Although centrally focused on varieties of friendship and love in Troilus and Criseyde, the discussion in Chaucer's Neoplatonism includes the dream visions as well as aspects of The Canterbury Tales. It lays out Chaucer's Boethian-inspired, cognitive approach, drawn mainly from Book V of the Consolatio, to whatever subject he treats. Far from courting skepticism, Chaucer gathers many variants of such matters as love, friendship, and community within a meditative mode that assess better and worse instances. He does so to illuminate a fuller sense of the forms that respectively underlie particular manifestations of love, joy, friendship or community. That process is both cognitive and aesthetic in that beauty and truth appear more fully as one assess both better and worse instances of an idea or of an experience. Chapters on the dream visions establish Chaucer's reasonable belief in the truth-value of fictions, however grounded on exaggerated and mixed tidings of truth and falsehood. Chapters on Troilus and Criseyde examine relationships between the main characters given the place of noble friendship within an initially promising but then tragic love story. The drama of those relationships become Chaucer's major claim to fame before the tales of Canterbury, where, for meditative purposes, he gathers various gestures toward community among the dramatically interacting pilgrims, while also exploring the dynamics of reconciliation.

Although centrally focused on varieties of friendship and love in Troilus and Criseyde, the discussion in Chaucer's Neoplatonism includes the dream visions as well as aspects of The Canterbury Tales. It lays out Chaucer's Boethian-inspired, cognitive approach, drawn mainly from Book V of the Consolatio, to whatever subject he treats. Far from courting skepticism, Chaucer gathers many variants of such matters as love, friendship, and community within a meditative mode that assess better and worse instances. He does so to illuminate a fuller sense of the forms that respectively underlie particular manifestations of love, joy, friendship or community. That process is both cognitive and aesthetic in that beauty and truth appear more fully as one assess both better and worse instances of an idea or of an experience. Chapters on the dream visions establish Chaucer's reasonable belief in the truth-value of fictions, however grounded on exaggerated and mixed tidings of truth and falsehood. Chapters on Troilus and Criseyde examine relationships between the main characters given the place of noble friendship within an initially promising but then tragic love story. The drama of those relationships become Chaucer's major claim to fame before the tales of Canterbury, where, for meditative purposes, he gathers various gestures toward community among the dramatically interacting pilgrims, while also exploring the dynamics of reconciliation.

The book was envisioned by bedside nurses caring for transplant and cellular therapy patients as a way to teach novice nurses and health care colleagues about the care required for this complex patient population. The nurse authors recruited an oncology nurse practitioner, transplant physician, nurse scientist and expert in medical humanities and health studies to join the project team. The dedication of the team and the willingness of the patients to contribute to the project, has led to a unique case study approach focused on the lived experience of patients and care partner(s) during the transplant/cellular therapy journey. The case studies are unique in that they encompass a qualitative narrative developed using Interpretive Phenomenological Analysis (IPA) and the inclusion of the individual's actual medical and nursing care from their health record. At every step along the trajectory of the illness, the medications and care received are described, interspersed with the voice of the patient and care partner(s) sharing their experiences. The chapters follow the individual patients and their care partner(s) through all phases of their illness. The interviews were conducted, and case studies written by the bedside clinical nurses. Visual art and prose created by patients and care partner(s)s are included in the chapters. The book also includes an introduction written by the nurse authors, a methods chapter on the inclusion of IPA in a case study, and poignant epilogue. The premise of nursing support for survivorship is woven throughout the book, highlighting how giving back aids in recovery identity. This book, full of beautiful artworks and poems, is the work of clinical nurses devoted to improving care for their patients by sharing the patient stories with others. It introduces a unique approach to the case study which could be replicated and applied to any diagnosis.