Contrary to a generally held view that pearls are found by chance in oysters, almost all are now produced from farms. This book is a comprehensive treatment of all aspects of the biology of pearl oysters, their anatomy, reproduction, genetics, diseases, etc. It considers how they are farmed from spawning and culturing larvae in hatcheries to adults in the ocean; how various environmental factors, including pollution affect them; and how modern techniques are successfully producing large numbers of cultured pearls. This is the ultimate reference source on pearl oysters and the culture of pearls, written and edited by a number of scientists who are world experts in their fields.
Comprehensive treatment of pearl oyster biology and pearl culture
Written by the top world authorities
Highly illustrated and figured
Of practical relevance to a broad readership, from professional biologists to those involved in the practicalities and practice of pearl production"

A thriller about Manhattan's rich, famous and powerful and the glittering world of art, finance, theatre, government, fashion and interior design that they inhabit.

Greece has always had its admirers, though none seems to have cherished the Athenian tavernas, the murderous traffic and the jaded prostitutes, the petty bureaucratic tyrannies, the street noise and the heroic individualists with the irony and detachment of John Lucas. '92 Acharnon Street' is a gritty portrait of a dirty city and a wayward country. Yet Lucas' love for the realities of Greece triumphs- for the Homeric kindness of her people towards strangers, for the pleasures of her table and for the proximity of islands in clear blue water as a refuge from the noise and pollution of her capital city. This is Greece as the Greeks would recognise it, seen through the eyes of a poet.

Now available in paperback to coincide with the 50th anniversary of his death, this biography corrects many of the myths surrounding the often controversial Thomas Beecham. Thomas Beecham was one of Britain's greatest conductors of orchestral music and opera as well as an entrepreneur and impresario of exceptional energy and brilliant wit. This acclaimed biography places him - musically, politicallyand socially - in the troubled times in which he lived and corrects the stories and myths, many of them Beecham's own making, that have grown up around this uniquely gifted and controversial figure. Drawing upon extensive research, Lucas presents new material on his early years, his complicated private life, his father's catastrophic attempt to buy a large part of Covent Garden - which brought the family to its knees financially - and the orchestras andopera companies that Beecham founded. New light is shed on his visits to Nazi Germany and his view of its leaders, as well as the much misunderstood and previously unchronicled years of the Second World War, which he spent in Australia and America. Thomas Beecham: An Obsession with Music will remain the standard biography for years to come. JOHN LUCAS was on the staff of the Observer for 25 years, completed Peter Heyworth's monumentalbiography of Otto Klemperer, wrote Genius of Valhalla, the biography of Reginald Goodall, and is responsible for the current entries on Beecham and Klemperer in the New Grove .

First published in 1966, this book collects six essays which discuss the experience of social change as it reveals itself in the work of several nineteenth century novelists. In the novels studied, and the discussion of fiction that follows, the authors argue that all these novelists' attempts to confront social change - to connect old with new, past with present and the attempted inclusiveness of vision in a changing society - sooner or later fail. The essays are polemic in arguing against the contemporary critical consensus that this failure is a limitation of imaginative intelligence rather than an endorsement of a receding past which the process of change was charged with destroying.

First published in 1980, this book surveys Dickens' growing power to drive deep into the causes of his contemporary conditions. It reveals the importance of nature to Dickens as a rich metaphor of human freedom and potentiality, and emphasises his concern with time and the problems of freedom. The author considers the peculiarity of Dickens being unanimously acclaimed as a great writer considering the difficulty in placing him definitively within the literary tradition. The author argues Dickens was an isolated figure, indifferent to changing fashions and with a strong sense of the dignity of human nature and that this formed the basis of his character and writings.

First published in 1977, this book studies three important nineteenth-century novelists: Mrs Gaskell, William Hale White and Thomas Hardy. They are all provincial novelists who wrote about social change and the attendant problems and pressures this brought with it. Unlike previous critics, who have tended to concentrate on her 'social-problem' novels, here the author treats Gaskell's Sylvia's Lovers and Cousin Phillis as central texts. However a chapter also examines Gaskell and Engels perception of social change in Manchester. This book also seeks to correct Hale White's neglect, anointing Revolution in Tanner's Lane and Clara Hopgood major works. The survey of women in Hardy's novels represents an illuminating new angle and leads on to a discussion of love and marriage in later Victorian fiction.

The intention of this collection of essays, first published in 1971, is to explore the political aspects of some nineteenth century English writers. Under the influence of the great revolutionary upheavals of the period almost all its most important writers were involved, explicitly or otherwise, in political ideas. This is an exploratory volume, and will be of absorbing interest to anyone studying the interaction between literature and ideas in the nineteenth century.

Spanning the past 20 years, this collection encompasses the work of a leading modern poetry critic.

The collection of essays presented in this volume represents some of the best recent critical work on William Blake as poet, prophet, visual artist, and social and political critic of his time. The critical range that is represented includes examples of Marxist, New Historicist, Feminist and Psychoanalytical approaches to Blake. Taken together, the essays consider all areas and moments of Blake's career as poet, from the early lyrics to his later epic poems, and they have been chosen to reveal not only the range of Blake's concerns but also to alert the reader to the rich variety of contemporary criticism that is devoted to him. Although the majority of essays are devoted to Blake as poet, others consider his work as printmaker, illustrator, and visionary artist. However severely individual essays choose to judge him, ultimately all the contributions to this book affirm Blake as one of the great geniuses of English art and letters. William Blake provides a valuable introduction by one of Britain's foremost critics and will be welcomed by students wanting to familiarise themselves with the work of Blake.

First published in 1966, this book collects six essays which discuss the experience of social change as it reveals itself in the work of several nineteenth century novelists. In the novels studied, and the discussion of fiction that follows, the authors argue that all these novelists' attempts to confront social change - to connect old with new, past with present and the attempted inclusiveness of vision in a changing society - sooner or later fail. The essays are polemic in arguing against the contemporary critical consensus that this failure is a limitation of imaginative intelligence rather than an endorsement of a receding past which the process of change was charged with destroying.

First published in 1977, this book studies three important nineteenth-century novelists: Mrs Gaskell, William Hale White and Thomas Hardy. They are all provincial novelists who wrote about social change and the attendant problems and pressures this brought with it. Unlike previous critics, who have tended to concentrate on her 'social-problem' novels, here the author treats Gaskell's Sylvia's Lovers and Cousin Phillis as central texts. However a chapter also examines Gaskell and Engels perception of social change in Manchester. This book also seeks to correct Hale White's neglect, anointing Revolution in Tanner's Lane and Clara Hopgood major works. The survey of women in Hardy's novels represents an illuminating new angle and leads on to a discussion of love and marriage in later Victorian fiction.

First published in 1980, this book surveys Dickens' growing power to drive deep into the causes of his contemporary conditions. It reveals the importance of nature to Dickens as a rich metaphor of human freedom and potentiality, and emphasises his concern with time and the problems of freedom. The author considers the peculiarity of Dickens being unanimously acclaimed as a great writer considering the difficulty in placing him definitively within the literary tradition. The author argues Dickens was an isolated figure, indifferent to changing fashions and with a strong sense of the dignity of human nature and that this formed the basis of his character and writings.

The intention of this collection of essays, first published in 1971, is to explore the political aspects of some nineteenth century English writers. Under the influence of the great revolutionary upheavals of the period almost all its most important writers were involved, explicitly or otherwise, in political ideas. This is an exploratory volume, and will be of absorbing interest to anyone studying the interaction between literature and ideas in the nineteenth century.