American military power in the War on Terror has increasingly depended on the capacity to see the enemy. The act of seeing-enhanced by electronic and digital technologies-has separated shooter from target, eliminating risk of bodily harm to the remote warrior, while YouTube videos eroticize pulling the trigger and video games blur the line between simulated play and fighting. Light It Up examines the visual culture of the early twenty-first century military. Focusing on the Marine Corps, which played a critical part in the invasion and occupation of Iraq, John Pettegrew argues that U.S. military force in the Iraq War was projected through an "optics of combat." Powerful military technology developed in the Iraq and Afghanistan wars has placed war in a new posthuman era. Pettegrew's interviews with marines, as well as his analysis of first-person shooter videogames and combat footage, lead to startling insights into the militarization of popular digital culture. An essential study for readers interested in modern warfare, policy makers, and historians of technology, war, and visual and military culture.

This final volume in the Public Women, Public Words series focuses on what has come to be called the second wave of American feminism. It traces the resurgence of feminism in the late 1960s-from Betty Friedan and the National Organization for Women to the anarchist and lesbian identity dimensions of radical feminism. Including topics such as sexual autonomy, abortion, the Equal Rights Amendment, and the black-feminist resistance to the white-dominated second wave, this volume reflects the unprecedented range of women's issues taken up by feminists during the 1970s and beyond. Volume III also charts the great diffusion of feminism with separate sections on multicultural feminism and the feminist presence in media and pop culture. Finally, through the recent writings of feminist intellectuals, it looks toward a third feminist wave for the new millennium. Public Women, Public Words: A Documentary History of American Feminism provides a comprehensive view of the many strands of feminist thought and actions and is essential for every women's studies and feminism collection.

Are men truly predisposed to violence and aggression? Is it the biological fate of males to struggle for domination over women and vie against one another endlessly?

These and related queries have long vexed philosophers, social scientists, and other students of human behavior. In "Brutes in Suits," historian John Pettegrew examines theoretical writings and cultural traditions in the United States to find that, Darwinian arguments to the contrary, masculine aggression can be interpreted as a modern strategy for taking power. Drawing ideas from varied and at times seemingly contradictory sources, Pettegrew argues that traditionally held beliefs about masculinity developed largely through language and cultural habit--and that these same tools can be employed to break through the myth that brutishness is an inherently male trait.

A major re-synthesis of late nineteenth- and early twentieth-century manhood, "Brutes in Suits" develops ambitious lines of research into the social science of sexual difference and professional history's celebration of rugged individualism; the hunting-and-killing genre of popular men's literature; that master text of hypermasculinity: college football; military culture, war making, and finding pleasure in killing; and patriarchy, sexual jealousy, and the law. This timely assessment of the evolution of masculine culture will be welcomed and debated by social and intellectual historians for years to come.