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40 Lives in 40 Days is a brand-new devotional compilation of MacArthur's extensive studies of the Bible characters who show us that we don't have to be perfect to do God's work. From the twelve disciples to the Samaritan woman, MacArthur shares that Jesus chose average people--fishermen, tax collectors, doubters, political zealots--and gave them a remarkable mission. These encouraging stories, based in Scripture, help shed light on these real men and women who endured struggle, pain, and heartache, just like us. They were perfectly ordinary sinners--living proof of God's kindness--who went on to serve an extraordinary purpose in spreading the gospel. By tracing the lives of these unlikely heroes, MacArthur shows us that the difficulties and temptations that they lived through are the same trials that modern believers face today. Throughout 40 Lives in 40 Days, MacArthur will:
As you get to know each of these 40 figures even better, you'll see why the lives they led can still serve as an inspiration to believers today.
An exhaustive cross-referencing tool for interpreting Scripture with Scripture. The Bible is its own best commentary. To truly understand what the Bible teaches about a subject, we must consult all of what the Bible itself says about it. The New Treasury of Scripture Knowledge allows you to do just that, providing a selection of other verses which shed light upon, clarify, or explain the verse you are consulting. Unlike a concordance, which is an alphabetical index to the words of the Bible, the cross-references given in the New Treasury are not merely to the same word, but to the same or a related thought, theme, doctrine, subject, concept, or literary motif, even when expressed in entirely different words. Special Features: Indicates degree of clarity, significance, or relationship between references Can be used with any translation or edition of the Bible Is arranged like the Bible (divided into the same books, chapters, and verses) for ease of use Provides a far more complete selection of cross-references than can be found in any other source Contains dozens of special study aids to help you develop powerful lessons or sermons--straight from the Bible itself Contains multiple indexes (subjects, figures of speech, etc.) Uses Strong's numbering system Uses a new font that makes it easier to read than previous versions No combination of other Bible study tools quite duplicates the carefully-research and indexed content in The New Treasury of Scripture Knowledge. When used effectively, this invaluable resource will change your life.
In this fresh and authoritative account John Macarthur presents the eighteenth century idea of the picturesque - when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor - in the light of its reception and effects in modern culture. In a series of linked essays Macarthur shows: what the concept of picture does in the picturesque and how this relates to modern theories of the image how the distaste that might be felt today at the sentimentality of the picturesque was already at play in the eighteenth century how visual values such as 'irregularity' become the basis of modern architectural planning; how the concept of appropriating a view moves from landscape design into urban design why movement is fundamental to picturing the stillness of buildings, cities and landscapes. Drawing on examples from architecture, art and broader culture, John Macarthur's account of this key topic in cultural history, makes engaging reading for all those studying architecture, art history, cultural history or visual studies.
What can God’s creation teach us about ourselves, our communities, and modern Christianity? Talks to Farmers: Inspiring, Uplifting, Faith-Building Meditations, written by world renowned preacher Charles H. Spurgeon, uncovers the lessons we can learn from taking a closer look at nature. Includes Foreword by New York Times bestselling author, pastor, and Spurgeon admirer John MacArthur. < First published in 1882, Talks to Farmers is a collection of nineteen of Spurgeon's best-known sermons. Within each chapter, Spurgeon artfully breaks down biblical parables, psalms, and passages through an agricultural lens to teach you timeless spiritual truths and deepen your relationship with Christ. Updated for today’s reader, this new edition of Talks to Farmers is designed to cultivate your faith along the way. < Talks to Farmers is a hopeful, encouraging read for every Christian. Convicting and enlightening, Spurgeon's style of dissecting a verse and beautifully weaving it back together for its true purpose--to point us to Christ, our everlasting source of hope and joy--truly shines in this modern edition of Talks to Farmers. < Throughout Talks to Farmers, Spurgeon shares the essential life lessons he’s learned about:
Nearly 140 years after these sermons were first delivered, Spurgeon's inspirational messages continue to prove practical and relevant for modern believers, drawing from salt-of-the-earth stories from the Bible that explore our relationship with both God and his creation.
As we stand on the cusp of a fundamental restructuring of the housing and building industries, this book provides timely insights into the promise of prefabricated housing. The idea of a more industrialised approach to house building is not a new one: since the 19th century, designers, inventors, engineers, builders, developers, and entrepreneurs have all been fascinated by the idea of the factory-built, modular home. But international housing affordability crises, emerging technologies, and concerns for more sustainable building practices have given a new urgency to the need to transform building construction in the 21st century. Richly illustrated and drawing on historical examples and contemporary design studies, the book takes the reader through the foundations of prefab, leading up to a discussion of contemporary problems and opportunities. It includes a broad international survey of leading companies and their products, and draws on research from an international team of experts in the field. This book suggests a future scenario for industrialised house building that will both challenge the existing industry and stimulate the public imagination.
In this fresh and authoritative account John Macarthur presents the eighteenth century idea of the picturesque - when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor - in the light of its reception and effects in modern culture. In a series of linked essays Macarthur shows: what the concept of picture does in the picturesque and how this relates to modern theories of the image; how the distaste that might be felt today at the sentimentality of the picturesque was already at play in the eighteenth century; how visual values such as 'irregularity' become the basis of modern architectural planning; how the concept of appropriating a view moves from landscape design into urban design; and why movement is fundamental to picturing the stillness of buildings, cities and landscapes.Drawing on examples from architecture, art and broader culture, John Macarthur's account of this key topic in cultural history, makes engaging reading for all those studying architecture, art history, cultural history or visual studies.
In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin's Monument to the Third International and Borromini's dome for Sant'Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant'Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.
In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin's Monument to the Third International and Borromini's dome for Sant'Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant'Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.
Find the Clarity Only God Provides In an age of moral and spiritual decline, you will inevitably face pressure to view truth as something subjective, shifting, and ultimately unknowable. Yet the Word of God stands in bold contrast against this postmodern sentiment. The absolute truth of Scripture is timeless, extending even to today's most heated controversies. From the bestselling team behind Right Thinking in a World Gone Wrong comes Right Thinking for a Culture in Chaos: a biblical response to contemporary issues like gender identity, government authority, deconstruction of faith, critical race theory, and more. Each chapter illuminates how the principles of God's Word equip you to honor Him in an increasingly corrupt world. You'll also be encouraged by the profound hope of the gospel of Jesus Christ-the only remedy for humanity's brokenness. No matter what society teaches, God's Word cuts through the haze of confusion with the light of truth. Right Thinking for a Culture in Chaos encourages you to ground your convictions in Christ and His all-sufficient Word.
After years as believers, we can come to find the Christian life too complicated, our zeal diminished, and our relationship with Jesus grown cold and predictable. Award-winning author and respected pastor John MacArthur reminds readers that what's been lost can be found again. This practical tool will help Christians restore the fire and conviction of their first love for Christ by helping them better understand his character, his glory, and his love for them. MacArthur counsels all who want more love for Christ to pursue him by making Christ their focus each day, in every activity, in every contact, and in every thought.
We live in a culture that more and more questions authority, truth
claims, and traditional beliefs. So what are we to believe about
the authority and trustworthiness of a book that is thousands of
years old? Is God's Word truly inerrant? How is it different from
other religious texts? Why should we trust its claims?
Walk through the gospel records of the "bold confrontations" of Jesus and discover how to use your newfound knowledge of the person of Jesus to defend the biblical truth of the Christian faith. Do you have any idea who Jesus really is? "What you think of Jesus Christ will thoroughly color how you think about everything else," writes John MacArthur. This is a critical truth in the life of every believer. Your view of Jesus affects the way you view God, the world, and every one of your decisions. These days, Jesus is often portrayed as a pacifist, a philanthropist, or a docile teacher. He strikes a plastic—and sometimes pathetic—pose in the minds of many. Some prefer the meek and mild Jesus who heals the sick, calms fears, and speaks of peace and goodwill. These things do represent a portion of the Messiah. But tragically, too many have never been exposed to the rest of him. They have never seen a full 360-degree view of the Savior. His boldness in the face of confrontation and why that matters. Until now. Abridged from his classic bestseller, The Jesus You Can’t Ignore, Jesus Unleashed takes a revealing walk through the gospel records. Like an investigative journalist on a mission, author and teacher John MacArthur shows you a remarkable and compelling picture of Jesus unleashed.
Is architecture an art, like literature or music? Or is it more akin to science or engineering? Can buildings be artworks, just like paintings and sculptures, or does their fundamentally functional nature mean they cannot be considered pure works of art? Questions of architecture, art, and aesthetics do not allow for simple answers. But by asking such questions, we can usefully reveal the ways in which the concepts and meanings of architecture have changed over the centuries, and how they continue to change in the contemporary era. Is Architecture Art? explores the key conceptual questions about the aesthetic appreciation of architecture and its persistently contested status as an artform. It engages the work of thinkers ranging from Hume and Kant to Adorno, Tafuri, and Rancière, and draws on accessible and thought-provoking accounts of historical and contemporary architectural and art theory. Taking novel approaches to issues that will be familiar to the practising architect, it shows how aesthetics and art theory can open up and illuminate architectural theory, issue by issue. Is Architecture Art? will provoke discussion and debate among architects and architectural theorists, and force a new understanding of the purpose of architectural practice in the contemporary era as the concepts of ‘art’, ‘the arts’, and of the creative economy have shifted and blurred as never before.
Fleeing Europe in 1939 for the Australian state of Queensland, the architect Karl Langer (1903-1969) found himself positioned at the very edge of both European and Australian modernism. Confronted by tropical heat and glare, the economics of affordable housing, fiercely proud regional architectural practices, and a suspicion of the foreign, Langer moulded the European language of international modernism to the unique climatic and social conditions of tropical Australia. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book is both an examination of Langer's work and international legacy, and also a case study in tropical modernism and the trans-global dissemination of design ideas - revealing how Langer sought to reconcile his training in international modernism with a fascination for the formal and visual languages of a regional culture, context, and climate.
The words Christ spoke from the cross can inform Christians of the purpose, the meaning, the sufferings, and the sufficiency of his death. After an introduction that discusses the nature of Christ's death as natural, unnatural, preternatural, and supernatural, Dr. Arthur W. Pink clearly illustrates the lessons that can be drawn from Christ's words-lessons on forgiveness, salvation, affection, anguish, suffering, victory, and contentment. This comprehensive and accessible volume is useful for both sermon preparation and personal study.
The Naval Chronicle, published in 40 volumes between 1799 and 1818, is a key source for British maritime and military history. This reissue is the first complete printed reproduction of what was the most influential maritime publication of its day. The subjects covered range from accounts of battles and lists of ships to notices of promotions and marriages, courts martial and deaths, and biographies, poetry and letters. Each volume also contains engravings and charts relating to naval engagements and important harbours around the world. Volume 31, published in 1814 at the end of the Napoleonic wars, contains state papers describing the terms of the peace treaty signed between Britain and the restored Bourbon monarchy. Discussions concerning naval pay and the planned reduction of the navy, a list of British fleets, ships and their commanders as of 1814 and a biography of Sir George Young are also included.
A practical and devotional exposition of the Upper Room Discourse. As the disciples stood on the precipice of the darknest night in the history of the world, Jesus wanted them to have peace. The demonstration of love, the words of comfort, the troubling predictions combine in John 13-16 to reveal the infinite glories of Christ--His love, His comfort, His wisdom, and His peace to those He came to save.
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