostitution and capital punishment.

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 7 contains the final part of The Rambler, the periodical published by Johnson twice a week between 1750 and 1752. Modelled on Addison's Spectator, the essays address a wide range of social, religious, political and literary themes, and are not exclusively by Johnson himself: there are contributions by others, particularly women writers such as Hester Chapone and Elizabeth Carter. The Rambler adopted an 'elevated' style, and topics range from criticism of the emerging novel genre to discussions of humanitarian issues such as prostitution and capital punishment.

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 8 contains The Idler, the 103 essays originally published by Johnson in the Universal Chronicle between 1758 and 1760, and published in one volume in 1761. These were more relaxed and rambling in style than those published in The Rambler, and were very popular. A common thread is the follies of the literary world - Johnson defines criticism as 'a study by which men grow important and formidable at very small expense'. Others touch on marriage, scholarship, and travelling.

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 9 includes The Adventurer, the sequel to The Rambler, partly written by Johnson, papers about the famous Dictionary and his edition of the works of Shakespeare, various critical pieces, and an account of the Harleian Library. It also includes prefaces to other works, including Dodsley's The Preceptor, and Rolt's Dictionary of Trade and Commerce. (According to Boswell, Johnson did not actually read the latter work before writing the preface to it.)

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 10 contains a mixture of items - political tracts on taxation and current affairs; miscellaneous short works including book reviews and papers on agriculture, French prisoners of war, and the building of Blackfriars' Bridge; and A Journey to the Western Islands of Scotland. These show the range of his interests and the ease with which he could turn his pen to any topic.

Dr Samuel Johnson (1709-84) is regarded as one of the outstanding figures of English literature, as a poet, essayist, moralist, critic, biographer, editor and lexicographer. This collected edition of his works - commissioned by the publisher within hours of Johnson's death, such was his celebrity - was published in 1787 in eleven volumes, edited by his literary executor, the musicologist Sir John Hawkins. Volume 11 contains poetry in English and Latin, prayers, and a variety of literary forms - a fantasy, The Vision of Theodore, Johnson's only play, Irene, Rasselas, which uses an oriental tale and a French form to meditate on the folly of the quest for human happiness, and The Vanity of Human Wishes, based on one of Juvenal's satires. There is also an index to the eleven-volume set.