Characters: 15 male, 3 female

Scenery: Interior

Winner of multiple Tony Awards including Best Musical, Kiss of the Spider Woman revamps a harrowing tale of persecution into a dazzling spectacle that juxtaposes gritty realities with liberating fantasies. Cell mates in a Latin American prison, Valentin is a tough revolutionary undergoing torture and Molina is an unabashed homosexual serving eight years for deviant behavior. Molina shares his fantasies about an actress, Aurora (originated on Broadway by Chita Rivera) with Valentin. One of her roles is a Spider Woman who kills with a kiss.

"Thrilling."-- N.Y. Times.

"Compelling, beautiful, funny and moving.... Has] a cinematic fluidity and a poetic charge."-- N.Y. Daily News.

"Creates an entire world out of a prison cell.... Dazzling."-- Newsweek.

Premiering in 1975 and the hit of the 1997 Broadway season in a production that originated at City Center's Encore! series, Chicago won six Tony Awards including Best Revival and later the Academy Award as Best Picture of the Year. In roaring twenties Chicago, chorine Roxie Hart murders a faithless lover and convinces her hapless husband Amos to take the rap...until he finds out he's been duped and turns on Roxie. Convicted and sent to death row, Roxie and another "Merry Murderess" Velma

Genre: Musical Characters: 7 males, 8 females, and chorus of 8 males and 5 females In the honky tonk world of marathon dancing in Atlantic City in 1933, a captivating assortment of depression era souls eager to dance their way into fame and prizes gather on the Steel Pier. The spectacle is presided over by an oily tongued emcee who is secretly married to Rita Racine, the champion dancer. Her usual partner doesn't show up, so she is paired with a handsome pilot on leave. As the hours of dancing whirl on, Rita becomes increasingly disillusioned with her sleazy, conniving husband and more and more infatuated with the handsome young aviator and a vision of life in a peaceful cottage. Songs by the creators of Chicago, Cabaret and other Broadway classics perfectly capture the rhythms of the 1930's dance era. "Beautiful songs skillfully interwoven with the plot."- New York Daily News "Spectacular."- New York Post "Steeped in wistfulness."- New York Times

Composer John Kander and lyricist Fred Ebb are the longest-running song-writing partnership in Broadway history, having first joined forces in 1962. The creators of such groundbreaking musicals as "Chicago," "Cabaret," and" Kiss of the Spider Woman," Kander and Ebb have helped to push American musical theater in a more daring direction, both musically and dramatically. Their impact on individual performers has been great as well, starting with the handpicked star of their first musical: an untested nineteen-year-old named Liza Minnelli (who writes of this experience in her introduction).
"Colored Lights" covers the major shows of Kander and Ebb's partnership, from "Flora, the Red Menace" (starring a then-unknown Liza) to "The Visit," their newest show, which is set to star another Kander and Ebb favorite, Chita Rivera. The pages and musicals in between reveal what has made theirs such an important and long-lived musical partnership--and one so valued by the artists they have worked with. In recounting the genesis and controversies of "Cabaret," reflecting on the superstar mentality of such artists as Frank Sinatra and Barbra Streisand, and recalling their work with Bob Fosse on "Chicago" (as well as their thoughts on the Oscar-winning film version), John Kander and Fred Ebb provide a history not only of their own lives but also of the American musical theater of the late twentieth century.

A double bill of films detailing the life of musical comedienne Fanny Brice. In 'Funny Girl', Fanny (Barbra Streisand) is an aspiring star living in New York in the early 1900s. She has the chance to realize her ambition when she meets playboy Nick Arnstein (Omar Sharif), who introduces her to Florenz Ziegfeld (Walter Pidgeon). When Ziegfeld puts Fanny in his Follies, she becomes an instant hit. However, marriage to Nick is not a bed of roses. In the sequel, 'Funny Lady', it is the 1930s, and Fanny is now over Nick. She is due to wed impresario Billy Rose (James Caan), but the union proves to be a tempestuous one. Although Billy provides Fanny with several hit songs, she soon tires of his womanising.