Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Director Martin Scorsese, the legendary storyteller, decided to make his first-ever 3D film based on the Brian Selznick illustrated novel which he read four years ago, immediately connected to, and then shared with his youngest daughter. In reading books to my daughter, we re-experience the work. So it's like rediscovering the work of art again, but through the eyes of a child. He decided to turn to a different film format, and screenwriter John Logan was chosen to turn Selznick's words and illustrations and transform them into a screenplay. He had to cut and change some elements of the book, but, as Selznick says in his introduction: John performed a kind of magic trick. He took my story and turned it inside out. He turned it into a story that feels like it was always meant to be a movie, and yet he also took the time to celebrate books [and] all happens in the context of a gigantic, glorious, heartfelt, cinematic masterpiece just makes it all the more meaningful. "Hugo" is the astonishing adventure of a wily and resourceful boy whose quest to unlock a secret left to him by his father will transform Hugo and all those around him, and reveal a safe and loving place he can call home. Scorsese has assembled an impressive acting ensemble comprised of rising new talent working alongside venerated stars of the stage and motion pictures, including Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloe Grace Moretz, Ray Winstone, Emily Mortimer, Helen McCrory, Christopher Lee, Richard Griffiths, Frances De La Tour, Michael Stuhlbarg, and with Jude Law.

Chicago, May 21, 1924. Nathan Leopold Jr., age eighteen, and Robert Loeb, age nineteen, killed fourteen-year-old Bobby Franks. They were quickly apprehended when Leopold's glasses were found near the corpse. Clarence Darrow defended them, pleading eloquently against capital punishment. Why would wealthy young men murder an innocent boy? What demons lurked behind Loeb's flashing good looks? Behind Leopold's saturnine intellect? This exquisite Off-Broadway hit explores the complex r

Drama

John Logan

Characters: 5 male, 2 female

Various sets.

This compelling drama by the author of Never the Sinner begins just moments before the 1936 execution of Bruno Richard Hauptmann, the German immigrant who was convicted of murdering the Lindbergh's baby. With prison guards doubling as other characters in flashback, Hauptmann tells his gripping story.

"It is one of rising anti German sentiment in America, of rich versus poor, of the state versus the individual." Hollywood Reporter.

"A spellbinding and surprisingly fresh ... engrossing drama, intelligently told." Variety.

"In telling one man's story, it succeeds in encompassing everything that is essential about America today." Newsday.

"Smart and scintillating. Red deftly conjures what most plays about artists don't: The exhilaration of the act." The New Yorker Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting. A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing. Nominated for 7 Olivier Awards (2009) and winner of 6 Tony Awards (2010) including Best New Play, Red is published in Methuen Drama's Modern Classics series, featuring a new introduction by Michael Grandage.

‘You want to be a thing? Make yourself that thing.’ 1981. Hollywood. Sue Mengers, the first female ‘superagent’ at a time when women talent agents of any kind are almost unheard of, invites you into her Beverly Hills home for an evening of dish, secrets, and all the inside showbiz stories that only Sue could tell… Back in the 1970s, Sue Mengers represented almost every major star in Hollywood; her clients were the talk of the town and her glamorous dinner parties were legendary. But by 1981 the glory days were fading. Her time was passing as a sleek and corporate New Hollywood began to emerge. The phone’s not ringing so much these days and Sue is forced to face the inevitable truth: the credits roll sooner than you think. Starring Bette Midler who makes her return to the stage in her first Broadway play in over 30 years. A new play by three-time Academy Award-nominated screenwriter and playwright John Logan following the recent success of Peter and Alice in the West End and his play RED, which played London to great acclaim before transferring to a smash hit Broadway run where it won 6 Tony Awards including Best New Play. Logan’s work as a screenwriter includes the latest James Bond movie Skyfall, Sweeney Todd, The Aviator, Hugo, Gladiator, The Last Samurai, Rango, Coriolanus, and Any Given Sunday.

It's 1970 and the 1967 Summer of Love has finally arrived in a small Midwestern town. A pair of hip outsiders open a record store in the midst of redneck Amerika, attracting every hipster misfit and hippie wannabe in the area.

PG and his sidekick Willard are doing pretty well selling marijuana and magic mushrooms. A little too well. Between the mob and the deputy sheriff, they may be in deeper trouble than they bargained for.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sermons, Volume 1; Sermons; John Logan John Logan Printed for Macredie, Skelley and Co., 1822 Religion; Christian Rituals & Practice; Sacraments; Lord's Supper; Religion / Christian Rituals & Practice / Sacraments; Religion / Sermons / Christian; Sermons, English