One of Shakespeare's later plays, best described as a tragic-comedy, the play falls into two distinct parts. In the first Leontes is thrown into a jealous rage by his suspicions of his wife Hermione and his best-friend, and imprisons her and orders that her new born daughter be left to perish. The second half is a pastoral comedy with the "lost" daughter Perdita having been rescued by shepherds and now in love with a young prince. The play ends with former lovers and friends reunited after the apparently miraculous resurrection of Hermione. John Pitcher's lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance. As the recent Sam Mendes production at the Old Vic shows, this is a play that can work a kind of magic in the theatre. For more than a century educators, students and general readers have relied on The Arden Shakespeare to provide the very best scholarship and most authoritative texts available.
The Third Series editions' added emphasis on all aspects of Shakespeare performance extended the Arden editions readership to also become the preferred text for theatre professionals.

One of Shakespeare's later plays, best described as a tragic-comedy, the play falls into two distinct parts. In the first Leontes is thrown into a jealous rage by his suspicions of his wife Hermione and his best-friend, and imprisons her and orders that her new born daughter be left to perish. The second half is a pastoral comedy with the "lost" daughter Perdita having been rescued by shepherds and now in love with a young prince. The play ends with former lovers and friends reunited after the apparently miraculous resurrection of Hermione. John Pitcher's lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance. As the recent Sam Mendes production at the Old Vic shows, this is a play that can work a kind of magic in the theatre. For more than a century educators, students and general readers have relied on The Arden Shakespeare to provide the very best scholarship and most authoritative texts available.
The Third Series editions' added emphasis on all aspects of Shakespeare performance extended the Arden editions readership to also become the preferred text for theatre professionals.

The genius of Francis Bacon is nowhere better revealed than in his essays.

Bacon’s education was grounded in the classical texts of ancient Greece and Rome, but he brought vividness and colour to the arid scholasticism of medieval book-learning. Whatever their subject, whether it is something as personal as ‘Friendship’ or as abstract as ‘Truth’, the essays combine a mixture of rhetoric and philosophy; and are perhaps the most complete and rounded examples of Bacon’s literary style. Rather than merely summarizing popular philosophy or producing glib expositions of correct conduct, Bacon attempted to change the shape of other men’s minds. He believed that rhetoric, as the force of eloquence and persuasion, could incline the mind towards the pure light of reason.

One of Shakespeare's late, fantastical plays, Cymbeline considers human love and art through the thrilling wonder of the Renaissance theatre. This Penguin Shakespeare edition is edited with an introduction by John Pitcher. 'Fear no more the heat o' the sun, Nor the furious winter's rages' The King of Britain, enraged by his daughter's disobedience in marrying against his wishes, banishes his new son-in-law. Having fled to Rome, the exiled husband makes a foolish wager with a villain he encounters there - gambling on the fidelity of his abandoned wife. Combining courtly menace and horror, comedy and melodrama,Cymbeline is a moving depiction of two young lovers driven apart by deceit and self-doubt. This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to the play, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.