Essays on the connections between politics and society in the middle ages, showing their interdependence. Christine Carpenter's influential work on late-medieval English society aspires to encompass a wide spectrum of human experience. Her vision of "total" history embeds the study of politics in a multi-dimensional social frameworkwhich ranges from mentalities and ideology to economy and geography. This collection of essays celebrates Professor Carpenter's achievement by drawing attention to the social underpinning of political culture; the articles reflectthe range of her interests, chronologically from the thirteenth century to the sixteenth, and thematically from ideology and culture, through government and its officials, the nobility, gentry and yeomanry, the law and the church, to local society. The connection between centre and locality pervades the volume, as does the interplay of the ideological and cultural with the practical and material. The essays highlight both how ideas were moulded in political debate and action, and how their roots sprang from social pressures and interests. It also emphasises the wider cultural aspects of topics too-easily conceived as local and material. BENJAMIN THOMPSON is Fellow and Tutor in History at Somerville College, Oxford; JOHN WATTS is Professor of Later Medieval History at the University of Oxford and Fellow and Tutor of Corpus Christi College, Oxford. Contributors: Jackson Armstrong, Caroline Burt, Tony Moore, Richard Partington, Ted Powell, Andrea Ruddick, Andrew Spencer, Benjamin Thompson, John Watts, Theron Westervelt, Jenny Wormald.

Discussion of display through a range of artefacts and in a variety of contexts: family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. Medieval culture was intensely visual. Although this has long been recognised by art historians and by enthusiasts for particular media, there has been little attempt to study social display as a subject in its own right. And yet,display takes us directly into the values, aspirations and, indeed, anxieties of past societies. In this illustrated volume a group of experts address a series of interrelated themes around the issue of display and do so in a waywhich avoids jargon and overly technical language. Among the themes are family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. The media include monumental effigies, brasses, stained glass, rolls of arms, manuscripts, jewels, plate, seals and coins. Contributors: MAURICE KEEN, DAVID CROUCH, PETER COSS, CAROLINE SHENTON, ADRIAN AILES, FREDERIQUE LACHAUD, MARIAN CAMPBELL, BRIAN and MOIRA GITTOS, NIGEL SAUL, FIONN PILBROW, CAROLINE BARRON and JOHN WATTS.

Eight studies of aspects of C15 England, united by a common focus on the role of ideas in political developments of the time. The concept of "political culture" has become very fashionable in the last thirty years, but only recently has it been consciously taken up by practitioners of late-medieval English history, who have argued for the need to acknowledge the role of ideas in politics. While this work has focused on elite political culture, interest in the subject has been growing among historians of towns and villages, especially as they have begun to recognise the importance of both internal politics and national government in the affairs of townsmen and peasants. This volume, the product of a conference on political culture in the late middle ages, explores the subject from a variety of perspectives and in a variety of spheres. It is hoped that it will put the subject firmly on the map for the study of late-medieval England and lead to further exploration of political culture in this period. Contributors CAROLINE BARRON, ALAN CROMARTIE, CHRISTOPHER DYER, MAURICE KEEN, MIRI RUBIN, BENJAMIN THOMPSON, JOHN WATTS, JENNY WORMALD. LINDA CLARK is editor, History of Parliament; CHRISTINE CARPENTER is Reader in History, University ofCambridge.