Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This collection of writings presents contemporary views on the integration of Buddhism in the West. Over the past few decades Buddhism has deepened its presence in the West and as a result teachings and practices are becoming integrated with those of Western psychology in a more productive way. The decline of mechanism and positivism offers new opportunities to bring together Western Buddhist views of the mind and its relationship to its surroundings. Written by psychologists and scholars, the essays discuss many of the difficult questions raised by Buddhism's increased presence. In particular the issue of the balance between authenticity and accessibility is examined. Buddhist traditions are often perceived as inaccessible and too firmly fixed to a cultural framework with some people, especially women, left feeling alienated and undervalued. However, by responding to this by attempting to synthesise Buddhism with the values of contemporary culture can lead to doubts about authenticity and dilution. Examining these issues and many more, the contributors seek to bring Buddhism into a realistic and informed relationship with contemporary Western thought.

The decline of mechanism and positivism offers new opportunities to bring together Western and Buddhist views of the mind and its relationship to its surroundings. The purpose of this collection of readings is to present some contemporary views on this progressive integration.

Enormous demands are placed on the control and manual dexterity of the contemporary drum set player, particularly in the Jazz idiom. Today's drummer is expected to have developed limb coordination to a degree that would have been thought unachievable a few short years ago. This text presents an effective method of dealing with the mastery of drum set coordination by breaking it down into four sections: 1) Ride Cymbal - Right hand; 2) Snare Drum - Left foot; 3) Bass Drum - Right foot; 4) High hat - Left foot.
The author clearly states his goals in writing this book: "It is my sincere wish that the materials presented in [this] text will be of considerable help in developing musical approach to the coordination skills demanded of today's drummer." -John Pickering