Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Let acclaimed Tolkien artist John Howe take you on an unforgettable journey across Middle-earth, from Bag End to Mordor, in this richly illustrated sketchbook fully of previously unseen artwork, anecdotes and meditations on Middle-earth. Middle-earth has been mapped, Bilbo's and Frodo's journeys plotted and measured, but it remains a wilderland for all that. The roads as yet untravelled far outnumber those down which J.R.R. Tolkien led us in his writings. A Middle-earth Traveller presents a walking tour of Tolkien's Middle-earth, visiting not only places central to his stories, but also those just over the hill or beyond the horizon. Events from Tolkien's books are explored - battles of the different ages that are almost legend by the time of The Lord of the Rings; lost kingdoms and ancient myths, as well as those places only hinted at: kingdoms of the far North and lands beyond the seas. Sketches that have an 'on-the-spot' feel to them are interwoven with the artist's observations gleaned from Tolkien's books as he paints pictures with his words as well as his pencil. He also recollects his time spent working alongside Peter Jackson on the Lord of the Rings and Hobbit film trilogies. Combining concept work produced for films, existing Middle-earth art and dozens of new paintings and sketches exclusive to this book, A Middle-earth Traveller will take the reader on a unique and unforgettable journey across Tolkien's magical landscape.

The most famous and influential work of English fantasy ever published, reimagined for a new generation of readers by John Matthews, one of the world's leading Arthurian experts, and illustrated by internationally acclaimed Tolkien artist, John Howe. The tales of how the boy Arthur drew the Sword from the Stone, or the love of Lancelot and Guinevere, or how the knights of the Round Table rode out in search of the Holy Grail are known and loved the world over. It all began when an obscure Celtic hero named Arthur stepped on to the stage of history, sometime in the sixth century, and oral tales led to a vast body of stories from which, 900 years later, Thomas Malory wrote the famous Morte D'Arthur. THE GREAT BOOK OF KING ARTHUR presents these well-loved stories for a modern reader, for the first time collecting many tales of Arthur and his knights either unknown to Malory or written in other languages. Here, you will read of Avenable, the girl brought up as a boy who becomes a famous knight. You will learn of Gawain's strange birth, his upbringing amongst poor folk and his final rise to the highest possible rank - Emperor of Rome. There is also the story of Morien whose adventures are as fantastic and exciting as any to be found in the pages of Malory. In addition, there are some of the earliest tales of Arthur, deriving from the tradition of Celtic storytelling. Here is the original Arthur, represented in such powerful stories as 'The Adventures of Eagle-Boy', and 'The Coming of Merlin', based on the early medieval text Vita Merlini, which gives a completely new version of the great Enchanter's story. These age-old stories, still as popular today as they were from the Middle Ages onwards, are dramatically brought to life by the luminous paintings and drawings of John Howe, whose work on the Lord of the Rings and Hobbit film trilogies has brought him a world-wide following.

Discover the creative processes and intriguing inspirations behind the work of leading fantasy artist John Howe - conceptual designer on The Lord of the Rings movie trilogy - in this comprehensive practical art book. Brings together Fantasy Art Workshop and Fantasy Drawing Workshop into a combined volume, fully updated and with new art. Examines in fascinating detail over 150 of the artist's outstanding sketches, drawings and paintings, plus the techniques and stories behind each. Leads you step-by-step through a range of specially commissioned drawing and painting demonstrations that reveal John's renowned artistic approach in action. Discusses the rewarding journey into fantasy art, from the first steps of building a compelling portfolio to book illustration, graphic novels and the big screen. This book will appeal to artists and fans of John Howe's work by leading you step-by-step through a range of specially commissioned demonstrations, sketches and finished paintings, some designed specifically for this book, that reveal John's renowned artistic approach in action, plus the techniques and stories behind each. It covers a wide range of subjects, beginning with the creative process, exploring where inspiration comes from, looking at narratives and themes, gathering reference materials, organizing your working environment, and protecting and storing artwork. Howe covers drawing materials and explores drawing and painting fantasy beings from initial inspiration and approaches to characters, symbolism and accoutrements. He begins by showing how to create different types of male and female archetypes, humans in action, armour and weapons, faces, expressions and hands, hair and costumes, and goes on to explain how to create different types of fantasy beasts: talons, wings, fangs and fire, and noble animals, interspersed throughout with exciting case studies. The book also explores fantasy landscapes and architecture and balancing light and dark atmospheres. The final section of the book provides further inspiration and guidance on presenting work in various forms, including film work, book covers and advertising, all areas John Howe has vast experience in. The foreword is written by groundbreaking film director Terry Gilliam, with an afterword by Alan Lee, John's partner on the conceptual design for The Lord of the Rings movie trilogy and Oscar-winning illustrator.

To celebrate its 40th anniversary, the first ever illustrated edition of this collection of tales which takes readers further into the stories told in The Hobbit, The Lord of the Rings and The Silmarillion, featuring 18 full-colour paintings depicting scenes from the First, Second and Third Ages of Middle-earth. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Hobbit and The Lord of the Rings with a whole collection of background and new stories. The book concentrates on the realm of Middle-earth and comprises such elements as The Quest of Erebor, Gandalf’s lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End; the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand; and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Númenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantíri and the legend of Amroth. The tales were edited by Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father’s writings. In celebration of its 40th anniversary, this new edition features 18 stunning paintings from critically acclaimed Tolkien artists, Alan Lee, John Howe & Ted Nasmith, which reveal the three Ages of Middle-earth like never before.

Though not without its rivals, Latin stood at the apex of Western culture from the Renaissance until relatively recently. Francoise Waquet offers an enthralling, original history of the language's uses, its detractors and defenders, and the social hierarchies its practitioners inscribed. Granted a new lease of life by the Humanists and the Catholic Church, Latin was the form in which generations of schoolchildren were taught to read, millions of people worshipped, and an international community of scholars communicated with one another. It conveyed sacredness, but also obscenity; learning, as well as pedantry; science, but also trickery and mumbo-jumbo. Few individuals even among the clergy or the most learned scholars have ever managed to speak it with any degree of correctness or fluency, let alone elegance. Why, despite rationalist criticisms that Latin was inaccessible to the great majority of people, and inconvenient and time-consuming for the rest, did it maintain such a strong presence - some would say a tyranny - for so long?

John Stuart Mill's The Subjection of Women is a landmark work both in the long history of women's struggles for political, legal, economic, and personal equality, and in the shorter history of rigorous intellectual analyses of women's subordination. One of the lasting legacies of Mill's The Subjection of Women is its careful argument for the need for justice at both the 'public' and the 'private' levels, which requires changes at the domestic level that are as radical in the 21st century as they were in the 19th. The essays collected in this critical edition represent a variety of interpretations both of the kind of feminism Mill represents and of the specific arguments he offers in The Subjection of Women including their lexical ordering and relative merit. Each selection is preceded by a brief and useful summary of the author's position, intended to assist readers encountering the material for the first time

This book analyses the use of rural road networks and the causes and effects of road programmes in the areas of personal travel, education, health and poverty alleviation. It discusses the criteria which are being used for rural road selection and their impact in Egypt, India, Botswana and Thailand.

John Stuart Mill's The Subjection of Women is a landmark work both in the long history of women's struggles for political, legal, economic, and personal equality, and in the shorter history of rigorous intellectual analyses of women's subordination. One of the lasting legacies of Mill's The Subjection of Women is its careful argument for the need for justice at both the "public" and the "private" levels, which requires changes at the domestic level that are as radical in the 21st century as they were in the 19th. The essays collected in this critical edition represent a variety of interpretations both of the kind of feminism Mill represents and of the specific arguments he offers in The Subjection of Women including their lexical ordering and relative merit. Each selection is preceded by a brief and useful summary of the author's position, intended to assist readers encountering the material for the first time

A practical manual for non-engineers which describes the design and construction of earth roads with a usage of up to 50 vehicles per day. Drainage, road planning, the actual construction and subsequent maintenance operations are all dealt with.

Fruits of the most recent research on the worlds of the eleventh and twelfth centuries. This volume of the Haskins Society Journal furthers the Society's commitment to historical and interdisciplinary research on the early and central Middle Ages, focusing on the Anglo-Saxon, Anglo-Norman, and Angevin worlds.The topics of the essays range from the complexities of landholding and service in England after the Norman Conquest and the place of Portugal in the legal renaissance of the twelfth century, to the purpose and audiences of copiesof Anglo-Saxon charters produced by the late medieval community at Bury St Edmunds. There is an investigation of the hitherto overlooked narrative role of material objects in Orderic Vitalis'History, continuing the Journal's investigation of source-specific analyses, together with an exploration of the date and reliability of an important, but neglected, witness to the Norman conquest of Sicily. Other essays look at the longue duree of the ascetic practice of self-flagellation and its emergence in eleventh-century Italy; the place and meaning of religious practices in crusading, using the De expugnatione Lyxbonensi as laboratory; and aural and visual experience in the life and musical opus of Godric of Finchale. Contributors: Howard B. Clarke, Sarah Foot, John Howe, Monika Otter, Daniel Roach, Charles D. Stanton, Susanna A. Throop, Andre Vitoria.