This volume is the first comprehensive bibliography of all Werfel publications in German language and thus a complete history of the publication of Werfel's works. All works are arranged alphabetically by title, followed by all other editions grouped by publisher. Each bibliographical entry contains the edition's designation, all the information from the title sheet, a description of the volume, the location and detailed explanatory notes.

Lion Feuchtwanger's works appeared under the imprint of over 30 different publishers, not including the book club editions and the publishers of stage manuscripts. Jud Su ss, one of Feuchtwanger's best-known works, provides a perfect illustration of this complex publication history. This work was published before, during and after Feuchtwanger's exile by Georg M ller, Drei Masken Verlag, Th. Knaur Verlag, Querido (Amsterdam), Forum (Stockholm and Amsterdam), Neuer Verlag (Stockholm), Frankfurte Verlagsanstalt, B rgers Taschenbu cher, Greifenverlag, Rowohlt Taschenbuchverlag, Fischer Taschenbuchverlag, Deutscher Bu cherbund, Bu chergilde Gutenberg and Aufbau-Verlag. Lion Feuchtwanger: A Bibliographic Handbook is the first comprehensive documentation of Feuchtwanger's writings. Beginning with the earliest publications in 1905, it sets out the entire history of Feuchtwanger publications right up to the present day. The most important source for this bibliogra was the Lion Feuchtwanger Memorial Library in Los Angeles. The point of departure for notes on the German editions was the dissertation by Gertrude Goetz (Univ. of Southern California 1969). Recent research using advanced computer resources such as OCLC and RLIN as well as numerous visits to publishing houses and libraries have made it possible to update and expand on details given in the dissertation."

The second volume contains Feuchtwanger's essays and belletristic contributions to periodicals, newspapers and anthologies, as well as translations and adaptations of his work for film, television, radio, theatre and opera and productions of his works of drama.

This collection of essays is at the same time a reference work of previously unknown names and topics of German-language exile literature since 1933. The U.S. is one of the most important asylum countries for exiles from Germany, but also for exiles from other European countries where they were expelled by the Nazis. The book focuses on a part of German culture as it is reflected in its heteronomy due to exile in the U.S and also in parts of Central and South Americaa ' including individual biographies and their social context in history.

This work is a collection of twenty-four fundamental essays on the many-sided topic of German exile literature during and after Hitler's Third Reich. Exile literature, which emerged in the 1980s as a special field of critical investigation within German Studies, embraced the diverse works of writers who were scattered from Hollywood to Moscow but were related by the common bond of exile from Germany. Leading American and European specialists in the field are contributors to the volume, which discusses the work of Thomas Mann, Bertolt Brecht, Hermann Broch and Karl Wolfskehl among others.