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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
This collection of writings presents contemporary views on the
integration of Buddhism in the West. Over the past few decades
Buddhism has deepened its presence in the West and as a result
teachings and practices are becoming integrated with those of
Western psychology in a more productive way. The decline of
mechanism and positivism offers new opportunities to bring together
Western Buddhist views of the mind and its relationship to its
surroundings. Written by psychologists and scholars, the essays
discuss many of the difficult questions raised by Buddhism's
increased presence. In particular the issue of the balance between
authenticity and accessibility is examined. Buddhist traditions are
often perceived as inaccessible and too firmly fixed to a cultural
framework with some people, especially women, left feeling
alienated and undervalued. However, by responding to this by
attempting to synthesise Buddhism with the values of contemporary
culture can lead to doubts about authenticity and dilution.
Examining these issues and many more, the contributors seek to
bring Buddhism into a realistic and informed relationship with
contemporary Western thought.
The decline of mechanism and positivism offers new opportunities to bring together Western and Buddhist views of the mind and its relationship to its surroundings. The purpose of this collection of readings is to present some contemporary views on this progressive integration.
Enormous demands are placed on the control and manual dexterity of
the contemporary drum set player, particularly in the Jazz idiom.
Today's drummer is expected to have developed limb coordination to
a degree that would have been thought unachievable a few short
years ago. This text presents an effective method of dealing with
the mastery of drum set coordination by breaking it down into four
sections: 1) Ride Cymbal - Right hand; 2) Snare Drum - Left foot;
3) Bass Drum - Right foot; 4) High hat - Left foot.
The author clearly states his goals in writing this book: "It is
my sincere wish that the materials presented in [this] text will be
of considerable help in developing musical approach to the
coordination skills demanded of today's drummer." -John Pickering
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