The making of literary reputations is as much a reflection of a writer's surrounding culture and politics as it is of the intrinsic quality and importance of his work. The current stature of George Orwell, commonly recognized as the foremost political journalist and essayist of the century, provides a notable instance of a writer whose legacy has been claimed from a host of contending political interests. The exemplary clarity and force of his style, the rectitude of his political judgment along with his personal integrity have made him, as he famously noted of Dickens, a writer well worth stealing. Thus, the intellectual battles over Orwell's posthumous career point up ambiguities in Orwell's own work as they do in the motives of his would-be heirs. John Rodden's George Orwell: The Politics of Literary Reputation, breaks new ground in bringing Orwell's work into proper focus while providing much original insight into the phenomenon of literary fame.Rodden's intent is to clarify who Orwell was as a writer during his lifetime and who he became after his death. He explores the dichotomies between the novelist and the essayist, the socialist and the anti-communist and the contrast between his day-to-day activities as a journalist and his latter-day elevation to political prophet and secular saint. Rodden's approach is both contextual and textual, analyzing available reception materials on Orwell along with audiences and publications decisive for shaping his reputation. He then offers a detailed historical and biographical interpretation of the reception scene analyzing how and why did individuals and audiences cast Orwell in their own images and how these projected images served their own political needs and aspirations. Examined here are the views of Orwell as quixotic moralist, socialist renegade, anarchist, English patriot, neo-conservative, forerunner of cultural studies, and even media and commercial star. Rodden concludes with a consideration of the meaning of Orwell's life and work for the future.

The Worlds of Irving Howe: The Critical Legacy is a wide-ranging anthology of criticism devoted to the literary, cultural, and political work of the writer Irving Howe. The book offers a broad cross-section of critical and biographical writings about Howe. Collected here are assessments of Howe's work written by some of the most prominent intellectuals of the twentieth century, among them Lionel Trilling, Alfred Kazin, C. Vann Woodward, Robert Coles, Daniel Bell, Malcolm Cowley, and Arthur Schlesinger. The critical estimates of Howe's major books, collected here and framed by a major biographical introduction by John Rodden, constitute a sharply focused lens through which readers can re-evaluate the legacy of one of American's leading intellectuals and thereby understand the main issues of twentieth-century Anglo-American cultural history. Contributors: Lionel Trilling, Alfred Kazin, C. Vann Woodward, Newton Arvin, Charles Angoff, Edward Dahlberg, Isaac Rosenfeld, Richard Chase, H.D. Lasswell, Dennis Wrong, Michael Harrington, Christopher Lasch, Robert Coles, Daniel Bell, Malcolm Cowley, Arthur Schlesinger, Theodore Solotaroff, Clive James, Norman Podhoretz, Irving Kristol, and William Phillips, among others.

The year 2003 was the 100th anniversary of the birth of George Orwell, one of the most influential authors of the twentieth century. Orwell's books are assigned today in over 60,000 classrooms annually. In this book essays by prominent writers and scholars explain why his impact continues in a world much changed from his own. The essays explore new aspects of Orwell's life and work and his continuing relevance for the interpretation of modern social, political, and cultural affairs. Thematic topics include: the use and abuse of 1984; ideas, ideologues, and intellectuals; biography and autobiography; literary and stylistic analyses; and the reception of Orwell's work abroad. The volume is an ideal secondary source for those who continue to be influenced by Orwell's insights and for teachers of Orwell's work. Contributors: Christopher Hitchens, Jonathan Rose, Ian Williams, Morris Dickstein, John Rodden, Thomas Cushman, Ronald F. Thiemann, Lawrence Rosenwald, Todd Gitlin, Erika Gottlieb, Dennis Wrong, Daphne Patai, Jim Sleeper, William Cain, Lynette Hunter, Margery Sabin, Vladimir Shalpentokh, Miquel Berga, Gilbert Bonifas, Robert Conquest.

The Worlds of Irving Howe: The Critical Legacy is a wide-ranging anthology of criticism devoted to the literary, cultural, and political work of the writer Irving Howe. The book offers a broad cross-section of critical and biographical writings about Howe. Collected here are assessments of Howe's work written by some of the most prominent intellectuals of the twentieth century, among them Lionel Trilling, Alfred Kazin, C. Vann Woodward, Robert Coles, Daniel Bell, Malcolm Cowley, and Arthur Schlesinger. The critical estimates of Howe's major books, collected here and framed by a major biographical introduction by John Rodden, constitute a sharply focused lens through which readers can re-evaluate the legacy of one of American's leading intellectuals and thereby understand the main issues of twentieth-century Anglo-American cultural history. Contributors: Lionel Trilling, Alfred Kazin, C. Vann Woodward, Newton Arvin, Charles Angoff, Edward Dahlberg, Isaac Rosenfeld, Richard Chase, H.D. Lasswell, Dennis Wrong, Michael Harrington, Christopher Lasch, Robert Coles, Daniel Bell, Malcolm Cowley, Arthur Schlesinger, Theodore Solotaroff, Clive James, Norman Podhoretz, Irving Kristol, and William Phillips, among others.

The year 2003 was the 100th anniversary of the birth of George Orwell, one of the most influential authors of the twentieth century. Orwell's books are assigned today in over 60,000 classrooms annually. In this book essays by prominent writers and scholars explain why his impact continues in a world much changed from his own. The essays explore new aspects of Orwell's life and work and his continuing relevance for the interpretation of modern social, political, and cultural affairs. Thematic topics include: the use and abuse of 1984; ideas, ideologues, and intellectuals; biography and autobiography; literary and stylistic analyses; and the reception of Orwell's work abroad. The volume is an ideal secondary source for those who continue to be influenced by Orwell's insights and for teachers of Orwell's work. Contributors: Christopher Hitchens, Jonathan Rose, Ian Williams, Morris Dickstein, John Rodden, Thomas Cushman, Ronald F. Thiemann, Lawrence Rosenwald, Todd Gitlin, Erika Gottlieb, Dennis Wrong, Daphne Patai, Jim Sleeper, William Cain, Lynette Hunter, Margery Sabin, Vladimir Shalpentokh, Miquel Berga, Gilbert Bonifas, Robert Conquest.

The making of literary reputations is as much a reflection of a writer's surrounding culture and politics as it is of the intrinsic quality and importance of his work. The current stature of George Orwell, commonly recognized as the foremost political journalist and essayist of the century, provides a notable instance of a writer whose legacy has been claimed from a host of contending political interests. The exemplary clarity and force of his style, the rectitude of his political judgment along with his personal integrity have made him, as he famously noted of Dickens, a writer well worth stealing. Thus, the intellectual battles over Orwell's posthumous career point up ambiguities in Orwell's own work as they do in the motives of his would-be heirs. John Rodden's "George Orwell: The Politics of Literary Reputation," breaks new ground in bringing Orwell's work into proper focus while providing much original insight into the phenomenon of literary fame.

Rodden's intent is to clarify who Orwell was as a writer during his lifetime and who he became after his death. He explores the dichotomies between the novelist and the essayist, the socialist and the anti-communist and the contrast between his day-to-day activities as a journalist and his latter-day elevation to political prophet and secular saint. Rodden's approach is both contextual and textual, analyzing available reception materials on Orwell along with audiences and publications decisive for shaping his reputation. He then offers a detailed historical and biographical interpretation of the reception scene analyzing how and why did individuals and audiences cast Orwell in their own images and how these projected images served their own political needs and aspirations. Examined here are the views of Orwell as quixotic moralist, socialist renegade, anarchist, English patriot, neo-conservative, forerunner of cultural studies, and even media and commercial star. Rodden concludes with a consideration of the meaning of Orwell's life and work for the future.

The Walls That Remain explores the trauma of German reunification in 1990 as it affected ordinary Eastern and Western Germans. Told mainly in their own words, this book features the voices of those Germans who have suffered as well as profited from the transformations in German society since the fall of the Berlin Wall in 1989 and Germany 's reunification in October 1990.

The remarkable transformation of Orwell from journeyman writer to towering icon Is George Orwell the most influential writer who ever lived? Yes, according to John Rodden's provocative book about the transformation of a man into a myth. Rodden does not argue that Orwell was the most distinguished man of letters of the last century, nor even the leading novelist of his generation, let alone the greatest imaginative writer of English prose fiction. Yet his influence since his death at midcentury is incomparable. No other writer has aroused so much controversy or contributed so many incessantly quoted words and phrases to our cultural lexicon, from "Big Brother" and "doublethink" to "thoughtcrime" and "Newspeak." Becoming George Orwell is a pathbreaking tour de force that charts the astonishing passage of a litterateur into a legend. Rodden presents the author of Animal Farm and Nineteen Eighty-Four in a new light, exploring how the man and writer Orwell, born Eric Arthur Blair, came to be overshadowed by the spectral figure associated with nightmare visions of our possible futures. Rodden opens with a discussion of the life and letters, chronicling Orwell's eccentricities and emotional struggles, followed by an assessment of his chief literary achievements. The second half of the book examines the legend and legacy of Orwell, whom Rodden calls "England's Prose Laureate," looking at everything from cyberwarfare to "fake news." The closing chapters address both Orwell's enduring relevance to burning contemporary issues and the multiple ironies of his popular reputation, showing how he and his work have become confused with the very dreads and diseases that he fought against throughout his life.

Animal Farm is a political allegory of the history of the USSR written in the form of a fable. Its stinging moral warning against the abuse of power is forcefully demonstrated in this casebook through a wide variety of historical, political, and literary documents that are directly applicable to the novel. Included are passages from the Soviet press; excerpts from personal memoirs and correspondence; original translations from Russian and East German sources that show the meaning of Animal Farm for those nations' readers; and historical and political sources on Marxism, the Russian Revolution, the Cold War, and Glasnost. Many of these documents have not been available in print before. Following a literary analysis of Animal Farm, six chapters examine the historical, political, and literary issues raised by the novel. Chapters include selections relating the novel to basic tenets of Marxism, the Russian Revolution and Josef Stalin, the relation of George Orwell's life to the writing of Animal Farm, the Cold War, book reviews of the novel at the time of its publication, the American intellectual climate, and recent responses to the novel in the light of Glasnost and the collapse of the Soviet Union. Each document is preceded by an explanatory introduction, and each chapter concludes with suggested topics for written and oral exploration. This rich source of materials is ideal for interdisciplinary study of the novel.

George Orwell is regarded as the greatest political writer in English of the twentieth century. The massive critical literature on Orwell has not only become extremely specialized, and therefore somewhat inaccessible to the nonscholar, but it has also attributed to and even created misconceptions about the man, the writer and his literary legacy. For these reasons, an overview of Orwell??'s writing and influence is an indispensable resource. Accordingly, this Companion serves as both an introduction to Orwell??'s work and furnishes numerous innovative interpretations and fresh critical perspectives on it. Throughout the Companion, which includes chapters dedicated to two of Orwell??'s major novels, Nineteen Eighty-Four and Animal Farm, Orwell??'s work is placed within the context of the political and social climate of the time. His response to the Depression, British imperialism, Stalinism, World War II, and the politics of the British Left are also examined.

The remarkable transformation of Orwell from journeyman writer to towering icon Is George Orwell the most influential writer who ever lived? Yes, according to John Rodden's provocative book about the transformation of a man into a myth. Rodden does not argue that Orwell was the most distinguished man of letters of the last century, nor even the leading novelist of his generation, let alone the greatest imaginative writer of English prose fiction. Yet his influence since his death at midcentury is incomparable. No other writer has aroused so much controversy or contributed so many incessantly quoted words and phrases to our cultural lexicon, from "Big Brother" and "doublethink" to "thoughtcrime" and "Newspeak." Becoming George Orwell is a pathbreaking tour de force that charts the astonishing passage of a litterateur into a legend. Rodden presents the author of Animal Farm and Nineteen Eighty-Four in a new light, exploring how the man and writer Orwell, born Eric Arthur Blair, came to be overshadowed by the spectral figure associated with nightmare visions of our possible futures. Rodden opens with a discussion of the life and letters, chronicling Orwell's eccentricities and emotional struggles, followed by an assessment of his chief literary achievements. The second half of the book examines the legend and legacy of Orwell, whom Rodden calls "England's Prose Laureate," looking at everything from cyberwarfare to "fake news." The closing chapters address both Orwell's enduring relevance to burning contemporary issues and the multiple ironies of his popular reputation, showing how he and his work have become confused with the very dreads and diseases that he fought against throughout his life.

From reviews of the first edition: ." . . Allende has led a life full of drama, passion, and history-- one that is a novela in its own right. Now a book, Conversations with Isabel Allende, gives fans the inside story as told by Allende herself. . . . This is worthwhile reading for anyone who wants to know what makes a good writer tick." -- Latina

"Notoriously cavalier about the lines between fact, memory, and the storyteller's urge to keep the listener going, Allende embellishes or withholds wherever she pleases. Serious subjects are discussed and dealt with seriously, but there is plenty of laughter and evidence of the woman's appealing optimism and sense of play, whimsy, and charm." -- Bloomsbury Review

"[This] is a rich, entertaining, and informative look at the life-in-progress and work of an extraordinary woman." -- Virginia Quarterly Review

"[Readers] will find themselves enthralled with the fascinating story of a politically committed and dedicated writer, mother, and wife." -- School Library Journal

"Her fans will love the Isabel who comes across so well spoken here." -- Booklist

This revised edition has been updated to cover Allende's three newest books-- City of the Beasts, Portrait in Sepia: A Novel, and Daughter of Fortune. It includes four new interviews in which Allende discusses completing her trilogy of novels that began with House of the Spirits, as well as her ongoing spiritual adventure and political interests.

Arguably the most influential political writer of the twentieth century, George Orwell remains a crucial voice for our times. Known world-wide for his two best-selling masterpieces Nineteen Eighty-Four, a gripping portrait of a dystopian future, and Animal Farm, a brilliant satire on the Russian Revolution, Orwell has been revered as an essayist, journalist and literary-political intellectual, and his works have exerted a powerful international impact on the post-World War Two era. This Introduction examines Orwell's life, work and legacy, addressing his towering achievement and his ongoing appeal. Combining important biographical detail with close analysis of his writings, the book considers the various genres in which Orwell wrote: the realistic novel, the essay, journalism and the anti-utopia. Ideally suited for readers approaching Orwell's work for the first time, the book concludes with an extended reflection on why George Orwell has enjoyed a literary afterlife unprecedented among modern authors in any language.

Arguably the most influential political writer of the twentieth century, George Orwell remains a crucial voice for our times. Known world-wide for his two best-selling masterpieces Nineteen Eighty-Four, a gripping portrait of a dystopian future, and Animal Farm, a brilliant satire on the Russian Revolution, Orwell has been revered as an essayist, journalist and literary-political intellectual, and his works have exerted a powerful international impact on the post-World War Two era. This Introduction examines Orwell's life, work and legacy, addressing his towering achievement and his ongoing appeal. Combining important biographical detail with close analysis of his writings, the book considers the various genres in which Orwell wrote: the realistic novel, the essay, journalism and the anti-utopia. Ideally suited for readers approaching Orwell's work for the first time, the book concludes with an extended reflection on why George Orwell has enjoyed a literary afterlife unprecedented among modern authors in any language.

George Orwell is regarded as the greatest political writer in English of the twentieth century. The massive critical literature on Orwell has not only become extremely specialized, and therefore somewhat inaccessible to the nonscholar, but it has also attributed to and even created misconceptions about the man, the writer and his literary legacy. For these reasons, an overview of Orwell's writing and influence is an indispensable resource. Accordingly, this 2007 Companion serves as both an introduction to Orwell's work and furnishes numerous innovative interpretations and fresh critical perspectives on it. Throughout the Companion, which includes chapters dedicated to two of Orwell's major novels, Nineteen Eighty-Four and Animal Farm, Orwell's work is placed within the context of the political and social climate of the time. His response to the Depression, British imperialism, Stalinism, World War II, and the politics of the British Left are also examined.

Between Self and Society explores the psychosocial dramas that galvanize six major British novels written between the eighteenth and twentieth centuries. The book challenges an influential misconception that has for too long hindered appreciation of the psychological novel. John Rodden argues that there should be no simplifying antithesis between psychological, "inner" conflicts (within the mind or "soul") and institutional, "outer" conflicts (within family, class, community). Instead, it is the overarching, dramatic-yet often tortuous-relations between self and society that demand our attention. Rodden presents fresh interpretations of an eclectic group of prose fiction classics, including Tobias Smollett's The Adventures of Roderick Random, William Godwin's Caleb Williams, Thomas Hardy's The Mayor of Casterbridge, Ford Madox Ford's The Good Soldier, Wyndham Lewis's Tarr, and D. H. Lawrence's Women in Love. Far from being merely admirable experiments, let alone daring though interesting failures, these fictions are shown to possess aesthetic unity, stylistic consistency, and psychic force. Between Self and Society thus impels our careful reconsideration of novels that represent major artistic achievements, yet have been either unjustly neglected or appreciated in limiting ways that do injustice to their psychological aspects. Rodden's vibrant discussion invites an upward revaluation of these works and encourages the full recognition of their value and significance in British literary history.

George Orwell has been embraced, adopted, and co-opted by everyone from the far left to the neoconservatives. Each succeeding generation of Anglo-American intellectuals has felt compelled to engage the life, work, and cultural afterlife of Orwell, who is considered by many to have been the foremost political writer of the twentieth century. Every Intellectual's Big Brother explores the ways in which numerous disparate groups, Orwell's intellectual "siblings," have adapted their views of Orwell to fit their own agendas and how in doing so they have changed our perceptions of Orwell himself. By examining the politics of literary reception as a dimension of cultural history, John Rodden gives us a better understanding of Orwell's unique and enduring role in Anglo-American intellectual life.

In Part One, Rodden opens the book with a section titled "Their Orwell, Left and Right," which focuses on Orwell's reception by several important literary circles of the latter half of the twentieth century. Beginning with Orwell's own contemporaries, Rodden addresses the ways various intellectual groups of the 1950s responded to Orwell. Rodden then moves on in Part Two to what he calls the "Orwell Confraternity Today," those contemporary intellectuals who have, in various ways, identified themselves with or reacted against Orwell. The author concludes by examining how Orwell's status as an object of admiration and detraction has complicated the way in which he has been perceived by readers since his death.

Germany underwent two periods of dictatorial repression in the twentieth century, first under Hitler and the Nazis in the late 1930s and early 1940s and then under the communist German Democratic Republic from 1945 until the Berlin Wall fell in 1989. The abuses of human rights under the Nazis are well known and now abundantly documented. The abuses that occurred during the period of the GDR, however, are not so well known and are poorly documented.

Through his interviews with survivors of GDR repression, John Rodden seeks to add to the history of this dark period. He reveals the many different ways in which ordinary people suffered at the hands of a brutal regime and its secret police enforcers, the Stasi. Some presented here are heroes; some are survivors, including those who played along to get along. As one teacher who conformed to stay safe admitted to Rodden, "It was a nation that, by cutting us off from the truth, made cowards of us all."

If one wants to know what children in communist East Europe were told to think about their nation and their leaders, their class enemy, and their so-called Soviet friends, no better source exists than textbooks. In textbooks the dogmas of communism were communicated in their most simplified form and manufactured in the millions for mass consumption. In Textbook Reds, John Rodden shows how the now-defunct German Democratic Republic (GDR) shaped generations of East German youth and how the imprint of Marxist-Leninist ideology remains today on the hearts and minds of millions of eastern Germans, more than fifteen years after the fall of the Berlin Wall.

Drawing on a rich and varied collection of materials--a total of more than two hundred textbooks, teaching guides, school songbooks, educators' professional journals, and school examinations--Rodden spotlights the "textbook mentality" that permeated East German society. In the GDR's campaign to win the minds of men, any critiques of the Party were equated with disloyalty and the bourgeois sins of individualism, negativism, and cosmopolitanism. Citizens who broke free of such indoctrination still bore marks of its influence, even long after leaving school--and long after the GDR's dissolution in 1990.

The second part of the book offers a glimpse of post-communism today. Through interviews with dozens of teachers and students from contemporary eastern Germany, we see that East German faculty and students constitute perhaps the largest, most articulate, most traumatized segment of the population affected by events since 1989. Not just a study in comparative education, Textbook Reds is also a work in the sociology of education, literary sociology, and literary history. Rodden shows that the deepest roots of GDR society were indeed located in the institution that molded the youth of its citizens, and that the most searching questions about East German identity and the repression of its political past are in fact to be found there.

The year 1984 is just a memory, but the catchwords of George Orwell's novel Nineteen Eighty-Four still routinely pepper public discussions of topics ranging from government surveillance and privacy invasion to language corruption and bureaucratese. Orwell's work pervades the cultural imagination, while others of his literary generation are long forgotten. Exploring this astonishing afterlife has become the scholarly vocation of John Rodden, who is now the leading authority on the reception, impact, and reinvention of George Orwell-the man and writer-as well as of "Orwell" the cultural icon and historical talisman. In The Unexamined Orwell, Rodden delves into dimensions of Orwell's life and legacy that have escaped the critical glare. Rodden discusses how several leading American intellectuals have earned the title of Orwell's "successor," including Lionel Trilling, Dwight Macdonald, Irving Howe, Christopher Hitchens, and John Lukacs. He then turns to Germany and focuses on the role and relevance of Nineteen Eighty-Four in the now-defunct communist nation of East Germany. Rodden also addresses myths that have grown up around Orwell's life, including his "more than half-legendary" encounter with Ernest Hemingway in liberated Paris in March 1945, and analyzes literary issues such as his utopian sensibility and his prose style. Finally, Rodden poses the endlessly debated question, "What Would George Orwell Do?," and speculates about how the prophet of Nineteen Eighty-Four would have reacted to world events. In so doing, Rodden shows how our responses to this question reveal much about our culture's ongoing need to reappropriate "Orwell."

"Irving Howe and the Critics" is a selection of essays and reviews about the work of Irving Howe (1920-93), a vocal radical humanist and the most influential American socialist intellectual of his generation. Howe authored eighteen books, edited twenty-five more, wrote dozens of articles and reviews, and edited the magazine "Dissent" for forty years after founding it. His writings cover subjects ranging from U.S. labor to the vicissitudes of American communism and socialism to Yiddishkeit and contemporary politics. His book "World of Our Fathers: The Journey of the East European Jews to America and the Life They Found and Made" received the National Book Award for Nonfiction. John Rodden has chosen essays and reviews that focus on Howe's major works and on the disputes they generated. He features both Dissent contributors and those who have dissented from the Dissenters--on the Right as well as the Left. Rodden includes a few stern assessments of Howe from his less sympathetic critics, testifying not only to the range of response--from admiration to hostility--that his work received but also to his stature on the Left as a prime intellectual target of neoconservative fire.

When authors are interviewed about their books or themselves, much more is going on than a simple conversation. The interview becomes a performance space for authorial orchestration and self-promotion, and interviewers in turn respond to such self-display and theatrics. Featuring absorbing conversations with nine well-known authors, including poets Richard Howard and Gerald Stern, novelist Isabel Allende, and scholar-intellectual Camille Paglia, "Performing the Literary Interview" is the first in-depth look at this type of performance art. Interviews with poets, fiction writers, and intellectuals enable John Rodden to identify a range of rhetorical strategies and their effects and to formulate a typology for appreciating the various roles that interviewers and interviewees assume. Traditionalists foreground their work rather than themselves, raconteurs are storytellers who skillfully spin anecdotes and creatively showcase their personalities, and advertisers more explicitly use the literary interview to promote and sell themselves. This pioneering, persuasive study stakes a claim to a new area of scholarly inquiry in the humanities. The literary interview can no longer be considered only as a voyeuristic window on an author, or a celebrity vehicle, or even an entertaining diversion, but should also be approached as a serious genre meriting scholarly attention and analysis.

Spy romances of Cold War counterespionage evoke scenes of heroic FBI and CIA agents dedicated to smashing communism and its subversive coterie of intellectual fellow travelers bent on painting the world red. John Rodden cuts this tall tale down to its authentic pint size, refusing to indulge the public relations myth promoted by J. Edgar Hoover's FBI. In Of G-Men and Eggheads, Rodden portrays federal agents' hilarious obsession with monitoring that ever-present threat to national security, the American literary intellectual. Drawing on government dossiers and archives, Rodden focuses on the onetime members of a radical political sect of ex-Trotskyists (barely numbering a thousand at its height), the so-called New York intellectuals. He describes the nonsensical decades-long pursuit of this group of intellectuals, especially Lionel Trilling, Dwight Macdonald, and Irving Howe. The Keystone Cops style of numerous FBI agents is documented carefully in Rodden's meticulous case studies of how Hoover's men recruited informants to snoop on the "Commies," opened their personal mail, tracked their movements, and reported on their wives and friends.