Seasons 3 and 4 of the perennially popular British sitcom set in a holiday camp in the late 50s/early 60s. In 'Nice People with Nice Manners', Yvonne and Barry hold a party in their chalet for the staff they consider to be 'socially acceptable'. But when Peggy mixes up the invitations, they get a few unexpected guests. In 'Carnival Time', Joe enlists Ted's help in organising a float for the town carnival. 'A Matter of Conscience' sees the staff at Maplin's attempting to thwart the local council's plans to build a new hospital right next to the camp by making as much noise as they can. In 'The Pay-Off', the council is still determined to go ahead with its plans to build the hospital, so Joe resorts to bribing the local councillors. In 'Trouble and Strife', Ted's ex-wife is demanding that he pay up his maintenance arrears. Ted has to act quickly - and cunningly - to raise the cash in time. 'Stripes' sees Joe promoting Gladys to Head Yellowcoat after a secret visit to the camp. In 'Co-Respondent's Course', Jeffrey's wife sends her new boyfriend to ask Jeffrey for a divorce. When Jeffrey is reluctant to give grounds, her boyfriend decides to try to unearth some evidence himself. 'It's a Blue World' sees Ted arranging a special late-night showing of an adult film for the male campers. In 'Eruptions', Ted retaliates after having his act rudely interrupted by a volcano in the ballroom. In 'The Society Entertainer', Spike is a changed man after falling head over heels for one of the female campers - much to the detriment of his act. Meanwhile, Jeffrey has decided that Radio Maplin would benefit from having a new voice on the airwaves. In 'Sing You Sinners', Jeffrey finds himself standing in for the local chaplain to conduct the Sunday Half Hour - with unnerving results. 'Maplin Intercontinental' sees the troupe competing for a very special prize in this year's Best Yellowcoat Competition: a transer to the new Maplin's Holiday Camp in the Bahamas. In 'All Change', Joe appoints a new supervisor for the Yellowcoats, but is less than delighted when he discovers that she insists on having a chalet all to herself at the peak of the season when the camp is filled to capacity.

1950s British crime thriller. Robert Matthews (Emrys Jones) is arrested in Cornwall when he is mistaken for convict John Barlow, to whom he bears a striking resemblance. When Barlow (also Jones) hears of this, he makes his way to the man's cottage and takes his place. After surviving a local shipwreck Robert's fiancée Ann Farrington (Zena Marshall) is taken in by Barlow, who maintains his imposture but soon discovers that Matthews is not all he seems.

Title: The Sailor's Bride and other poems.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Horsley, John; 1889. 144 p.; 8 . 11641.df.44.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

From October 1, 1833 To December 27, 1836.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT115200With a half-title. The last twenty leaves contain a table and indices. The pagination of the first pp. 353-355 is in square brackets.London: printed for John Osborn and Thomas Longman, 1732. 8], xxxii,355, 1],353-520, 40]p., plates; 2

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT114864On large paper. With a half-title. The last twenty leaves contain a table and indices. The pagination of the first pp.353-355 is in square brackets.London: printed for John Osborn and Thomas Longman, 1732. 8], xxxii,355, 1],353-520, 40]p., plates; 2