Profoundly shaped by the events, forces, and overflow of today's disjointed, social-media-heavy life, these artists' paintings are "disrupted" stylistically, thematically, or sometimes both. They allow us to appreciate how art relates to the "super-fast, simultaneous, almost dizzyingly paced scrolling" of our lives. Foreword by artist Nicholas Wilton, founder of Art2Life; Features a special essay on artist Jenny Saville, who has inspired many contemporary representational artists to disrupt their art; More than half of the artists are from outside the US; includes women and BIPOC artists; Artists' comments presented in an engaging question-and-answer style; Art writer and curator John Seed is the foremost authority on disrupted realism and is the author of Disrupted Realism: Paintings for a Distracted World.

It is widely acknowledged that Karl Marx was one of the most original and influential thinkers of modern times. His writings have inspired some of the most important political movements of the past century and still has the power to arouse controversy today. Marx: A Guide for the Perplexed is a clear and thorough account of Marx's thought, his major works and theories, providing an ideal guide to the important and complex ideas of this major figure in the history of political thought. The book introduces key Marxist concepts and themes and examines the ways in which they have influenced philosophical and political thought. Geared towards the specific requirements of students who need to reach a sound understanding of Marx's ideas, the book provides a cogent and reliable survey of some of the most important debates surrounding his often controversial theories. This is the ideal companion to the study of this most influential and challenging of thinkers.

The Gordon riots of June 1780 were the most devastating outbreak of urban violence in British history. For almost a week large parts of central London were ablaze, prisons were destroyed and the Bank of England attacked. Hundreds of rioters were shot dead by troops and for many observers it seemed that England was on the verge of a revolution. The first scholarly study in a generation, this book brings together leading scholars from historical and literary studies to provide new perspectives on these momentous events. The essays include new archival work on the religious, political and international contexts of the riots and new interpretations of contemporary literary and artistic sources. For too long the significance of the Gordon riots has been overshadowed by the impact of the French revolution on British society and culture: this book restores the riots to their central position in late eighteenth-century Britain.

This book of readings, meditations, rituals and workshop notes prepared on three continents helps us remember that environmental defense is nothing less than "Self" defense. Including magnificent illustrations of Australia's rainforests, Thinking Like a Mountain provides a context for ritual identification with the natural environment, inviting us to begin a process of "community therapy" in defense of Mother Earth. It helps us experience our place in the web of life, rather than on the apex of some human-centred pyramid. An important deep ecology educational tool for activist, school and religious groups, Thinking Like a Mountain can also be used for personal reflection. Thinking Like a Mountain has been made available through New Catalyst Books. New Catalyst Books is an imprint of New Society Publishers, aimed at providing readers with access to a wider range of books dealing with sustainability issues by bringing books back into print that have enduring value in the field. For more information on New Catalyst Books click here .

This book is a collective journal of the COVID-19 pandemic. With first-hand accounts of the pandemic as it unfolded, it explores the social and the political through the lens of the outbreak. Featuring contributors located in India, the United States, Brazil, the United Kingdom, Germany, and Bulgaria, the book presents us with simultaneous multiple histories of our time. The volume documents the beginning of social distancing and lockdown measures adopted by countries around the world and analyses how these bore upon prevailing social conditions in specific locations. It presents the authors' personal observations in a lucid conversational style as they reflect on themes such as the reorganization of political debates and issues, the experience of the marginalized, theodicy, government policy responses, and shifts into digital space under lockdown, all of these under an overarching narrative of the healthcare and economic crisis facing the world. A unique and engaging contribution, this book will be useful to students and researchers of sociology, public health, political economy, public policy, and comparative politics. It will also appeal to general readers interested in pandemic literature.

This book is a collective journal of the COVID-19 pandemic. With first-hand accounts of the pandemic as it unfolded, it explores the social and the political through the lens of the outbreak. Featuring contributors located in India, the United States, Brazil, the United Kingdom, Germany, and Bulgaria, the book presents us with simultaneous multiple histories of our time. The volume documents the beginning of social distancing and lockdown measures adopted by countries around the world and analyses how these bore upon prevailing social conditions in specific locations. It presents the authors' personal observations in a lucid conversational style as they reflect on themes such as the reorganization of political debates and issues, the experience of the marginalized, theodicy, government policy responses, and shifts into digital space under lockdown, all of these under an overarching narrative of the healthcare and economic crisis facing the world. A unique and engaging contribution, this book will be useful to students and researchers of sociology, public health, political economy, public policy, and comparative politics. It will also appeal to general readers interested in pandemic literature.

Are the cultural upheavals of the 1960s just a media myth? The "summer of love", with its ambience of marijuana and sitar music, the glitterati of swinging London, and student protesters battling with the police evoke a period of material prosperity, cultural innovation and youthful rebellion. But how significant were the radical aspirations and utopian ideals of the sixties? And what is the legacy of the social, political and cultural transformations which characterized the decade? In an interdisciplinary collection of specially commissioned essays, the contributors to "Cultural Revolution" uncover the complex economic and political contexts in which these changes took place. Covering a wide variety of art forms - drama, television, film, poetry, the novel, popular music, dance, cinema and the visual arts - they investigate how sixties' culture became politicized, and how its inherent contradictions still have repercussions for the arts today. Contributors include John Seed, Bart Moore-Gilbert, Alf Louvre, Stuart Laing, Jane Lewis, and Martin Priestman. This book should be of interest to undergraduates studying cultural studies, media and communications, social sciences and social

Are the cultural upheavals of the 1960s just a media myth? The "summer of love", with its ambience of marijuana and sitar music, the glitterati of swinging London, and student protesters battling with the police evoke a period of material prosperity, cultural innovation and youthful rebellion. But how significant were the radical aspirations and utopian ideals of the sixties? And what is the legacy of the social, political and cultural transformations which characterized the decade? In an interdisciplinary collection of specially commissioned essays, the contributors to "Cultural Revolution" uncover the complex economic and political contexts in which these changes took place. Covering a wide variety of art forms - drama, television, film, poetry, the novel, popular music, dance, cinema and the visual arts - they investigate how sixties' culture became politicized, and how its inherent contradictions still have repercussions for the arts today. Contributors include John Seed, Bart Moore-Gilbert, Alf Louvre, Stuart Laing, Jane Lewis, and Martin Priestman. This book should be of interest to undergraduates studying cultural studies, media and communications, social sciences and social

Disrupted Realism is the first book to survey the works of contemporary painters who are challenging and reshaping the tradition of Realism. Helping art lovers, collectors, and artists approach and understand this compelling new phenomenon, it includes the works of 38 artists whose paintings respond to the subjectivity and disruptions of modern experience. Widely published author and blogger John Seed, who believes that we are "the most distracted society in the history of the world," has selected artists he sees as visionaries in this developing movement. The artists' impulses toward disruption are as individual as the artists themselves, but all share the need to include perception and emotion in their artistic process. Six sections lay out and analyze common themes: "Toward Abstraction," "Disrupted Bodies," "Emotions and Identities," "Myths and Visions," "Patterns, Planes, and Formations," and "Between Painting and Photography." Interviews with each artist offer additional insight into some of the most incisive and relevant painting being created today.

The Gordon riots of June 1780 were the most devastating outbreak of urban violence in British history. For almost a week large parts of central London were ablaze, prisons were destroyed and the Bank of England attacked. Hundreds of rioters were shot dead by troops and for many observers it seemed that England was on the verge of a revolution. The first scholarly study in a generation, this book brings together leading scholars from historical and literary studies to provide new perspectives on these momentous events. The essays include new archival work on the religious, political and international contexts of the riots and new interpretations of contemporary literary and artistic sources. For too long the significance of the Gordon riots has been overshadowed by the impact of the French revolution on British society and culture: this book restores the riots to their central position in late eighteenth-century Britain.

This book provides a rich and empirically grounded account of relations between religious dissent, historical writing, public memory and political identity in eighteenth-century England. Part One focuses on the ways in which religious dissent in the first half of the eighteenth century created its own counter-history of England, especially of the seventeenth century. Close attention is paid to a number of largely forgotten works of dissenting history, notably Edmund Calamy's various publications on the ejected ministers between 1702 and 1727, and Daniel Neal's History of the Puritans. David Hume's History of England was the most important history of the English polity published in the eighteenth century. It serves, in Part Two, as the nexus around which the mediations of historical writing, public memory and political situation can be usefully organised for the middle years of the eighteenth century. Chapters explore Hume's politically divisive account of puritanism and dissenting and Whig responses. In Part 3 Edmund Burke comes into focus and the author further explores issues of politics, dissent and identity through close reading of various texts by Burke and by his dissenting and radical opponents between the 1770s and 1790s.

John Seed is the author of eight collections of verse, including: Divided into One (Poetical Histories, 2003), New and Collected Poems and Pictures from Mayhew (both Shearsman, 2005), That Barrikins: Pictures from Mayhew II (Shearsman, 2007), and Manchester: August 16th & 17th 1819 (Intercapillary Editions, 2013). This slim volume brings together his more recent uncollected work.

"Despite exalted notions of the author, writers work with the materials they find around them and try to hammer out some kind of new thing with bits of discursive wood lying around and rusty nails and old string and glue. What I am doing here might even be compared to a film-maker creating a documentary out of other people's bits of film and sound recordings, interspersed with some slight commentary. Editing as creative act!"- From John Seed's 'Postface' to 'Brandon Pithouse'Smoke Rising is a documentary poem. Very much in the tradition of Charles Reznikoff's Testimony, it utilises oral sources to capture the speech - and perhaps the experience-of those who suffered the London Blitz. However, its elective affinities are also to Walter Benjamin's great unfinished Arcades Project: "to carry the principle of montage into history...to assemble large-scale constructions out of the smallest and most precisely cut components...to discover in the analysis of the small individual moment the crystal of the total event."

"The Real Snake" is a fascinating record of many of the presentations that were made by academics and artists at The Representational Art Conference in the fall of 2012, a groundbreaking event founded by artists Michael Pearce and Michael Lynn Adams, who recognized that there had been a neglect of critical appreciation of representational art well out of proportion to its quality and significance. Filling a gap in the study of contemporary art, the conference was planned as a focused but non-doctrinaire event, of serious academic standards.
Essential reading for people who love traditional studio art and want to know more about what's happening in the representational art world, "The Real Snake" is packed with fascinating contributions, including critical insight from Jed Perl and the entertaining commentary of popular Californian artist John Nava, who gives the title to the volume with his reference to a scene in the movie "Bladerunner." Other engaging chapters include eloquent compositions by the popular blogger John Seed, the legendary Los Angeles artist Ruth Weisberg and technical wizard Virgil Elliott.
CONTENTS
Michael Pearce
"Preface"
Jed Perl
"Re-imagining Representation"
Ruth Weisberg
"The Possibilities of Post-Post-Modernism"
Stephen Knudsen
"Is Representational Painting Ready to Take on Metamodernism Without Cliches? The Painting of Bo Bartlett"
Justin Kunz
"World, Story and Meaning in Contemporary Representational Art"
Liu Nan
"Painting and Drawing Instruction in Higher Education in the United States: An Historical Overview of Trends from 1776 until 2006"
Gingher Leyendecker
"The Effects of Technical and Conceptual Teaching Methodologies on Student Outcomes in Life Drawing"
Saskia Ozols Eubanks
"The Dialectics of Impropriety: Realism, Classicism and a Feminist Voice"
Kay Kane
"The Restoration of Venus: The Nude, Beauty and Modernist Misogyny"
John Seed
"Anne Harris, Kyle Staver and Janice Nowinski: Three Approaches to Beauty"
Patrick Connors
"Antecedents in Contemporary Pictorial Imagery: Thomas Eakins's Paintings and Photography in Perspective"
Zoe Bray
"Anthropology / Ethnography and Naturalist / Realist Painting: Parallels in Ways of Seeing and Understanding the World"
Claire Nettleton
"Postmodern Poodles and Electric Sows: Contemporary Representations of Beaute Animale"
Virgil Elliott
"The Concept of Quality in Art: Inspirational and Practical Concerns"
John Nava
"Don't Worry, Be Happy "

'Manchester: August 16th & 17th 1819' is a poem sequence constructed from historical witness statements of those two days in Manchester. This edition has illustrations from contemporary newspapers as well as an afterword by John Seed. 'There is surely no more radical decentring of the subject/author in modernist writing,' John Seed remarks of Charles Reznikoff's Testimony, in the 'Afterword' to this book. The first part of 'Manchester: August 16th & 17th 1819', written in 1973 but previously unpublished, applies Reznikoff's method to historical materials on the so-called 'Peterloo Massacre'. The second part reflects on this method, noting convergences to some recent discussions in the United States around 'uncreative writing' and 'conceptual writing'.

The second volume of John Seed's exploration of Mayhew, recasting the voices from the original text in a Reznikoffian manner, freeing them from the confines of the narrative and thus letting usa hear the voices in a new context. Every word in the book is drawn from Henry Mayhew's writings on London, published in the Morning Chronicle from 1849 to 1850, and then in 63 editions of his own weekly paper, London Labour and the London Poor, between December 1850 and February 1852, and then again in the four-volume work of the same title. From the thousands of pages of Mayhew's investigations, John Seed has selected extracts from those passages where he attempted to record the voices of London's working people. He has cut and rearranged the source texts, and has re-set them as poetry, splitting the lines in such a way as to make them both more easily readable and less easily, or quickly read, in an attempt to get closer to the original voices. The author likens this process to a sound engineer editing a tape to try to get rid of interference or distortion.

This collection of John Seed's original poetry, most of which has been out of print or hard to find for many years, is published simultaneously with the companion volume, 'Pictures from Mayhew'. Besides bringing together his four previously published collections, the book incldues a substantial amount of uncollected work from the 1990s and 2000s. John Seed lives in London and teaches History at Roehampton University. His work was featured in the seminal anthology 'A Various Art' (ed. Crozier & Longville, Carcanet 1987).

Every word in this book by John Seed is drawn from Henry Mayhew's writings on London, published in the 'Morning Chronicle' from 1849 to 1850, then in 63 editions of his own weekly paper, 'London Labour and the London Poor' between December 1850 and February 1852, and then again in the four-volume work of the same title. From the thousands of pages of Mayhew's investigations, John Seed has selected a few hundred extracts from those passages where he attempted to record the voices of London's working people. He has cut and rearranged the source texts, and has re-set them as poetry, splitting the lines in such a way as to make them both more easily readable and less easily, or quickly read, in an attempt to get closer to the original voices. The author likens this process to a sound engineer editing a tape to try to get rid of interfenernce or distortion. The final shape of the poem-sequence, and the form of the poems themselves, show the influence of American models such as Charles Reznikoff and William Carlos Williams, who both attempted to record common speech.' Pictures from Mayhew' is published simultaneously with a large collection of John Seed's original poetry, most of which has been oput of print or hard to find for many years. John Seed lives in London and has published four collection of his poetry since the 1970s. His work was also featured in the seminal anthology 'A Various Art' (ed. Crozier & Longville, Carcanet 1987).

This book provides a concise and coherent overview of Marx, ideal for undergraduates who require more than just a simple introduction to his work and thought. Covering the full range of Marx's works and ideas, introducing all the key concepts and themes in Marxism, this book is an invaluable aid to study.It is widely acknowledged that Karl Marx was one of the most original and influential thinker of modern times. His thought has inspired some of the most important political movements of the past century and still today has the power to arouse controversy today."Marx: A Guide for the Perplexed" is a clear and thorough account of Marx's thought, his major works and theories, providing an ideal guide to the important and complex ideas of this key thinker. The book introduces all the key Marxist concepts and themes and examines the ways in which they have influenced philosophical and political thought. Geared towards the specific requirements of students who need to reach a sound understanding of Marx's thought, the book provides a cogent and reliable survey of some of the most important debates surrounding his often controversial ideas.This is the ideal companion to the study of this most influential and challenging of thinkers. "Continuum's Guides for the Perplexed" are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging - or indeed downright bewildering. Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material.