When John Joseph Mathews (1894-1979) began his career as a writer in the 1930s, he was one of only a small number of Native American authors writing for a national audience. Today he is widely recognized as a founder and shaper of twentieth-century Native American literature. Twenty Thousand Mornings is Mathews's intimate chronicle of his formative years. Written in 1965-67 but only recently discovered, this work captures Osage life in pre-statehood Oklahoma and recounts many remarkable events in early-twentieth-century history. Born in Pawhuska, Osage Nation, Mathews was the only surviving son of a mixed-blood Osage father and a French-American mother. Within these pages he lovingly depicts his close relationships with family members and friends. Yet always drawn to solitude and the natural world, he wanders the Osage Hills in search of tranquil swimming holes - and new adventures. Overturning misguided critical attempts to confine Mathews to either Indian or white identity, Twenty Thousand Mornings shows him as a young man of his time. He goes to dances and movies, attends the brand-new University of Oklahoma, and joins the Air Service as a flight instructor during World War I - spawning a lifelong fascination with aviation. His accounts of wartime experiences include unforgettable descriptions of his first solo flight and growing skill in night-flying. Eventually Mathews gives up piloting to become a student again, this time at Oxford University, where he begins to mature as an intellectual. In her insightful introduction and explanatory notes, Susan Kalter places Mathews's work in the context of his life and career as a novelist, historian, naturalist, and scholar. Kalter draws on his unpublished diaries, revealing aspects of his personal life that have previously been misunderstood. In addressing the significance of this posthumous work, she posits that Twenty Thousand Mornings will challenge, defy, and perhaps redefine studies of American Indian autobiography.

Our Osage Hills presents an exciting portrait of the Wahzhazhe (Osage) people and their prairie homelands in the early twentieth century and beyond, this book presents excellent lost work by the charismatic Osage author and naturalist, John Joseph Mathews, plus a wealth of contextual stories and Osage history. Dr. Michael Snyder discovered, compiled, and edited Mathews's captivating articles, and crafted researched commentaries; these articles and commentaries interweave to form an Osage-centric chronicle of the Great Depression. Using Mathews's articles as a cue, a prompt to move through a vast memory palace, Snyder's pieces tell a broader story of Osage cultural survivance, continuity, and the political struggle for sovereignty; the involvement of Osages in high culture performance and music; the special contributions of Osage women; the novel of the West and novelists in the West; Hollywood as a reflection, however distorted, of the Osage Nation and the surrounding nation; Indian athletics, especially baseball; and crucially, birds, animals, and the beginning of ecological understanding and the emergence of environmental protection. The essays also offer new discoveries on the Osage murders of the 1920s, and show the continued white exploitation and violence against Osages during the 1930s. Through this entertaining and wide-ranging study, the reader will gain a new and fuller understanding of the Wahzhazhe people and their homeland.

This revealing book presents a selection of lost articles from "Our Osage Hills," a newspaper column by the renowned Osage writer, naturalist, and historian, John Joseph Mathews. Signed only with the initials "J.J.M.," Mathews's column featured regularly in the Pawhuska Daily Journal-Capital during the early 1930s. While Mathews is best known for his novel Sundown (1934), the pieces gathered in this volume reveal him to be a compelling essayist. Marked by wit and erudition, Mathews's column not only evokes the unique beauty of the Osage prairie, but also takes on urgent political issues, such as ecological conservation and Osage sovereignty. In Our Osage Hills, Michael Snyder interweaves Mathews's writings with original essays that illuminate their relevant historical and cultural contexts. The result is an Osage-centric chronicle of the Great Depression, a time of environmental and economic crisis for the Osage Nation and country as a whole. Drawing on new historical and biographical research, Snyder's commentaries highlight the larger stakes of Mathews's reflections on nature and culture and situate them within a fascinating story about Osage, Native American, and American life in the early twentieth century. In treating topics that range from sports, art, film, and literature to the realities and legacies of violence against the Osages, Snyder conveys the broad spectrum of Osage familial, social, and cultural history.

Susan Kalter presents seventeen previously unpublished short stories by John Joseph Mathews and skillfully intertwines literary analysis, author biography, and archival research with his journals and personal correspondence. Mathews is considered one of the founders and shapers of the twentieth-century Native American novel, yet literary history has largely ignored his work. An Osage writer from Oklahoma, Mathews also spent time in Los Angeles and Europe. The stories in this volume were written at the dawn of the nuclear age by an author who exposed the social dynamics of an emerging world order, an author who had also published explicitly about the ways he observed the East Coast establishment suppressing southwestern writers. This work shows us the aesthetics we missed out on as a result. Topics range from adulterous murder to Cherokee removal, from the thrill of the hunt to the cultural impasses between U.S. citizens in Mexico and their hosts, from the modern Middle East to the fantastical future. The stories bear the consciousness of a postwar world-its confusions and regrets, its orthodoxies and hypocrisies-as well as the mark of a practiced and prolific writer. The Short Stories of John Joseph Mathews, an Osage Writer sheds light on the complexity of Native American experiences of the last century and the ripple of these stories today.

When John Joseph Mathews (1894-1979) began his career as a writer in the 1930s, he was one of only a small number of Native American authors writing for a national audience. Today he is widely recognized as a founder and shaper of twentieth-century Native American literature. Twenty Thousand Mornings is Mathews's intimate chronicle of his formative years. Written in 1965-67 but only recently discovered, this work captures Osage life in pre-statehood Oklahoma and recounts many remarkable events in early-twentieth-century history. Born in Pawhuska, Osage Nation, Mathews was the only surviving son of a mixed-blood Osage father and a French-American mother. Within these pages he lovingly depicts his close relationships with family members and friends. Yet always drawn to solitude and the natural world, he wanders the Osage Hills in search of tranquil swimming holes - and new adventures. Overturning misguided critical attempts to confine Mathews to either Indian or white identity, Twenty Thousand Mornings shows him as a young man of his time. He goes to dances and movies, attends the brand-new University of Oklahoma, and joins the Air Service as a flight instructor during World War I - spawning a lifelong fascination with aviation. His accounts of wartime experiences include unforgettable descriptions of his first solo flight and growing skill in night-flying. Eventually Mathews gives up piloting to become a student again, this time at Oxford University, where he begins to mature as an intellectual. In her insightful introduction and explanatory notes, Susan Kalter places Mathews's work in the context of his life and career as a novelist, historian, naturalist, and scholar. Kalter draws on his unpublished diaries, revealing aspects of his personal life that have previously been misunderstood. In addressing the significance of this posthumous work, she posits that Twenty Thousand Mornings will challenge, defy, and perhaps redefine studies of American Indian autobiography.

One of America's most colorful oilmen was Ernest Whitworth Marland, a man who had much in common with other industrial giants of his age-- the Mellons, Rockefellers, the Morgans.

Moving to Ponca City, Oklahoma, from Pennsylvania shortly after the turn of the century, Marland quickly found oil on the lands of the Ponca and the Osage Indians.

E.W. Marland was a man of paradox--an advocate of unhampered oil exploration but also a champion of oil conservation, a man who lived in luxury but espoused the common causes of his idol, Franklin D. Roosevelt.

The nine short stories in this collection by distinguished Osage author John Joseph Mathews are sure to be recognized as classics of twentieth-century nature writing and the wildlife conservation movement. The characters in Old Three Toes and Other Tales of Survival and Extinction are coyotes, mountain lions, deer, owls, sandhill cranes, prairie chickens - and human beings, who sometimes kill their prey but are often outsmarted by the largest and smallest animals. Mathews shows us the world through the animals' eyes and ears and noses. His convincing portrayals of their intelligence recall the fiction of Jack London and Ernest Thompson Seton. Like these literary ancestors, Mathews originally intended his nature stories for boys, but the stories transcend boundaries of age, gender, and geography. Mathews writes not just to inspire his readers with nature's beauty but also to demonstrate the interrelatedness of humans, animals, and the landscapes in which they interact. Timely and relevant to discussions of ecology and the environment, his stories will reach a wide audience today, more than fifty years after they were written. These stories show Mathews's ability to write precise descriptions - of a coyote catching a field mouse, a crane eating a frog, a mountain lion playing. A hunter himself, Mathews understood both the animals' readiness to fight and man's instinct to survive. And he let readers share the dignity of the animal characters and their refusal to acquiesce to their own extinction, particularly in the face of human ignorance and carelessness. Susan Kalter's afterword provides a poignant portrait of Mathews and traces the inspirations for the short stories in this collection. Thoughtfully annotated, these stories are the only published examples of Mathews's hitherto unknown short fiction and will add to his stature as an important American Indian writer.

Susan Kalter presents seventeen previously unpublished short stories by John Joseph Mathews and skillfully intertwines literary analysis, author biography, and archival research with his journals and personal correspondence. Mathews is considered one of the founders and shapers of the twentieth-century Native American novel, yet literary history has largely ignored his work. An Osage writer from Oklahoma, Mathews also spent time in Los Angeles and Europe. The stories in this volume were written at the dawn of the nuclear age by an author who exposed the social dynamics of an emerging world order, an author who had also published explicitly about the ways he observed the East Coast establishment suppressing southwestern writers. This work shows us the aesthetics we missed out on as a result. Topics range from adulterous murder to Cherokee removal, from the thrill of the hunt to the cultural impasses between U.S. citizens in Mexico and their hosts, from the modern Middle East to the fantastical future. The stories bear the consciousness of a postwar world-its confusions and regrets, its orthodoxies and hypocrisies-as well as the mark of a practiced and prolific writer. The Short Stories of John Joseph Mathews, an Osage Writer sheds light on the complexity of Native American experiences of the last century and the ripple of these stories today.

Challenge Windzer, the mixed-blood protagonist of this compelling autobiographical novel, was born at the beginning of the twentieth century "when the god of the great Osages was still dominate over the wild prairie and the blackjack hills" of northeast Oklahoma Territory. Named by his father to be "a challenge to the disinheritors of his people," Windzer finds it hard to fulfill his destiny, despite oil money, a university education, and the opportunities presented by the Great War and the roaring twenties. Critics have praised "Sundown" generously, both as a literary work and a vignette into the Native American past.

"Talking to the Moon "is an unusual and charming story of a Thoreau-like adventure in remote northeastern Oklahoma.

Following his university education and his service as a pilot in World War I, John Joseph Mathews returned to his beloved Osage country. He built a sandstone house on a blackjack-covered ridge in the midst of his ranch, and there he lived for ten years, stirred by a natural world that was still undisturbed by the demands of civilization. He became a part of the life that moved about his cottage.

In this beautiful account of what he saw and did and thought, Mathews describes his solitary life among the creatures of the ridge with rare perception and style.

His observations are based on the white man's seasons as well as the Indian cycles of the moon, and he discourses upon the eccentricities of man, the behavior of animals (including the communicative talking to-the-moon coyote), and the encompassing and particular beauty of his wilderness home. Even the most jaded reader will be touched by the sensitivity and generosity of Mathews' response to the natural world. To read "Talking to the Moon "is to be reminded that this world once existed for all of us.

Volume 3 in the Civilization of the American Indian Series In Wah'Kon-Tah, John Joseph Mathews relied heavily on the papers of Osage agent Major Labian J. Miles to recreate the world of the Osage during the last quarter of the Nineteenth century and first quarter of the twentieth century. Using his own experiences, Mathews stressed the spirituality, dignity, and humor of the Osages as they acculturated to the non-Indian world and adapted some of its aspects for their own use.