While the careers of secret agents have inspired many genres of popular culture, relatively little research has been carried out until now on spying as a profession. Through the lens of personnel management, the authors offer a unique and compelling analysis of secret service employee biographies and autobiographies, giving the reader an improved understanding of people management in all organisations. Personnel Management in Secret Service Organizations pinpoints key events in an agent’s career, focusing on how they enter their profession, how they perform espionage work; how they are trained and managed and what the circumstances of promotion and demotion might be, up to the point of exit from the profession (through retirement, capture, or death). Within this framework, it illustrates the ways that secret service organizations play a crucial role in contemporary societies. Drawing comparisons with personnel management in standard organizations, Personnel Management in Secret Service Organizations will be a valuable resource for researchers and students of management and organization. The use of narratology-inspired methods will appeal to younger scholars with an interest in organizational studies too.

Futuristic action thriller prequel starring Luke Goss as a convict determined to gain his freedom no matter what it takes. In the near future, as the US economy begins to falter and crime increases, new prisons run for profit begin to appear. Terminal Island is one such penitentiary where a regime of brutal oppression reigns. Beginning his life sentence after killing a policeman, Carl Lucas (Goss) soon realises his only chance for freedom lies in entering and winning the latest TV show devised by unscrupulous producer September Jones (Lauren Cohan). In the last-man-standing 'death race', Lucas must battle it out against his fellow inmates in heavily modified vehicles designed to destroy anything that gets in their way.

This edition is releasing to celebrate the release of the award winning film adaptation, starring Hermione Corfield, Will Fletcher and Mark Gatiss and directed by Richie Adams. Cinematic release set for May 2022, screening around 900 UK cinemas. Winner of the Edinburgh International Film Festival Audience Award 2021. Kirsty MacLeod is a beautiful young woman, coveted by all the young men of her island village. She dreams of America, of following the setting sun west to a better life. She meets the man who dreams her dreams and promises to make them come true. But then the Great War breaks out and the men must leave for battle. In their honour, the islanders organise a grand Road Dance. That night she is raped. She is left with a secret that will bring shame upon her and her family and ultimately on the child she is carrying. On a night of storms and sorrow, she has to make her choice and it is no choice at all.

A man tries to build for his future by reconnecting with his past, leaving behind the ruins of the life he has lived. Iain Martin hopes that by returning to his Hebridean roots and embarking on a quest to reconstruct the ancient family home, he might find new purpose. But then he uncovers a secret from the past.

When Cal MacCarl gets a phone call to his bachelor flat in Glasgow asking him to come to the bedside of his Aunt Mary, dying miles away on the Isle of Lewis, he embarks on a journey of discovery. With both his parents dead, his Aunt Mary is his only remaining blood link. When she goes he will be the last of the family line and he couldn't care less. In the days between his aunt's death and funeral he is drawn into the role of genealogy detective. In a place where everyone knows everything about everybody, Cal finds that secrets are buried deep and begins to understand that Aunt Mary was not the woman he knew and he might not be the person he thought he was.

Built for the new age, the house stood boldly upright on the edge of the ocean withstanding the harsh blasts of a cruel century, nurturing and protecting the family within, watchful of hearts swollen or broken, dreams delivered and dashed. It had absorbed the tears and echoed the laughter. A sweeping saga of one family through a momentous century. Different people, divergent lives and distinctive stories. Bound together by the place they called home. But one of them is missing, lost to the world. An unknown grandchild, born to a son who went to war and never came back. As the years pass, through wars and emigration, social transformation and generational change, the search continues. And the questions remain the same: Who is he? Where is he? Will he ever come home?

The topic of Monstrous Moonshine has been a major development in mathematics since 1979. Beginning with remarkable conjectures relating finite group theory and number theory that stimulated an outpouring of new ideas, Monstrous Moonshine deeply involves many different areas of mathematics, as well as string theory and conformal field theory in physics. It has changed the landscape of many fields.
This volume consists of 17 papers by research leaders, based on talks presented at a workshop held to mark the anniversary of the Monstrous Moonshine conjectures. The papers, which include surveys of many important developments, will give the reader a view of a wide range of current activity and promising directions for future research.

As a young reporter John MacKay took the first calls on the Lockerbie Bombing. As a news anchor he conducted the final TV interviews of the Yes and No campaigns in Scotland’s Referendum. His journey in journalism has taken him to the key events through the most dramatic decades of Scotland’s peacetime history. Using contemporary scripts, transcripts of significant interviews, diaries and recollections, he charts Scotland’s transformation as a society and as a nation.

Largely forgotten during the last 20 years of his life, the Soviet filmmaker Dziga Vertov (1896-1954) has occupied a singular and often controversial position over the past sixty years as a founding figure of documentary, avant-garde, and political-propaganda film practice. Creator of Man with a Movie Camera (1929), perhaps the most celebrated non-fiction film ever made, Vertov is equally renowned as the most militant opponent of the canons of mainstream filmmaking in the history of cinema. This book, the first in a three-volume study, addresses Vertov's youth in the largely Jewish city of Bialystok, his education in Petrograd, his formative years of involvement in filmmaking, his experiences during the Russian Civil War, and his interests in music, poetry and technology.

Largely forgotten during the last 20 years of his life, the Soviet filmmaker Dziga Vertov (1896-1954) has occupied a singular and often controversial position over the past sixty years as a founding figure of documentary, avant-garde, and political-propaganda film practice. Creator of Man with a Movie Camera" (1929), perhaps the most celebrated non-fiction film ever made, Vertov is equally renowned as the most militant opponent of the canons of mainstream filmmaking in the history of cinema. This book, the first in a three-volume study, addresses Vertov's youth in the largely Jewish city of Bialystok, his education in Petrograd, his formative years of involvement in filmmaking, his experiences during the Russian Civil War, and his interests in music, poetry and technology.