Animated comedy adventure featuring the voice talents of Jesse Eisenberg and Anne Hathaway. Blu (voiced by Eisenberg) is a rare macaw living in a bookshop in small-town Minnesota. Believing himself to be the last of his kind, he is thrilled to hear that a female macaw of the same species has been spotted in South America. Blu must now overcome his social ineptitude and fear of flying and set out for Rio de Janeiro to track down the feisty and independent Jewel (Hathaway) and try to win her heart.

Animated adventure sequel featuring the voice talents of Jesse Eisenberg, Anne Hathaway, Jamie Foxx and Andy Garcia. Following their romantic escapades in the first film, Blu (voice of Eisenberg) and Jewel (Hathaway) are now happily married macaws with three children. Adventure lies in wait for the fledgling family when they leave Rio de Janeiro for the wilds of the Amazon to visit relatives. Not only does Jewel's estranged father Eduardo (Garcia) intimidate Blu - who is already out of his comfort zone so far from the city - but Nigel (Jermaine Clement), his nemesis, returns with his heart set on revenge. To complicate matters further, Blu and Jewel learn that the fragile habitat of the Amazon faces a grave threat. Can the couple save the environment that nourishes the creatures they visit and cope with the many challenges thrown their way?

Treating the cultural giants of the 20th century, this volume traces their reading habits and intellectual development, as well as their contributions to Western culture. Suggesting the literary influences on these figures, the book includes 355 entries on people from a broad range of fields, including scientists, politicians, business figures, writers, religious leaders, and figures from the performing arts and popular culture. The volume is a handy companion to Powell's earlier volume, Biographical Dictionary of Literary Influences: The Nineteenth Century, 1800-1914. Reflecting non-Western influences on Western culture, the volume includes such Asian and African figures as Mohandas Gandhi and Wole Soyinka, while also covering the significant Western figures. As the volume recognizes, forms of cultural influence evolved in the 20th century to include more aural and visual influences. Yet the volume still reveals fascinating literary influences throughout the century.

Over the past two decades, the process of cultural development and, in particular, the role of reading has been of growing interest, but recent research has been episodic and idiosyncratic. In this biographical dictionary, research devoted specifically to the reading habits of 19th century individuals who shaped Western culture is brought together for the first time. While giving prominent coverage to literary and political figures, the volume's 270 entries also include musicians, painters, educators, and explorers. Each entry includes brief biographical information, a concise summary of literary influences on the subject, and clear direction for further research. The book provides a practical tool for scholars wishing to trace the reading experience of important Western cultural figures.

Subjects were selected from the people most responsible for the cultural development of Europe, Britain and the British Empire, and the Americas between 1800 and 1914. Although selective, the sample of 270 figures is substantial enough to suggest broad, cross-cultural habits and effects, enabling scholars to better understand the relationship between reading and culture. In an introductory essay, Powell explores the patterns and relationships that can be discerned from the entries. The first of three anticipated volumes, the book is an important step forward in researching the role of reading in cultural development.

This book constitutes the refereed proceedings of the 7th European Lean Educator Conference ELEC 2021, hosted in Trondheim, Norway, in October 2021 and sponsored by IFIP WG 5.7. The conference was held virtually. The 42 full papers presented were carefully reviewed and selected from 82 submissions. They are organized in the following thematic sections: Learning Lean; Teaching Lean in the Digital Era; Lean and Digital; Lean 4.0; Lean Management; Lean Coaching and Mentoring; Skills and Knowledge Management; Productivity and Performance Improvement; New Perspectives of Lean.

Matt Damon returns to star as the deadly CIA assassin in this espionage thriller directed by Paul Greengrass. After spending years off the grid, former agent Bourne (Damon) unexpectedly emerges from the shadows in search of more answers surrounding his hazy past. Meanwhile, new CIA Director Robert Dewey (Tommy Lee Jones) is dealing with the fallout following a major cyber-attack, and authorises a new program to hunt down Bourne after he shows up on agency surveillance systems. Desperate to keep one step ahead of his relentless pursuers, Bourne seeks the help of ex-contact Nicky Parsons (Julia Stiles), and once again finds himself on the run across the globe and unable to trust anyone. The cast also includes Alicia Vikander, Riz Ahmed and Ato Essandoh.

Gardens provoke thought and engagement in ways that are often overlooked. This book shines new light on long-held assumptions about gardens and proposes novel ways in which we might reconsider them. The author challenges traditional views of how we experience gardens, how we might think of gardens as works of art, and how the everyday materials of gardens - plants, light, water, earth - may become artful. The author provides a detailed analysis of Tupare, a garden in New Zealand, and uses it as source material for his analysis of the philosophical issues art gardens raise. His new account of gardens highlights the polymodal, multi-sensual, and improvisatory character of the garden experience, it offers an ontological comparison between gardens and humans and other animals, and it explains how identical plants, and arrangements of plants, may be mundane when encountered beyond the garden but artful, meaningful, and aesthetically valuable when experienced within it.

This volume traces the development of Ghana's informal engineering section through stories of the progress of the actual people involved. The first generation of grassroots engineers are wayside vehicle mechanics, or "fitters", engaged in repairing imported machinery. The author argues that the evolution of the fitter from this role to that of a manufacturer of tools, machines and equipment serving a wide range of "secondary" urban and rural industries is central to progress in engineering, and that engineering - and engineers - are central to the develoment of an economy.;The book charts the progress of the men and women who have been able to make this transformation, with the assistance of the Technology Consultancy Centre and the Intermediate Technology Transfer Unit. It shows that all progress depends upon the human factor; on the people with the courage, the entrepreneurial qualities and the skill eneded to pioneer any new industrial and commercial activity. All this the author sets in the context of the national and international economies, the policies of development agencies - and the slowly evolving background of social infrastructure and skills.

In Last Poem for Sarah & Other Poems, John Powell Ward, now at the age of eighty-five and in the seventh decade of his career, offers memorable work on childhood and recollections of Wales. Most poignant though is his commentary on grief in the titular elegy for his late wife, Sarah. Last Poem for Sarah contains a sequence of fourteen sonnets of 'childhood and after', where intense memories of joy and pain are captured precisely. There are striking stories here, like that of a mother desperately trying to appease and breastfeed her baby on the train. There is the tale of a grammar school teacher who regularly erupted into violence and hit the boys with the lids of their desks, and a vivid portrait of brothers visiting a log cabin in Ontario where ice is ten feet thick. A sequence of poems about experiences of Wales is rich and well-observed capturing a strong sense of time and place, for example in 'Toby Jugs in the White Lion at Ferryside Station, Dyfed'. Recollections range around important figures from the Welsh arts like a memorable encounter with R.S.Thomas who is drawn into conversation by the sighting of a chough, or the parable about the house of Welsh architect and painter, Ernest Morgan, a recluse in his lifetime but whose house now brims with tourists. Altogether, Last Poem for Sarah is a highly satisfying read from a poet with a wealth of recollections from a life well-lived. In the poems looking back at the past, Ward captures nuances and flavours of the twentieth century. With a Wordworthian appreciation for 'unremembered acts' that take on great importance, Ward reaches back into history, childhood, adulthood and loss and sets those memories aflame.

Proven Player serves as an instructional manual to be used by coaches and athletes to strengthen the development of their character as it pertains to sports and life. In this life there seems to always be a need to prove one's self and with that thought a person needs to know what it takes to demonstrate the accurate character traits that makes one a "Proven Player." If a person is to know how to handle certain situations on the plateau of their given sport or within this life, he or she will need a plan to insure that the situations on the playing field and in life are responded to in a proper manner that brings a greater passion for life and those around them that are affected by their responses. Proven Player is that plan!

The book is divided into two major sections: (1) "Reclaiming Integration"; (2) "Reclaiming the Language of Race." Both sections are located in the context of the "post-racial" era and analyzed by nationally renowned scholars in various dimensions. The purpose of this organization is to link structural efforts to encourage voluntary integration with discursive efforts to broaden our social understanding of race in ways that advance the project of American democracy. It is our firm belief that we cannot achieve meaningful advances against enduring racial inequalities without linking structural impacts of racialization (e.g., racial inequalities in economics, education, healthcare, etc.) to the social discourse of race, specifically in terms of the rejection of post-racial politics that are based on the false idea that racism and discrimination are no longer obstacles to opportunity in the United States.

This book by the author of Why Am I Afraid to Love? contains insights on self-awareness, personal growth and communication with others. Why do people continually hide their real selves from the people around them? Why are so many so insecure and afraid to open up? The answer, explains John Powell, is that maturity is reached by communicating and interacting with others. This book considers the consequences our real self faces if no one else ever finds out what we are like. In this enduring classic, the companion to Why Am I Afraid to Love?, John Powell explains how to be more emotionally open, and shows how people adopt roles and play psychological games to protect their inner selves. The courage to be our real selves can be developed, and then we can begin to grow. Now newly designed for a fresh audience, Why Am I Afraid to Tell You Who I Am? is as relevant as it has been for twenty years. With a proven track record, it continues to speak to the needs and aspirations of people today. It is best included in self help sections of general bookshops, but also has a religious appeal.

Did you know that . . . carrying a musical instrument makes you more attractive? music can cure insomnia? music can change the taste of wine? the Mozart effect has nothing to do with Mozart? Barry Manilow songs can be used for crowd control? Why does music affect you so profoundly? It impacts the way you think, talk, feel, behave and even spend money. With his conversational style, humour, and endless knowledge, scientist and musician John Powell showcases fascinating studies - for example that shoppers spend more money in stores that play classical music and, even more astounding, they are more likely to buy German wine in stores playing German music. With chapters on music and emotions, music as medicine, music and intelligence, and much more, Why We Love Music will entertain through to the very last page. A delightful journey through the psychology and science of music, Why We Love Music is the perfect book for anyone who loves a tune.

¿Alguna vez ha escuchado una música maravillosa y se ha preguntado exactamente por qué le hace sentir deseos de bailar o de llorar? ¿Le produce asombro la manera en que los músicos parecen saber cuál es la siguiente nota que tienen que tocar cuando están improvisando? ¿O por qué ciertas combinaciones de notas nos son agradables mientras que otras nos resultan irritantes?John Powell, compositor con formación clásica y profesor de física, desvela hechos básicos, pero a menudo poco conocidos, así como los fascinantes fenómenos físicos que están detrás de lo que escuchamos. Y, por descontado, explica los fundamentos de la armonía, las escalas, los acordes, la tonalidad y el ritmo, y lo hace de manera fácil de entender.Este libro explica cosas que debería saber toda persona que toca un instrumento musical, pero que a menudo ignora. Además ayuda, incluso sin saber leer ni una nota ni tocar el instrumento más simple, a que aumente el placer que sentimos cuando escuchamos música.

This book constitutes the refereed proceedings of the 7th European Lean Educator Conference ELEC 2021, hosted in Trondheim, Norway, in October 2021 and sponsored by IFIP WG 5.7. The conference was held virtually. The 42 full papers presented were carefully reviewed and selected from 82 submissions. They are organized in the following thematic sections: Learning Lean; Teaching Lean in the Digital Era; Lean and Digital; Lean 4.0; Lean Management; Lean Coaching and Mentoring; Skills and Knowledge Management; Productivity and Performance Improvement; New Perspectives of Lean.

"Any readers whose love of music has somehow not led them to explore the technical side before will surely find the result a thoroughly accessible, and occasionally revelatory, primer."--Seattle Post-Intelligencer What makes a musical note different from any other sound? How can you tell if you have perfect pitch? Why do ten violins sound only twice as loud as one? Do your Bob Dylan albums sound better on CD vinyl? John Powell, a scientist and musician, answers these questions and many more in How Music Works, an intriguing and original guide to acoustics. In a clear and engaging voice, Powell leads you on a fascinating journey through the world of music, with lively discussions of the secrets behind harmony timbre, keys, chords, loudness, musical composition, and more. From how musical notes came to be (you can thank a group of stodgy men in 1939 London for that one), to how scales help you memorize songs, to how to make and oboe from a drinking straw, John Powell distills the science and psychology of music with wit and charm.

The book recognises the main principles that underpin effective safeguarding practices and explores the application of a range of key tools that will facilitate a sense of empowerment for practitioners dealing with safeguarding issues. The authors emphasize the importance of preventative interventions as a positive means of impacting on the lives of children and their families. They do this through such processes as the Common Assessment Framework, as well as maintaining the need within the system for responses to be made to urgent concerns that are closely related to safeguarding and child protection processes. With practical case studies throughout, the book helps you: Understand what your responsibilities are Decide what appropriate action should be taken Develop a means of coping with this sensitive area Make sense of current policies and procedures This book is essential reading for all early years students and professionals who wish to explore and rehearse various safeguarding situations in preparation for practice.

Animated adventure with a strong environmental message, based on the children's book by Dr Seuss and featuring the voice talents of Zac Efron and Taylor Swift. 12-year-old Ted (voiced by Efron) has spent his childhood in Thneed-Ville, an entirely artificial city. When Audrey (Swift), the girl of his dreams, expresses her desire to see a real tree, Ted sets out to find it. Along the way he meets the reclusive Once-ler (Ed Helms), who tells the story of the Lorax (Danny DeVito), a grumpy yet charming creature, who fights to protect his world after a revolutionary industrial invention leads to the total destruction of the beautiful forests surrounding Ted's town.

Badly wounded and suffering from amnesia, Jason Bourne (Matt Damon) is pulled out of the Mediterranean by fishermen, and is able to recall neither who he is nor what happened to him. His only clue to his identity is the number of a Swiss bank account which has been etched into a device implanted in his body. Following the lead to Zurich, he discovers money, passports and a gun waiting for him, but also earns the attention of the security services and has to leave in a hurry. He then persuades a young woman named Marie Kreutz (Franka Potente) to drive him to Paris, where he hopes to find out his true identity and discover the reason why the CIA are taking such an interest in him. Directed by Doug Liman ('Swingers', 'Go').

This second edition of C02 Laser Cutting , examines, and in places updates, the whole subject of co2 laser cutting. As with the original, the style is conversational and readable, with mathematical treatments kept to a minimum to give it its uniquely accessible feel. The discussion covers the cutting of metals and non metals on a wide range of levels, from practical advice and processing parameters to explanations of the physical and chemical reactions which take place in the cut zone. Materials covered include steels, wood, ceramics, polymers and non-ferrous alloys, and the information is taken from an extensive range of experimental and commercial results. The cutting process is dealt with in two ways: Practically - for the hands-on operator. Technically - for the researcher or scientist. The user-friendly yet informative style makes this both a practical handbook and research textbook, and is invaluable to anyone concerned with laser cutting, from job shop machine operators to post graduate researchers.

The political journal of John Wodehouse, first Earl of Kimberley (1862-1902) is one of the finest political diaries of the last half of the nineteenth century. Born into an old Tory family, Kimberley followed his forebears in attending Eton and Christ Church, Oxford, but shocked his neighbours by adopting Liberal principles. As Lord Clarendon's protege, he was appointed minister plenipotentiary to Russia following the Crimean War, and under-secretary at the Foreign Office after his return (1859-61). With Lord John Russell's elevation to the peerage in 1861, Kimberley resigned, and shortly after began the journal that he regularly kept until his death in 1902. Uniquely placed as an observer, Kimberley was the only Liberal to serve in every Cabinet of the Gladstone/Rosebery era. The Kimberley Journal is replete with humorous anecdotes, information regarding policy development, and acute observations about politicians and political situations.