First published in 1961. Critiquing the critics, and examining the vocabulary of twentieth century criticism of the Shakespearean tragedies, John Holloway's book covers Hamlet, Othello, Macbeth, King Lear, Antony and Cleopatra, Coriolanus, Timon of Athens and the themes of Shakespearean Tragedy and the idea of human sacrifice and the concepts of myth and ritual in literature.

The Journals of Two Poor Dissenters (1970) is a remarkable example of voices from the past, giving a humble man’s record of his time. William Swan and his son were Nonconformist labourers in London in the early part of the nineteenth century. They were poor, ill, afflicted with family troubles and the constant problem of finding work. In spite of this they thanked God for each misfortune as it arrived, and looked to the next year with gratitude for all the graces which the modern reader may find hard to detect. The Introduction places this account in its context of history and social record.

First published in 1961.
Critiquing the critics, and examining the vocabulary of twentieth century criticism of the Shakespearean tragedies, John Holloway's book covers Hamlet, Othello, Macbeth, King Lear, Antony and Cleopatra, Coriolanus, Timon of Athens and the themes of Shakespearean Tragedy and the idea of human sacrifice and the concepts of myth and ritual in literature.

Now in its fourth edition, Illustrated Theatre Production Guide delivers a step-by-step approach to the most prevalent and established theatre production practices, focusing on essential issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. Offering techniques and best-practice methods from experienced industry experts, this book allows readers to create a foundation on which to build a successful and resourceful career behind the scenes in theatre production. The new edition has been fully updated to include the latest technology and current practices, with four new chapters on Safety, Automation, Digital Fabrication, and the Production Process, and an emphasis on inclusivity and gender-neutral language. A must-have resource for both the community theatre worker who must be a jack of all trades and the student who needs to learn the fundamentals on his or her own, Illustrated Theatre Production Guide covers all the necessities of theatre production through detailed lessons and hundreds of drawings. The book also includes access to a companion website featuring instruction videos, tips for an eco-friendly production, and additional images and resources.

Now in its fourth edition, Illustrated Theatre Production Guide delivers a step-by-step approach to the most prevalent and established theatre production practices, focusing on essential issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. Offering techniques and best-practice methods from experienced industry experts, this book allows readers to create a foundation on which to build a successful and resourceful career behind the scenes in theatre production. The new edition has been fully updated to include the latest technology and current practices, with four new chapters on Safety, Automation, Digital Fabrication, and the Production Process, and an emphasis on inclusivity and gender-neutral language. A must-have resource for both the community theatre worker who must be a jack of all trades and the student who needs to learn the fundamentals on his or her own, Illustrated Theatre Production Guide covers all the necessities of theatre production through detailed lessons and hundreds of drawings. The book also includes access to a companion website featuring instruction videos, tips for an eco-friendly production, and additional images and resources.

Originally published as a pamphlet in 1979 and again by Pluto in 1980, In and Against the State brought together questions of working-class struggle and state power, exploring how revolutionary socialists might reconcile working in the public sector with their radical politics. Informed by autonomist political ideas and practices that were central to the protests of 1968, the book's authors spoke to a generation of activists wrestling with the question of where to place their energies. Forty years have passed, yet the questions it posed are still to be answered. As the eclipse of Corbynism and the onslaught of the global pandemic have demonstrated with brutal clarity, a renewed socialist strategy is needed more urgently than ever. This edition includes a new introduction by Seth Wheeler and an interview with John McDonnell that reflect on the continuing relevance of In and Against the State and the questions it raises.

'A fascinating portal into arguments about why we need to get beyond money' - Harry Cleaver What would a world without money look like? This book is a lively thought experiment that deepens our understanding of how money is the driver of political power, environmental destruction and social inequality today, arguing that it has to be abolished rather than repurposed to achieve a postcapitalist future. Grounded in historical debates about money, Anitra Nelson draws on a spectrum of political and economic thought and activism, including feminism, ecoanarchism, degrowth, permaculture, autonomism, Marxism and ecosocialism. Looking to Indigenous rights activism and the defence of commons, an international network of activists engaged in a fight for a money-free society emerges. Beyond Money shows that, by organising around post-money versions of the future, activists have a hope of creating a world that embodies their radical values and visions.

John Holloway is probably best known for his work on Shakespeare and on the Victorian and modern periods; this 1979 book represents an extension of his interests hitherto. Though not intended as mathematical analyses of fiction or drama, the essays here have evolved largely by allowing broad mathematical concepts to suggest original lines of argument in the critical analysis of narrative structure. Among the authors to come under detailed consideration are Boccaccio, Racine, George Eliot, Dostoevsky, Chekhov, and Henry James, as well as several more recent English novelists, and the tendency of the book as a whole is to invite application of the critical approaches that it explores to a still wider range of literary works. Professor Holloway also considers some fundamental issues relating structural analysis to the concerns of the literary critic, and he includes appendices on methods of analysing political oratory, and on the idea of the transformation rule as an aid to the critical discussion of poetry.

In this challenging 1993 book John Holloway explores one of the most significant aspects of contemporary culture, arguing that over the last hundred years or so there has been a radical change in the very nature of individual consciousness. He traces a crucial shift from an 'Apollonian' ideal of human involvement in the widest range of experience (implying a sense of the individual consciousness as spacious, orderly, and comprehensive) to a narrower and less integrated engagement with the world (and a more reductive conception of consciousness as random and fragmented). He plots this shift through a number of quite different fields: there are chapters on the visual arts, on colloquial language and slang, on cartoons, on political rhetoric, and on 'personality' studies by psychologists. He goes on to examine the work of certain literary figures (notably Hardy, Edwin Muir, Wyndham Lewis, Patrick White, John Cowper Powys, and Gary Snyder) who seem to have recognized, and registered in imaginative terms, the pervasive but generally unrecorded changes in consciousness for which the book is arguing.

Hope lies in our richness, in the joy of our collective creativity. But that richness exists in the peculiar form of money. The fact that we relate to on another through money causes tremendous social pain and destruction and is dragging us through pandemics and war towards extinction. Richness against money: this battle will decide the future of humanity. If we cannot emancipate richness from money-capital-profit, there is probably no hope. Money seems invincible but the constant expansion of debt shows that its rule is fragile. The fictitious expansion of money through debt is driven by fear, fear of us, fear of the rabble. Money contains, but richness overflows. In this final part of his ground-breaking trilogy, John Holloway expertly fuses anti-capitalism and anti-identitarianism, and brings hope into the critique of political economy and revolutionary theory, challenging us to find hope within ourselves and channel it into a dignified, revolutionary rage.

In this challenging 1993 book John Holloway explores one of the most significant aspects of contemporary culture, arguing that over the last hundred years or so there has been a radical change in the very nature of individual consciousness. He traces a crucial shift from an 'Apollonian' ideal of human involvement in the widest range of experience (implying a sense of the individual consciousness as spacious, orderly, and comprehensive) to a narrower and less integrated engagement with the world (and a more reductive conception of consciousness as random and fragmented). He plots this shift through a number of quite different fields: there are chapters on the visual arts, on colloquial language and slang, on cartoons, on political rhetoric, and on 'personality' studies by psychologists. He goes on to examine the work of certain literary figures (notably Hardy, Edwin Muir, Wyndham Lewis, Patrick White, John Cowper Powys, and Gary Snyder) who seem to have recognized, and registered in imaginative terms, the pervasive but generally unrecorded changes in consciousness for which the book is arguing.

The collection brings together proponents and critiques of the post- Fordist thesis. The debate focuses on the relation between crisis and societal as well as political restructuring. The collection provides an introduction to, and a critique of, the post-Fordist debate. The articles represent the fields of political economy, state theory, value theory, Marxist philosophy, and general questions of Marxist methodology. The volume includes, alongside the original debate between Werner Bonefeld, Bob Jessop and John Holloway, hitherto unpublished material by a wide range of authors.

The collection brings together proponents and critiques of the post- Fordist thesis. The debate focuses on the relation between crisis and societal as well as political restructuring. The collection provides an introduction to, and a critique of, the post-Fordist debate. The articles represent the fields of political economy, state theory, value theory, Marxist philosophy, and general questions of Marxist methodology. The volume includes, alongside the original debate between Werner Bonefeld, Bob Jessop and John Holloway, hitherto unpublished material by a wide range of authors.

'A fascinating portal into arguments about why we need to get beyond money' - Harry Cleaver What would a world without money look like? This book is a lively thought experiment that deepens our understanding of how money is the driver of political power, environmental destruction and social inequality today, arguing that it has to be abolished rather than repurposed to achieve a postcapitalist future. Grounded in historical debates about money, Anitra Nelson draws on a spectrum of political and economic thought and activism, including feminism, ecoanarchism, degrowth, permaculture, autonomism, Marxism and ecosocialism. Looking to Indigenous rights activism and the defence of commons, an international network of activists engaged in a fight for a money-free society emerges. Beyond Money shows that, by organising around post-money versions of the future, activists have a hope of creating a world that embodies their radical values and visions.

This book is a profound search for a theory of social change. Through clearing away the cobwebs of revolutionary socialism, it renews the fight for the ending of capitalism and the construction of a new, fairer world. After a century of failed attempts by radical projects, the concept of revolution itself is in crisis. By asking the deepest questions about the nature of humanity, work, capitalism, organisation and resistance, John Holloway looks sharply at modern protest movements and provides tools for creating new strategies. First published in 2002, this book marked a shift in the understanding of Autonomism, Anarchism and Marxism, addressing the doubts activists had in their own political history and work, and helped form the perspectives of a new generation who are today changing the world.

The publication of the first three volumes of Open Marxism in the 1990s has had a transformative impact on how we think about Marxism in the twenty-first century. 'Open Marxism' aims to think of Marxism as a theory of struggle, not as an objective analysis of capitalist domination, arguing that money, capital and the state are forms of struggle from above and therefore open to resistance and rebellion. As critical thought is squeezed out of universities and geographical shifts shape the terrain of theoretical discussion, the editors argue now is the time for a new volume that reflects the work that has been carried out during the past decade. Emphasising the contemporary relevance of 'open Marxism' in our moment of political and economic uncertainty, the collection shines a light on its significance for activists and academics today.

"Crack Capitalism," argues that radical change can only come about through the creation, expansion and multiplication of weak points, or "cracks" in the capitalist system.

John Holloway's previous book, "Change the World Without Taking Power," sparked a world-wide debate among activists about the most effective methods of resisting capitalism. Now Holloway rejects the idea of a disconnected plurality of struggles and finds a unifying contradiction -- the opposition between the time we spend working as part of the system and our excess "doing" where we revolt and refuse to be subsumed.

Clearly and accessibly presented in the form of 33 theses, "Crack Capitalism" is set to reopen the debate among radical scholars and activists seeking to break capitalism.