France’s greatest poet of the last half century, Yves Bonnefoy wrote many books of poetry and poetic prose, as well as celebrated critical essays on literature and art (to which a second volume will be devoted). At his death in 2016 aged ninety-three, he was Emeritus Professor of Comparative Poetics at the Collège de France. The selection for this volume (and the second one) was made in close collaboration with the poet. The lengthy introduction by John Naughton is a significant assessment of Bonnefoy’s importance in French literature. Bonnefoy started out as a young surrealist poet at the end of the Second World War and, for seven decades, he produced poetry and prose of great, and changing, depth and richness. In his lines we encounter `the horizon of a voice where stars are falling, / Moon merging with the chaos of the dead’. Fellow poet Philippe Jaccottet spoke of his abiding gravité enflammée. Bonnefoy knew what translation demands, having himself translated Shakespeare, Donne, Yeats, and Keats; Petrarch and Leopardi from Italian; and, from Greek, George Seferis. This volume is edited and translated by three of Bonnefoy’s long-time translators –Anthony Rudolf, John Naughton, and Stephen Romer – with contributions from Galway Kinnell, Richard Pevear, Beverley Bie Brahic, Emily Grosholz, Susanna Lang, and Hoyt Rogers.

This bilingual edition of the contemporary master's fifth work, Ce qui fut sans lumi, re, will delight, engage, and stir all lovers of poetry. Included here is an extensive new interview with the poet in English translation. Included here is a very helpful and touchingly personal interview with the poet. . . . For readers with no prior knowledge of Bonnefoy's work, this volume would be an excellent place to start.--Stephen Romer, Times Literary Supplement

Yves Bonnefoy (1923-2016), a major poet, was equally a seminal essayist and thinker. This companion volume to Yves Bonnefoy: Poems contains what he regarded as his foundational essays, as well as a generous selection from all periods. In his art criticism, as in his literary essays, Bonnefoy manages that rare thing: to impart metaphysical urgency to each discreet encounter with a painting or a poem, born of his constant quest for intensity, for 'presence'. Whether he is examining an early Byzantine fresco, a Shakespeare play, a Bernini angel, a drawing by Blake, a poem by Rimbaud, the exigency, the high seriousness and the challenge is the same: to affirm presence, and finitude, against all forms of life-sapping conceptual thought. If they cannot always deliver ecstasy or hope, the great poets, argues Bonnefoy, are pledged to 'intensity as such', sustained by 'une mélancolie ardente'.

Break of Noon (Partage de midi) is a collaborative attempt, edited by Anthony Rudolf, at preparing an English-language edition of Paul Claudel's remarkable and complex play, an unstable text which gave Claudel many problems throughout his life. These are explored in essays by David Furlong of Exchange Theatre in London, which put on a production of the play in 2018 and John Naughton, a leading authority on Claudel. The critical apparatus is completed by the late Susannah York's essay on her own involvement with the play and recounts her interaction with her fellow translator, Jonathan Griffin. The instability of this strange and compelling work in its various original versions is mirrored by the three critical essays in the present work, which do not always see eye to eye. It is thirty years since Jonathan Griffin died and nearly fifty years since Pierre Rouve's Ipswich production of Jonathan's translation, starring Ben Kingsley and Annie Firbank.

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Our society has gone through a weird, unremarked transition: once a novelty, the Net is now something that we take for granted, like mains electricity or running water. In the process we've been surprisingly incurious about its significance or cultural implications. How has our society become dependent on a utility that it doesn't really understand? John Naughton has distilled the noisy chatter surrounding the internet's relentless evolution into nine clear-sighted areas of understanding. In doing so he affords everyone the requisite knowledge to make better use of the technologies and networks around us, as well as highlighting some of their more disturbing implications.