Documentary about the rise, fall and reunion of the British new wave band Spandau Ballet. Featuring past performances, unseen archive footage and interviews with the band members, this documentary provides an insight into one of the most successful bands of the 1980s.

Winner of the Prairie Schooner Book Prize in Fiction, this collection of tales returns readers to the American Northwest so deftly observed and powerfully evoked in John Keeble's previous works. Nocturnal America occupies a terrain at once familiar and strange, where homecoming and dislocation can coincide, and families can break apart or hone themselves on the hard edges of daily life. In these stories, Keeble populates what journalist Joel Garreau once called the "Empty Quarter" of North America with complex humanity. Life ranges vibrantly through these airy spaces, at times finding itself thrown up against the shifty terrors of political and cultural change. Keeble's stories hinge on love-its difficulty, its loss and pangs, but also its discovery of good fortune. As his characters come and go, unexpectedly converging, vanishing, or reappearing, their stories reach beyond the ordinariness of life.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT180278At foot of p. 1 of the score: Engrav'd by Striaght and Skillern. Engraved throughout, apart from the letterpress preface. London]: Printed for & sold by the author, at his house in Hanover Street Hanover Square, 1777]. 2],2,34p.: engr.music; obl.2

Often credited as being the father of the via media, Richard Hooker was one of the most innovative minds of English Protestantism. Theologians, philosophers, and political thinkers across the spectrum-from John Locke to John Henry Newman-have acknowledged his influence on Western intellectual history.
This classic, three-volume edition of Hooker's works was originally edited and arranged in 1836 by John Keble (1792-1866) of Oriel College, University of Oxford and includes the biographical essay by Hooker's contemporary Isaac Walton (1593-1683).
Richard Hooker (1554-1600) was one of the most influential Anglican priests and theologians of Elizabethan England. Among his many influential works are "Of the Laws of Ecclesiastical Polity" (1593) and "A Learned Discourse of Justification, Works, and How the Foundation of Faith is Overthrown" (1585), both of which are included in this edition of his works. During his lifetime he held numerous teaching and pastoral positions throughout England.

Often credited as being the father of the via media, Richard Hooker was one of the most innovative minds of English Protestantism. Theologians, philosophers, and political thinkers across the spectrum-from John Locke to John Henry Newman-have acknowledged his influence on Western intellectual history.
This classic, three-volume edition of Hooker's works was originally edited and arranged in 1836 by John Keble (1792-1866) of Oriel College, University of Oxford and includes the biographical essay by Hooker's contemporary Isaac Walton (1593-1683).
Richard Hooker (1554-1600) was one of the most influential Anglican priests and theologians of Elizabethan England. Among his many influential works are "Of the Laws of Ecclesiastical Polity" (1593) and "A Learned Discourse of Justification, Works, and How the Foundation of Faith is Overthrown" (1585), both of which are included in this edition of his works. During his lifetime he held numerous teaching and pastoral positions throughout England.

Often credited as being the father of the via media, Richard Hooker was one of the most innovative minds of English Protestantism. Theologians, philosophers, and political thinkers across the spectrum-from John Locke to John Henry Newman-have acknowledged his influence on Western intellectual history.
This classic, three-volume edition of Hooker's works was originally edited and arranged in 1836 by John Keble (1792-1866) of Oriel College, University of Oxford and includes the biographical essay by Hooker's contemporary Isaac Walton (1593-1683).
Richard Hooker (1554-1600) was one of the most influential Anglican priests and theologians of Elizabethan England. Among his many influential works are "Of the Laws of Ecclesiastical Polity" (1593) and "A Learned Discourse of Justification, Works, and How the Foundation of Faith is Overthrown" (1585), both of which are included in this edition of his works. During his lifetime he held numerous teaching and pastoral positions throughout England.

The action of this novel takes place in the West, but it is not a “Western”; and though its central focus is the life of Adaline Carson, daughter of the famed frontiersman Kit Carson, it is also not a biography. Set in the time of the California gold rush, it is a detailed and graphic elegy for America’s wide-open plains, rivers, and mountains and the people who lived in and passed through them, both for good and ill. The Appointment is a clear-eyed vision of how greed, love, frontier mastery and the beset Native tribes contended for control of this stupendous immensity, and how one young woman and her father were taken up in the resulting maelstrom that has become our history.