Sensations of hunger, thirst, sexual attraction, and love can dominate our thoughts to the exclusion of almost everything else, but until the last 10 years or so, the precise reasons why these passions arise have not been understood very well. We now know that these, and other drives like the urge to sleep, are controlled by a small portion of the brain called the hypothalamus. This book presents the latest information about how the brain controls our most basic drives. In a series of fascinating anecdotes, Young tells the tale of how scientists have discovered the role of the hypothalamus in our basic drives and in medical conditions in which these drives are drastically altered. Covering our need for food, water, sex, sleep, and other life essentials, he reveals the brain's part in how we provide for each, and how in some cases, those needs can swing wildly out of control resulting in problems such as obesity, diabetes, insomnia, or narcolepsy. He shows how regulating body temperature can affect the lifespan, how the aging process affects sexual behavior, how empathy and love develop in relationships with family members or with love interests, and how all these functions and more can go awry. Like other science writers before him, Young illuminates even the complex inner workings of the brain in a way that anyone can understand, so that readers are treated to a tour of a tiny part of the brain that is responsible for so many fundamental aspects of life.

This book is intended to be an accessible introduction to the cell biology of mammalian cells for junior or senior undergraduate students who have already had an introduction to biological sciences. This engaging and stimulating text focuses on current controversies in cell biology. To solve these puzzles, the reader will learn how to answer a number of fundamental yet hard-hitting questions in the field. He or she is thus able to approach the subject with the right scientific attitude and build a firm foundation of understanding. Basic features of mammalian cells - secretion, division, motility, cell-cell interactions - are described using up-to-date references to the most current scientific literature. The text is well illustrated with clearly understandable diagrams and numerous micrographs of cells. This text will enable non-specialists to acquire a better understanding of current issues in mammalian cell biology.

This book is intended to be an accessible introduction to the cell biology of mammalian cells for junior or senior undergraduate students who have already had an introduction to biological sciences. This engaging and stimulating text focuses on current controversies in cell biology. To solve these puzzles, the reader will learn how to answer a number of fundamental yet hard-hitting questions in the field. He or she is thus able to approach the subject with the right scientific attitude and build a firm foundation of understanding. Basic features of mammalian cells - secretion, division, motility, cell-cell interactions - are described using up-to-date references to the most current scientific literature. The text is well illustrated with clearly understandable diagrams and numerous micrographs of cells. This text will enable non-specialists to acquire a better understanding of current issues in mammalian cell biology.

Judy Young (1940--2015) was a gifted but private poet. Over the years, she established provisional collections of her best work but refrained from seeking publication due to her trepidation with sharing her deeply personal poems with an audience. She found her voice in a collective group of creatives that included Susan Starr Richards, Mary Ann Taylor-Hall, and the late Donna Boyd, Jane Gentry, Audrey Robinson, and Carolyn Hisel. This illustrious circle of friends met monthly for almost thirty years and gave her the courage to share her work -- a lyrical medley of pain, beauty, strength, and redemption. Revealed is the story of a woman's inner life -- an intimate tale of abuse and personal struggle -- from a traumatic childhood through marriage, parenthood, and lifelong friendships. Based on the final manuscript that was drafted before the author's death, this compilation traces the path of a woman finding her poetic voice in middle age, returning to an often-harrowing upbringing while closely observing the natural world -- especially the populations of birds moving through the space between her back porch and the lake below -- and meditating on the nature of creativity. With a submerged narrative behind the poems and several calls to nature through repeated motifs, the poet shares seminal emotions and experiences. A Careful Hunger is the last creative testament of this extraordinary artist -- her final act of fearlessness in a troubled yet joyful life. In the words of the poet: "I am alive and must say so / one way or another."

The Freemasons include some of the greatest minds in history, such as Darwin and Churchill. They also stand accused of some of the bloodiest acts humanity has ever seen. Many even believe that they control the destinies of the nations. They are the Freemasons, the longest lasting fraternal organisation in the world, shrouded by mystery, myth and murder. "101 Things You Didn't Know About the Freemasons" examines this society and dipels the rumours, uncovers the truth, and brings to light such topics as: masonic symbols, rites and rituals, famous freemasons and their contributions to art, literature, and science, and much more. With "101 Things You Didn't Know About the Freemasons", you'll unlock the secrets of this fascinating, age-old organisation in no time!

Jean Toomer's "Cane" was advertised as "a book about Negroes by a Negro," despite his request not to promote the book along such racial lines. Nella Larsen switched the title of her second novel from "Nig" to "Passing," because an editor felt the original title "might be too inflammatory." In order to publish his first novel as a Book-of-the-Month Club main selection Richard Wright deleted a scene in "Native Son" depicting Bigger Thomas masturbating. Toni Morrison changed the last word of "Beloved" at her editor's request and switched the title of "Paradise" from "War" to allay her publisher's marketing concerns.

Although many editors place demands on their authors, these examples invite special scholarly attention given the power imbalance between white editors and publishers and African American authors. "Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature" examines the complex negotiations behind the production of African American literature.

In chapters on Larsen's "Passing," Ishmael Reed's "Mumbo Jumbo," Gwendolyn Brooks's "Children Coming Home," Morrison's "Oprah's Book Club" selections, and Ralph Ellison's "Juneteenth," John K. Young presents the first book-length application of editorial theory to African American literature. Focusing on the manuscripts, drafts, book covers, colophons, and advertisements that trace book production, Young expands upon the concept of socialized authorship and demonstrates how the study of publishing history and practice and African American literary criticism enrich each other.

"You can tell a true war story if you just keep on telling it," Tim O'Brien writes in The Things They Carried. Widely regarded as the most important novelist to come out of the American war in Viet Nam, O'Brien has kept on telling true war stories not only in narratives that cycle through multiple fictional and nonfictional versions of the war's defining experiences, but also by rewriting those stories again and again. Key moments of revision extend from early drafts, to the initial appearance of selected chapters in magazines, across typescripts and page proofs for first editions, and through continuing post-publication variants in reprints. How to Revise a True War Story is the first book-length study of O'Brien's archival papers at the University of Texas's Harry Ransom Center. Drawing on extensive study of drafts and other prepublication materials, as well as the multiple published versions of O'Brien's works, John K. Young tells the untold stories behind the production of such key texts as Going After Cacciato, The Things They Carried, and In the Lake of the Woods. By reading not just the texts that have been published, but also the versions they could have been, Young demonstrates the important choices O'Brien and his editors have made about how to represent the traumas of the war in Viet Nam. The result is a series of texts that refuse to settle into a finished or stable form, just as the stories they present insist on being told and retold in new and changing ways. In their lack of textual stability, these variants across different versions enact for O'Brien's readers the kinds of narrative volatility that is key to the American literature emerging from the war in Viet Nam. Perhaps in this case, you can tell a true war story if you just keep on revising it.