On a bright October morning in 1904, thousands of people flocked to Nassau County on rural Long Island to witness the first international motor sports competition in America: the newly created Vanderbilt Cup. By 1906, the number of spectators multiplied to a quarter million and America's place in motor racing history was assured. In 1908, the Vanderbilt Cup was joined by a second international competition, the International Grand Prize, the first grand prix held outside France. By 1913, the Indianapolis 500 would supplant the Vanderbilt Cup and Grand Prize as America's preeminent race, forever turning mainstream America's attention away from road racing and toward the oval tracks then proliferating around the country. Concentrating on the years between 1904 and 1916 and featuring a wealth of photographs, this book examines the early and relatively unknown history of American motor racing. Beginning with an overview of motor racing history, it covers the French origins of the sport and the first international competitions such as the annual Gordon Bennett Cup and the ill-fated Paris to Madrid race. The primary focus is on America's first three races of international stature: the Vanderbilt Cup, the International Grand Prize and the Indianapolis 500. Compiled in great part from contemporary sources such as newspaper accounts and automotive journals, the book covers not only these races, but also the ways in which each spurred development of the American automobile industry, making it at last a true competitor for that of Europe.

Title: Wuthering Heights.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Bront, Emily; 1893. 382 p.; 8 . 012621.g.5.

Title: Wuthering Heights.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Bront, Emily; 1893. 382 p.; 8 . 012621.g.5.

To accompany the Jane Eyre graphic novels from "Classical Comics" and to help with their application in the classroom, this book is spiral-bound, making the pages easy to photocopy, and includes a CD-ROM with the pages in PDF format, ideal for whole-class teaching on whiteboards, laptops, etc or for direct digital printing. Written by a teacher, for teachers, helping to engage and involve students in the novel. Suitable for teaching ages 10-17, this book provides exercises that cover structure, understanding and character as well as key words, themes and literary techniques. Tasks of this title focus on the use of language and comprehension, there are also many cross-curriculum topics, covering areas within history, ICT, drama, reading, speaking, writing and art. There is an extensive Educational Links section that provides further study opportunities. Devised to encompass a broad range of skill levels, this book provides many opportunities for differentiated teaching and the tailoring of lessons to meet individual needs. It includes a CD-ROM. This resource can be used alongside the Classical Comics adaptation of Jane Eyre as well as any traditional text. In fact, many of the activities can stand on their own as introductions to the works of Charlotte Bronte.

John Buchan's thrilling tale of an innocent man caught up in a web of spies, lies and murder. Can Richard Hannay save himself by solving the mystery of the 39 Steps? Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of John Buchan, theme discussions and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.

Legend has it (it may even be true) that J. B. S. Haldane, when asked by a clergyman what he could infer about God from the works of creation, responded, "He must have had an inordinate fondness for beetles." Were I asked to infer something essential about Homo sapiens from his work, I should probably reply that this zoological odd-ball required humor to lighten a life taken too seriously. How else can we explain the fact that very profession has its underground classic of humorous self-deprecation and verse? Garstang's Larval Forms has long filled this role for evolutionary biology. But, as a residual Victorian, Garstang turned out some mighty stuffy poems-and recapitulatory theory of the details of invertebrate morphology do no reside on the frontier of modern biology. But voyeurs and hedonists can now rejoice, for John Burns has produced a worthy successor, a work full of all that is modern in evolutionary biology-mathematical modeling, ecological strategies, ethological theories and, oh yes, plenty of sex.