An innovative exploration of fake news and alternative reality in late Stuart and early Hanoverian political and literary culture, from the Popish Plot and the South Sea Bubble to the Dunciad. James Francis Edward Stuart, the Prince of Wales born in 1688, was not a commoner's child smuggled into the queen's birthing chamber in a warming pan, but many people said he was. In 1708, the same prince did not quite land in Scotland with a force of 5,000 men in order to claim the Scottish crown, but writers busied themselves with exploring what would have happened if he had succeeded. These fictions had as potent an effect on the political culture of late Stuart and early Hanoverian Britain as many events that really did happen. From the alleged "Popish Plot" of Titus Oates to the South Sea Bubble, John McTague draws on a rich variety of sources - popular, archival and literary - to investigate the propagandic and literary exploitation of three kinds of things that did not occur at this time: failures which inspired "what if" narratives, speculative futures which failed to come to pass and "pure" fictions created and disseminated for political gain. Finally, a ground-breaking reading of the various versions of Pope's Dunciad reveals a work that in its exploration of historic causation and agency and its repurposing o fthe material of contemporary political and literary culture deploys many of the strategies explored in earlier chapters to present Hanoverian reality as if it were counterhistory. JOHN MCTAGUE is Lecturer in English Literature at Bristol University.

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the 'lost Augustan'. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe's mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe's plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this first volume, a general introduction by Stephen Bernard and Michael Caines introduces Rowe's works and the five volumes that comprise this set. It then presents the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent along with a newly written explanatory introduction by Rebecca Bullard and John McTague which precedes the full edited text. Appendices covering dedications performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.

The correspondence of John Dryden is the definitive edition of the letters of the most important playwright and poet of the late seventeenth century. He defined an age and his newly transcribed disparate correspondence is placed in the context of contemporaneous and current debates about literature, politics and religion. It is also the most important account of the relationship between an author and his bookseller of the time. The illustrated correspondence contains a full biographical, textual introduction and calendar of letters. It is transcribed diplomatically and structured chronologically, with contextualising sections about particular correspondences. The readership will be undergraduate, graduate and postgraduate students and academics with an interest in seventeenth century literature, politics, religion and culture. The editor won the MLA Morton N. Cohen Award for a Distinguished Edition of Letters. -- .