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First published in 1979, this collection of sixty-three essays on
the novel drawn from ten periodicals demonstrates the primary
concerns of those discussing the nature and purpose of prose
fiction in the period from 1830 to 1850. The essays reflect what
was thought and said about the art of fiction and reveal what
journalists of these periodicals thought were the most urgent
critical concerns facing the working reviewer. Including an
introduction which assesses the issues raised by the best
periodicals at the time, this anthology is designed to provide
students of Victorian fiction and critical theory with a collection
of essays on the art of fiction in a convenient and durable form.
First published in 1979, this collection of thirty-three essays on
the novel drawn from thirteen periodicals demonstrates the primary
concerns of those discussing the nature and purpose of prose
fiction in the period from 1851 to 1869. The essays reflect what
was thought and said about the art of fiction and reveal what
journalists of these periodicals thought were the most urgent
critical concerns facing the working reviewer. This volume includes
work by major mid-century reviewers such as David Masson, George
Henry Lewes, Walter Bagehot, William Caldwell Roscoe, Richard Holt
Hutton and Leslie Stephen. Including an introduction which assesses
the issues raised by the best periodicals at the time, this
anthology is designed to provide students of Victorian fiction and
critical theory with a collection of essays on the art of fiction
in a convenient and durable form.
First published in 1979, this collection of thirty-three essays on
the novel drawn from thirteen periodicals demonstrates the primary
concerns of those discussing the nature and purpose of prose
fiction in the period from 1851 to 1869. The essays reflect what
was thought and said about the art of fiction and reveal what
journalists of these periodicals thought were the most urgent
critical concerns facing the working reviewer. This volume includes
work by major mid-century reviewers such as David Masson, George
Henry Lewes, Walter Bagehot, William Caldwell Roscoe, Richard Holt
Hutton and Leslie Stephen. Including an introduction which assesses
the issues raised by the best periodicals at the time, this
anthology is designed to provide students of Victorian fiction and
critical theory with a collection of essays on the art of fiction
in a convenient and durable form.
First published in 1979, this collection of thirty-nine essays on
the novel drawn from seventeen periodicals demonstrates the primary
concerns of those discussing the nature and purpose of prose
fiction in the period from 1870 to 1900. The essays reflect what
was thought and said about the art of fiction and reveal what
journalists of these periodicals thought were the most urgent
critical concerns facing the working reviewer. Including an
introduction which assesses the issues raised by the best
periodicals at the time, this anthology is designed to provide
students of Victorian fiction and critical theory with a collection
of essays on the art of fiction in a convenient and durable form.
First published in 1979, this collection of sixty-three essays on
the novel drawn from ten periodicals demonstrates the primary
concerns of those discussing the nature and purpose of prose
fiction in the period from 1830 to 1850. The essays reflect what
was thought and said about the art of fiction and reveal what
journalists of these periodicals thought were the most urgent
critical concerns facing the working reviewer. Including an
introduction which assesses the issues raised by the best
periodicals at the time, this anthology is designed to provide
students of Victorian fiction and critical theory with a collection
of essays on the art of fiction in a convenient and durable form.
First published in 1979, this collection of thirty-nine essays on
the novel drawn from seventeen periodicals demonstrates the primary
concerns of those discussing the nature and purpose of prose
fiction in the period from 1870 to 1900. The essays reflect what
was thought and said about the art of fiction and reveal what
journalists of these periodicals thought were the most urgent
critical concerns facing the working reviewer. Including an
introduction which assesses the issues raised by the best
periodicals at the time, this anthology is designed to provide
students of Victorian fiction and critical theory with a collection
of essays on the art of fiction in a convenient and durable form.
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