This is a biography of 'England's greatest medieval scientist, a man who solved major practical and theoretical problems to build an extraordinary and pioneering astronomical and astrological clock'. John North tells an extraordinary story here; Richard of Wallingford (1292-1336) was the son of a blacksmith who became Abbot of St Albans, where he invented his clock, before finally succumbing to leprosy. The story of the invention of the clock and its science, is accompanied by a fascinating discussion of early 14th-century scientific endeavour, which examines the Oxford that Richard knew from his studies there, and how science and theology merged in the minds of medieval intellectuals. John North examines Richard's career at the great abbey of St Albans as well as its people and, in particular, its mills. Half of the study, however, focuses on the clock and its principles. North looks at the history of horologia , the sources, and Richard's own manual which North identified in the Bodleian Library in the 1960s. Finally, North discusses the history of astronomy and natural philosophy, the instruments used and the enormous legacy that Richard left even though so few have heard his name today. This is an excellent book, with fine illustrations throughout.

Plutarch's writings have had a varied reception history from when he was writing in the second century BCE down to today. This volume starts from what may be a translation into the Syriac dialect of a lost Plutarch essay; continues with a tribute from a leading scholar of the later Byzantine period; and follows the centuries of sustained enthusiasm from the Renaissance to the eighteenth century. This period started once a translation into Latin had become available, and ended when scholars in the nineteenth century lowered Plutarch's reputation as historian, biographer, philosopher, and stylist. By the end of the century, he came to symbolize in the eyes of Tolstoy precisely what history should not be. Both the causes of the decline and the later recovery of interest raise important new questions about how Plutarch should be assessed in the twenty-first century. This is one of the early volumes in the series of `Afterlives' of the Classics, being produced jointly by the Institute of Classical Studies and the Warburg.

Virgil has always been copied, studied, imitated, and revered as perhaps the greatest poet of the Latin language. He has been centrally important to the transmission of the classical tradition, and has played a unique role in European education. In recognition of the richness of his reception the fourth conferences in the joint Warburg Institute and Institute of Classical Studies series on the afterlife of the Classics was devoted to the afterlife of Virgil. This volume focuses on the reception of the Eclogues and the Aeneid in three main areas: Italian Renaissance poetry, scholarship and visual art; English responses to Virgil's poetry; and emerging literatures in Eastern Europe in the seventeenth and eighteenth centuries. Contributors are Giulia Perucchi, M. Elisabeth Schwab, Clementina Marsico, David Quint, Marilena Caciorgna, Mate Vince, Hanna Paulouskaya, Tim Markey, Charles Martindale, and Francesca Bortoletti.

Ovid was the most influential and widely imitated of all classical Latin poets. This volume publishes papers delivered at a conference on the Reception of Ovid in March 2013, jointly organised by the Institute of Classical Studies and the Warburg Institute, University of London. It presents studies of the impact of Ovid's work on Renaissance commentators, on neo-Latin poetry and epistolography, on Renaissance engravers, on poets like Dante, Mantuan, Pontano, Ariosto, Tasso, Spenser, Lodge, Weever, Milton and Cowley and on artists including Correggio and Rubens. The main focus of the volume is inevitably the afterlife of the Metamorphoses but it also includes discussions of the impact of Heroides, Fasti, and Ibis, and publishes for the first time a Latin verse life of Ovid composed around 1460 by Bernardo Moretti. Contributors are Helene Casanova-Robin, Frank T. Coulson, Fatima Diez-Plazas, Ingo Gildenhard, Philip Hardie, Maggie Kilgour, Gesine Manuwald, Elizabeth McGrath, John Miller, Victoria Moul, Caroline Stark, and Herica Valladares.

The religious life within and around the Roman Empire, and the context into which Christianity emerged and where it spread, provides a topic of the widest interest. Yet this context was not that of a completely pagan world, for Judaism was already firmly established and continued as a vigorous contender in the field throughout the first four centuries after the death of Christ - a fact not always well recognized. Historically, Christianity's relationship with Judaism continued to be intimate but ambivalent long after their separation. This has distorted scholarly perceptions right down to our own day, when the religious history of the period still tends to be written from a Christianizing perspective. The suggestion of this book is that we can and should reassess, from a more neutral position, how the competition between these three religions influenced the development of each of them. "The Jews Among Pagans and Christians" offers a model of this complex area by drawing on a variety of types of material and method. This book should be of interest to students and lecturers of classics, ancient history, Jewish studies, theology and religious studies.

Contents:
Introduction Judith Lieu, John North and Tessa Rajak Chapter 1 The Jewish Community and its Boundaries Chapter 2 The Pre-Christian Paul Martin Hengel Chapter 3 Jewish Proselytizing in the First Century A.D. Martin Goodman Chapter 4 History and Theology in the Chritisn Views of Judaism Judith Lieu Chapter 5 The Jews of the Graeco-Roman Diaspora Between Paganism and Christianity, A.D. 312-438 Fergus Millar Chapter 6 Syrian Christianity and Judaism Han Drijvers Chapter 7 From Judaism to Chritianity: The Syriac Version of the Hebrew Bible Michael Weitzman Chapter 8 The Development of Religious Pluralism John North

Man kann ohne Obertreibung sagen, daE es die Astronomie seit tiber fUnftausend J ahren als exakte Wissenschaft gibt. In dieser ganzen Zeit beriihrte sie die letzten Fragen der Mensch- heit. Ihre Geschichte niederzuschreiben stellt uns vor zahlIose Probleme. Wir beginnen mit einer Zeit, die wir weitgehend durch Schlu&folgerungen kennen; wir gehen dann zu Zeiten tiber, von denen wir wissen, da& das meiste Indizienmaterial verlorengegangen ist; und wir enden bei den letzten Dekaden eines Jahrhunderts, das den Astronomen Beachtung und wirtschaftliche Mittel in nie dagewesenem Umfang beschert hat. Aus einem typischen Jahrhundert der hellenistischen Ara, einem goldenen Zeitalter der Astronomie, mogen wir eine Handvoll Texte haben. 1m Gegensatz dazu werden heute jedes Jahr mehr als zwanzig- tausend astronomische Artikel veroffentlicht, und, tiber fUnfJahre genommen, ist die Zahl der Astronomen, unter deren Namen diese erscheinen, von der Ordnung vierzigtausend. Wenn diese Geschichte also am Anfang wie eine Skizze anmutet, ist sie notwendiger- weise am Schlu& eine Silhouette, die den Gegenstand ebenso durch das definiert, was sie ausla&t, als dadurch, was sie enthalt. Sie schreitet in einem solchen Ma& immer schneller voran, daE der Raum, der einem Dutzend hochstwichtiger neuer Bticher gewidmet wird, ein kleiner Bruchteil davon ist, was am Anfang einer heute ganz trivial erscheinenden Aussage eingeraumt wird. Das ist kein Zufall.

For some time interest has been growing in a dialogue between modern scientific research into human cognition and research in the humanities. This ground-breaking volume focuses this dialogue on the religious experience of men and women in the ancient Greek and Roman worlds. Each chapter examines a particular historical problem arising from an ancient religious activity and the contributions range across a wide variety of both ancient contexts and sources, exploring and integrating literary, epigraphic, visual and archaeological evidence. In order to avoid a simple polarity between physical aspects (ritual) and mental aspects (belief) of religion, the contributors draw on theories of cognition as embodied, emergent, enactive and extended, accepting the complexity, multimodality and multicausality of human life. Through this interdisciplinary approach, the chapters open up new questions around and develop new insights into the physical, emotional, and cognitive aspects of ancient religions.

This book offers a radical new survey of more than a thousand years of religious life in Rome, from the foundation of the city to its rise to world empire and its conversion to Christianity. It sets religion in its full cultural context, between the primitive hamlet of the eighth century BC and the cosmopolitan, multicultural society of the first centuries of the Christian era.

This book, the second of the two volumes that make up Religions of Rome, presents a wide range of documents illustrating religious life in the Roman world from the early Republic to the late Empire (both visual evidence and texts in translation). More than just a "sourcebook," it explores some of the major themes and problems of Roman religion (such as sacrifice, the religious calendar, divination and prediction). Each document has an introduction, explanatory notes and bibliography, and is used as the starting point for further discussion.

What do forgeries do? Forgery Beyond Deceit: Fabrication, Value, and the Desire for Ancient Rome explores that question with a focus on forgery in ancient Rome and of ancient Rome. Its chapters reach from antiquity to the twentieth century and cover literature and art, the two areas that predominate in forgery studies, as well as the forgery of physical books, coins, and religious relics. The book examines the cultural, historical, and rhetorical functions of forgery that extend beyond the desire to deceive and profit. It analyses forgery in connection with related phenomena like pseudepigraphy, fakes, and copies; and it investigates the aesthetic and historical value that forgeries possess when scholarship takes seriously their form, content, and varied uses within and across cultures. Of particular interest is the way that forgeries embody a desire for the ancient and for the recovery of the fragmentary past of ancient Rome.

Man kann ohne Obertreibung sagen, daE es die Astronomie seit tiber fUnftausend J ahren als exakte Wissenschaft gibt. In dieser ganzen Zeit beriihrte sie die letzten Fragen der Mensch- heit. Ihre Geschichte niederzuschreiben stellt uns vor zahlIose Probleme. Wir beginnen mit einer Zeit, die wir weitgehend durch Schlu&folgerungen kennen; wir gehen dann zu Zeiten tiber, von denen wir wissen, da& das meiste Indizienmaterial verlorengegangen ist; und wir enden bei den letzten Dekaden eines Jahrhunderts, das den Astronomen Beachtung und wirtschaftliche Mittel in nie dagewesenem Umfang beschert hat. Aus einem typischen Jahrhundert der hellenistischen Ara, einem goldenen Zeitalter der Astronomie, mogen wir eine Handvoll Texte haben. 1m Gegensatz dazu werden heute jedes Jahr mehr als zwanzig- tausend astronomische Artikel veroffentlicht, und, tiber fUnfJahre genommen, ist die Zahl der Astronomen, unter deren Namen diese erscheinen, von der Ordnung vierzigtausend. Wenn diese Geschichte also am Anfang wie eine Skizze anmutet, ist sie notwendiger- weise am Schlu& eine Silhouette, die den Gegenstand ebenso durch das definiert, was sie ausla&t, als dadurch, was sie enthalt. Sie schreitet in einem solchen Ma& immer schneller voran, daE der Raum, der einem Dutzend hochstwichtiger neuer Bticher gewidmet wird, ein kleiner Bruchteil davon ist, was am Anfang einer heute ganz trivial erscheinenden Aussage eingeraumt wird. Das ist kein Zufall.

An expansive look at ancient art and architecture over four centuries highlighting the diversity of makers and viewers within and beyond Rome’s ever-changing political boundaries   Roman art and architecture is typically understood as being bound in some ways to a political event or as a series of aesthetic choices and experiences stemming from a center in Rome itself. Moving beyond the misleading catchall label “Roman,� John North Hopkins aims to untangle the many peoples whose diverse cultures and traditions contributed to Rome’s visual culture over a four-hundred-year time span across the first millennium BCE.   Hopkins carefully reconsiders some of the period’s most iconic works by way of the many practices and peoples bound up with them. Some of these include the extraordinary and complex effort to build the Temple of Jupiter; the creative actions and diverse encounters tied to luxury objects like the Ficoroni Cista; and the important meanings held by sacred temple sculpture and votive offerings through their making and subsequent practices of devotion.   A key purpose of this book is to question an idea of Rome that has focused on elite production and the textual record; Hopkins instead calls attention to the lesser-known—often silenced—actors who were integral players. The result is a deep understanding of a diverse and historically rich Italic and Mediterranean world, as well as the myriad cultures, communities, and individuals who would have made and experienced art within and around the changing political boundaries of Rome.