Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The ultimate guide to nature drawing and journaling! A potent combination of art, science, and boundless enthusiasm, this art instruction book from John Muir Laws (author of The Laws Guide to Drawing Birds) is a how-to guide for becoming a better artist and a more attentive naturalist. In straightforward text complemented by step-by-step illustrations, dozens of exercises lead the hand and mind through creating accurate reproductions of plants and animals as well as landscapes, skies, and more. Laws provides clear, practical advice for every step of the process for artists at every level, from the basics of choosing supplies to advanced techniques. While the book's advice will improve the skills of already accomplished artists, the emphasis on seeing, learning, and feeling will make this book valuable-even revelatory-to anyone interested in the natural world, no matter how rudimentary their artistic abilities.

This is the first complete English translation of a lively travelogue written by Andronikos aka Nikandros Noukios, a Greek from Corfu, who accompanied a diplomatic mission from Venice to England in the middle of the sixteenth century. He describes some of the great northern Italian cities, gives vivid impressions of picturesque Germany, of sober but enthusiastic Lutheran church services, and of cities on the Rhine. In the Low Countries he visits the commercial centres and in England gives a real sense of the excitement of London and its sights. He rather liked the English (even giving a recipe for beer), and is clearly fascinated by Henry VIII, his attacks on the monasteries and his break with Rome. He then surprisingly joins up with a troop of Greek mercenaries, but finally leaves them and returns to Italy through France with glimpses of Fontainebleau and Francis I. We leave Andronikos after he has visited Rome on his way back to Venice. The book is an almost unknown source for the sixteenth century and will certainly be of interest to historians and students. It is also an important and little-known landmark in the development of Modern Greek literature, especially relevant to the burgeoning modern interest in travel writing. It is accessible and a good read.

John Muir Laws’s guide to drawing birds is itself winged, soaring between a devotion not only to art but also to the lives, forms, and postures of the birds themselves. Here, artistic technique and the exquisite details of natural history intertwine, and drawing becomes the vehicle for seeing. As Laws writes, "To draw feathers, you must understand how feathers grow, overlap, and insert into the body. To create the body, you must have an understanding of the bird’s skeletal structure. To pose this skeleton, you must be able to perceive the energy, intention, and life of the bird." This how-to guide will perfect the technique of serious artists but also, perhaps more importantly, it will provide guidance for those who insist they can’t draw. Leading the mind and hand through a series of detailed exercises, Laws delivers what he promises: that "drawing birds opens you to the beauty of the world." An Audubon Book.

An all-access guide to the abundant natural splendor of Sonoma County Wild Sonoma celebrates the spectacular and resilient natural landscapes of Sonoma County, which along with its neighboring counties is one of the world's premier winegrowing regions. Our exploration launches with an entertaining primer on ecology basics, including the impact of fire, before a fun fact-filled survey of sixty-two of the area's iconic and commonly encountered species-from vivacious acorn woodpeckers to disease-neutralizing Western fence lizards. It caps off with a tour of six sites to experience Sonoma's diverse natural beauty, with a special emphasis on access. Written by Wild LA author Charles Hood, introduced by renowned naturalist Jane Goodall, and illustrated by John Muir Laws, Wild Sonoma offers residents and tourists from eight to eighty a sense of wonder and cause for hope.

'When I was a child in Scotland, I was fond of everything that was wild, and all my life I've been growing fonder and fonder of wild places and wild creatures.' John Muir was eleven when he and his family left Scotland in 1849 to build a new life on a homestead in the vast wilderness of Wisconsin. Written in simple yet beautiful prose, we see Muir's delight as he discovers and observes the landscape and wildlife around him, as he recalls his childhood and reveals himself as a master of natural description.

This is the first complete English translation of a lively travelogue written by Andronikos aka Nikandros Noukios, a Greek from Corfu, who accompanied a diplomatic mission from Venice to England in the middle of the sixteenth century. He describes some of the great northern Italian cities, gives vivid impressions of picturesque Germany, of sober but enthusiastic Lutheran church services, and of cities on the Rhine. In the Low Countries he visits the commercial centres and in England gives a real sense of the excitement of London and its sights. He rather liked the English (even giving a recipe for beer), and is clearly fascinated by Henry VIII, his attacks on the monasteries and his break with Rome. He then surprisingly joins up with a troop of Greek mercenaries, but finally leaves them and returns to Italy through France with glimpses of Fontainebleau and Francis I. We leave Andronikos after he has visited Rome on his way back to Venice. The book is an almost unknown source for the sixteenth century and will certainly be of interest to historians and students. It is also an important and little-known landmark in the development of Modern Greek literature, especially relevant to the burgeoning modern interest in travel writing. It is accessible and a good read.

John Muir agreed in 1881 to sail aboard the Corwin, whose fruitless mission it was to search for the missing scientific research vessel Jeannette, which itself became icebound while exploring the distant and mysterious Wrangell Land in the higher latitudes of the Arctic. This cruise would afford Muir the opportunity to examine evidence of glaciation along the arctic coastlines of Siberia and Alaska and the harmonious lifestyle of Inuits and Chukchis, which was in the midst of disruption from the intrusions of the civilized South. “John Muir was certainly as concerned for the potential loss of marvelous arctic cultures as he was for our continent’s vanishing wilderness. In this sense, THE CRUISE OF THE CORWIN truly deserves our attention, especially in light of all that is happening in the Arctic today.” –Richard Fleck

My First Summer in the Sierra is the incredible true story of John Muir's iconic time spent working in the California mountain range of the Sierra Nevada's. In this republished edition, read about his experience that shaped so much of environmental stewardship today. In the summer of 1869, a young John Muir joined a crew of shepherds working in the foothills of California's Sierra Nevada mountains. Spending countless hours working with the group, Muir also worked tirelessly to advocate for the land's protection. His efforts eventually transpired into the founding of Yosemite Valley as a national park, a landmark event in the history of United States environmentalism. A glimpse into Muir's private journals, My First Summer in the Sierra is the remarkable retelling of his time there. Full of humorous anecdotes and insightful prose, John Muir personal narrative will likely inspire you to pack up your belongings and head for the mountains.

My First Summer in the Sierra is the incredible true story of John Muir's iconic time spent working in the California mountain range of the Sierra Nevada's. In this republished edition, read about his experience that shaped so much of environmental stewardship today. In the summer of 1869, a young John Muir joined a crew of shepherds working in the foothills of California's Sierra Nevada mountains. Spending countless hours working with the group, Muir also worked tirelessly to advocate for the land's protection. His efforts eventually transpired into the founding of Yosemite Valley as a national park, a landmark event in the history of United States environmentalism. A glimpse into Muir's private journals, My First Summer in the Sierra is the remarkable retelling of his time there. Full of humorous anecdotes and insightful prose, John Muir personal narrative will likely inspire you to pack up your belongings and head for the mountains.

My First Summer in the Sierra is the incredible true story of John Muir's iconic time spent working in the California mountain range of the Sierra Nevada's. In this republished edition, read about his experience that shaped so much of environmental stewardship today. In the summer of 1869, a young John Muir joined a crew of shepherds working in the foothills of California's Sierra Nevada mountains. Spending countless hours working with the group, Muir also worked tirelessly to advocate for the land's protection. His efforts eventually transpired into the founding of Yosemite Valley as a national park, a landmark event in the history of United States environmentalism. A glimpse into Muir's private journals, My First Summer in the Sierra is the remarkable retelling of his time there. Full of humorous anecdotes and insightful prose, John Muir personal narrative will likely inspire you to pack up your belongings and head for the mountains.

From the first 'deadly signs' scratched on a wooden tablet instructing the recipient to kill the one who delivered it, to the letters of St Paul to the early Church, this book examines the range of letter writing in the Ancient Greek world. Containing extensive translated examples from both life and fiction, it provides a glimpse into the lives of both ordinary people and political life. This comprehensive study looks at personal and private letters, letters used in administration and government, letters used as vehicles for the dissemination of philosophy and religion, and letters which played a part in the development of several literary genres. The way in which letters were written and with what materials, how they were delivered, and how it is that, for certain limited periods and locations, so many of them have survived and how they were re-discovered. By placing these letters in their social, political and intellectual contexts, Life and Letters in the Ancient Greek World draws attention to both familiar topics, such as young soldiers writing home from basic training and the choice of flowers for a wedding, and more alien events, such as getting rid of baby girls and offhand attitudes to bereavement. This first guide in English to provide commentary on such a broad range of letters, will be essential reading for anyone interested in the Ancient Greek World.