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Showing 1 - 7 of 7 matches in All Departments

Sing Joyfully (Sheet music, Vocal score): William Byrd Sing Joyfully (Sheet music, Vocal score)
William Byrd; Edited by John Morehen
R129 Discovery Miles 1 290 Ships in 12 - 19 working days

Sing Joyfully, is suitable for SATB and optional organ.

Vigilate (Sheet music, Vocal score): William Byrd Vigilate (Sheet music, Vocal score)
William Byrd; Edited by John Morehen
R156 Discovery Miles 1 560 Ships in 12 - 19 working days
Ave verum Corpus (Sheet music, Vocal score): William Byrd Ave verum Corpus (Sheet music, Vocal score)
William Byrd; Edited by John Morehen
R129 Discovery Miles 1 290 Ships in 12 - 19 working days
Hosanna to the Son of David (Sheet music, Vocal score): Thomas Weelkes Hosanna to the Son of David (Sheet music, Vocal score)
Thomas Weelkes; Edited by Edmund H. Fellowes, John Morehen
R128 Discovery Miles 1 280 Ships in 12 - 19 working days
Nolo Mortem Peccatoris (Sheet music, Vocal score): Thomas Morley Nolo Mortem Peccatoris (Sheet music, Vocal score)
Thomas Morley; Edited by John Morehen
R128 Discovery Miles 1 280 Ships in 12 - 19 working days
O clap your hands (Sheet music, Vocal score): Orlando Gibbons O clap your hands (Sheet music, Vocal score)
Orlando Gibbons; Edited by John Morehen
R157 Discovery Miles 1 570 Ships in 12 - 19 working days
English Choral Practice, 1400-1650 - Cambridge Studies in Performance Practice, 5 (Paperback, Revised): John Morehen English Choral Practice, 1400-1650 - Cambridge Studies in Performance Practice, 5 (Paperback, Revised)
John Morehen
R1,643 Discovery Miles 16 430 Ships in 12 - 19 working days

This is the first book to survey the performing practices in English choral music in the fifteenth, sixteenth and seventeenth centuries, including the period of the English Reformation. The essays, all written by specialists in the field, consider in depth such areas as the growth and development of the 'church' choir, related issues of vocal tessitura, performing pitch, the systems of pronunciation appropriate for Latin- and English-texted music, and the day-to-day training of choristers. There is also an investigation of the local circumstances under which many of the important manuscripts of the period were compiled, which reveals an unsuspectedly close interrelationship between domestic music and music for the church. In addition, a study of surviving sources reveals that they give little more than a general guide as to their composers' and copyists' intentions.

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