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In 1973, less than a hundred years after Henry James's "Daisy
Miller" compared the innocence of Americans with the decadence of
Europeans, Jim and Artie Mitchell arrived at the Cannes Film
Festival for the screening of their magnum opus. When the lights
came up and the credits rolled on "Behind the Green Door," the
French audience showered America's bad-boy pornographers with wild
applause. The formerly innocent Americans had returned to teach the
Europeans about decadence.
"Bottom Feeders" is the compelling story of how a pair of
irreverent brothers, the sons of an Okie cardshark, made
pornography one more option in the mainstream consumer marketplace.
It is also the story of how their moral disintegration ended in the
violent death of Artie at the hands of his brother.
Award-winning author John Hubner set out to discover what kind of
forces might drive a man to kill his brother. But his examination
of the Mitchell story becomes much more than that. Long before
mild-mannered Jim burst into Artie's house with his rifle blazing,
the Mitchell Brothers had made a name for themselves as
counterculture heroes who owned San Francisco's landmark O'Farell
Theatre. Riding the free-love tide of sexual libertarianism, the
brothers went from distribution of topless still photos to sexually
explicit films and live sex shows that forced authorities to anchor
legal rulings in the shifting sands of community standards. Along
the way they produced "Green Door" (which became a mainstream
blockbuster), fought seminal court battles, launched the career of
famed "Ivory Snow Girl" Marilyn Chambers, were a focal point for
underground celebrities like Hunter S. Thompson, and became known
as the Peck's Bad Boys of San Francisco, who responded to
harassment from the mayor by putting her office number on the
theatre marquee.
But whether you're in the vanguard or the rearguard, porn is a
dirty business. Hubner discovers that the morally twisted world of
porn often attracts psychologically unstable people who are unable
to escape from it. Artie Mitchell himself became the most striking
example of this disintegration: an alcoholic and womanizer who
never grew up.
"Bottom Feeders" effortlessly interweaves Artie and Jim's story
with the social forces that helped shape them, from the Vietnam War
to the supercharged rebellious atmosphere of San Francisco in the
sixties. And finally we come to understand how two counterculture
heroes-and the counterculture itself-burned themselves out.
With the narrative force of an epic novel and the urgency of
first-rate investigative journalism, this important book delves
into the daily workings and life-or-death decisions of a typical
American family court system. It provides an intimate look at the
lives of the parents and children whose fate it decides. A must for
social workers and social work students, attorneys, judges, foster
parents, law students, child advocates, teachers, journalists and
anyone who cares about our nation's children.
A powerful, bracing and deeply spiritual look at intensely,
troubled youth, Last Chance in Texas gives a stirring account of
the way one remarkable prison rehabilitates its inmates.
While reporting on the juvenile court system, journalist John
Hubner kept hearing about a facility in Texas that ran the most
aggressive-and one of the most successful-treatment programs for
violent young offenders in America. How was it possible, he
wondered, that a state like Texas, famed for its hardcore attitude
toward crime and punishment, could be leading the way in the
rehabilitation of violent and troubled youth?
Now Hubner shares the surprising answers he found over months of
unprecedented access to the Giddings State School, home to "the
worst of the worst": four hundred teenage lawbreakers convicted of
crimes ranging from aggravated assault to murder. Hubner follows
two of these youths-a boy and a girl-through harrowing group
therapy sessions in which they, along with their fellow inmates,
recount their crimes and the abuse they suffered as children. The
key moment comes when the young offenders reenact these
soul-shattering moments with other group members in cathartic
outpourings of suffering and anger that lead, incredibly, to
genuine remorse and the beginnings of true empathy . . . the first
steps on the long road to redemption.
Cutting through the political platitudes surrounding the
controversial issue of juvenile justice, Hubner lays bare the
complex ties between abuse and violence. By turns wrenching and
uplifting, Last Chance in Texas tells a profoundly moving story
about the children who grow up to inflict on others the violence
that they themselves have suffered. It is a story of horror and
heartbreak, yet ultimately full of hope.
"From the Hardcover edition."
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