In this reissused work, first published in 1991, John Rajchman isolates the question of ethics in the work of Foucault and Lacan and explores its ramifications and implications for the present day. He demonstrates that the question of ethics was at once the most difficult and the most intimate question for these two authors, offering a complex point of intersection between them. As such, he argues that it belongs to the great tradition that is concerned with the passion or eros of philosophy and of its "will to truth". Truth and Eros suggests a way of reading Foucault and Lacan as philosophers who re-eroticised the activity of thought in our time, opeing new and different spaces for thought and action - new types of subjectivity.

In this reissused work, first published in 1991, John Rajchman isolates the question of ethics in the work of Foucault and Lacan and explores its ramifications and implications for the present day. He demonstrates that the question of ethics was at once the most difficult and the most intimate question for these two authors, offering a complex point of intersection between them. As such, he argues that it belongs to the great tradition that is concerned with the passion or eros of philosophy and of its "will to truth."

Truth and Eros suggests a way of reading Foucault and Lacan as philosophers who re-eroticised the activity of thought in our time, opeing new and different spaces for thought and action - new types of subjectivity.

The words "identity", "diversity", "multiculturalism", and "Eurocentrism" have become familiar to us through a process of political and cultural transformation. In the United States, a great national debate rages over fears that the country will fall apart and sacrifice its free speech to "political correctness". In Europe, a related discussion has focused on the resurgence of xenophobia and ethnic nationalism. Undoubtedly, these debates touch on issues which, after the collapse of Cold War geopolitics, are likely to remain with us for some time. "The Identity in Question" provides a theoretical analysis of this issue and the questions it raises about critical theory. The contributors to this collection look behind the familiar words of the discourse to rethink notions of universality and agency and the traditions of liberalism, nationalism and pluralism. They investigate the meanings of democracy and "radical democracy". They also ask how such notions relate to questions of sexual orientation. More generally, the book explores how the new critical theories and methods that have taken shape over the last 20 years figure in these debates, along with their conceptions of "otherness".

The fourth and final volume of The New Press Postwar French Thought series provides a fresh map and analysis for understanding the history of ideas since 1945. This anthology collects the writings of celebrated philosophers along with work by thinkers highly regarded in France for the first time. It contextualises the material within a larger intellectual and political history and chronology, identifying antecedents and distinguishing four main phases or moments. Indispensable for understanding the development of postwar French philosophy as a whole.

In this series of overlapping essays on architecture and art, JohnRajchman attempts to do theory in a new way that takes off from the philosophy of the late Gilles Deleuze. foreword by Paul Virilio. In this series of overlapping essays on architecture and art, John Rajchman attempts to do theory in a new way that takes off from the philosophy of the late Gilles Deleuze. Starting from notions of folding, lightness, ground, abstraction, and future cities, he embarks on a conceptual voyage whose aim is to help "construct" a new space of connections, to "build" a new idiom, perhaps even to suggest a new architecture. Along the way, he addresses questions of the new abstraction, operative form, other geometries, new technologies, global cities, ideas of the virtual and the formless, and possibilities for critical theory after utopia and transgression.

-- Jacques Derrida

The first book to present Gilles Deleuze's philosophy in language the nonphilosopher can understand. This book is a map of the work of Gilles Deleuze-the man Michel Foucault would call the "only real philosophical intelligence in France." It is not only for professional philosophers, but for those engaged in what Deleuze called the "nonphilosophical understanding of philosophy" in other domains, such as the arts, architecture, design, urbanism, new technologies, and politics. For Deleuze's philosophy is meant to go off in many directions at once, opening up zones of unforeseen connections between disciplines. Rajchman isolates the logic at the heart of Deleuze's philosophy and the "image of thought" that it supposes. He then works out its implications for social and cultural thought, as well as for art and design-for how to do critical theory today. In this way he clarifies the aims and assumptions of a philosophy that looks constantly to invent new ways to affirm the "free differences" and the "complex repetitions" in the histories and spaces in which we find ourselves. He looks at the particular realism and empiricism that this affirmation implies and how they might be used to diagnose new forces confronting us today. In the process, he explores the many connections that Deleuze himself constructs in working out his philosophy, with the arts, political movements, even the neurosciences and artificial intelligence.