Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

John Singleton's sequel to 'The Fast and the Furious' - which brought stardom to Vin Diesel. Diesel decided not to reprise his role but Paul Walker did. Former undercover cop Brian O'Conner (Walker) finds himself on the trail of another group of underground car enthusiasts in an attempt to redeem himself after his illegal escapades in the first movie. This time the location is Miami, where O'Connor has been making money out of street racing, and he is asked to bring down the drugs baron Carter Verone (Cole Hauser) in exchange for erasing his criminal record. Enlisting the help of an ex-con (Tyrese), O'Connor once again finds himself raging through the streets in stolen cars.

John McGahern (1934-2006) believed that fiction could act as a window on the world. Such windows, however, frame our fields of vision, alter and shape our perspectives. Far from being static, the artist’s perspective must continually evolve. This book provides a literary analysis of John McGahern’s artistic and poetic vision – his ‘ways of looking’, examining the shifting focus of this vision: how and why it develops, what effects such developments have on the work’s forms, and how these forms evolve, at what times and in response to what stimuli. This volume demonstrates that such developments mirror an analogous social expansion during the latter half of the twentieth century and argues that McGahern’s literary spaces relate to his efforts to realise a more accommodating form to envelop the structureless society. While the number of critical studies on McGahern has increased markedly in recent years, research still tends to fall into the well-established camps of social realism or literary aestheticism. This text aims to explore the common ground between the material context and social worlds of each work and the hermeneutics of a ‘traditional’ literary investigation. It traverses such divides through close readings of McGahern’s work, with attention to the topopoetical production of images of the house, the home, and the family unit. The book ultimately shows how attention to McGahern’s literary spaces provides a greater understanding of the aesthetic, vision and form of each novel, and allows us to understand those aspects relative to the social, cultural and political undercurrents of the works individually and collectively.

A concsie, comprehensive textbook on twentieth century Britain inclding thematic chapters and case-study chapters on key periods and topics that will engage attention. British History is still widely studied and this book provides an up-to-date survey of that history. The book is fully updated and engages with the most recent historioigraphy as well as what people said they needed, such as more qunatative approaches, movement away from the binary focus on pre- and post-1945.

A concsie, comprehensive textbook on twentieth century Britain inclding thematic chapters and case-study chapters on key periods and topics that will engage attention. British History is still widely studied and this book provides an up-to-date survey of that history. The book is fully updated and engages with the most recent historioigraphy as well as what people said they needed, such as more qunatative approaches, movement away from the binary focus on pre- and post-1945.

This book analyzes the competitive forces which dominate this major sector, and traces how the nature of competition has evolved during the last two hundred years. Through an analysis of key factors, including demand, related and supporting industries, firm strategy, structure and national rivalry, chance and government policy, the author explains how and why the locus of competitive advantage in textiles and apparel has moved from country to country, particularly in the period since 1945.

John Singleton's sequel to 'The Fast and the Furious' - which brought stardom to Vin Diesel. Diesel decided not to reprise his role but Paul Walker did. Former undercover cop Brian O'Conner (Walker) finds himself on the trail of another group of underground car enthusiasts in an attempt to redeem himself after his illegal escapades in the first movie.

This time the location is Miami, where O'Connor has been making money out of street racing, and he is asked to bring down the drugs baron Carter Verone (Cole Hauser) in exchange for erasing his criminal record. Enlisting the help of an ex-con (Tyrese), O'Connor once again finds himself raging through the streets in stolen cars.

This book analyzes the competitive forces which dominate this major sector, and traces how the nature of competition has evolved during the last two hundred years. Through an analysis of key factors, including demand, related and supporting industries, firm strategy, structure and national rivalry, chance and government policy, the author explains how and why the locus of competitive advantage in textiles and apparel has moved from country to country, particularly in the period since 1945.

In this 1995 study of the causes of nationalisation, experts in British industrial history analyse the public ownership debates, and explain how many well-informed and moderate groups came to believe that the public ownership of certain major industries would be economically beneficial. During Attlee's Labour governments of 1945-51 a number of important industries, including coal, electricity, the railways and gas were taken into public ownership, and legislation was passed for the nationalisation of the steel industry. It was then argued that nationalisation would lead to an improvement in the efficiency of these key sectors, on which the rest of British industry depended for inputs. This study examines the historical issues and uses detailed case studies of industries to explore the public ownership debate.

In this modern study of the causes of nationalization, experts in British industrial history analyze the public ownership debates, and explain how many well-informed and moderate groups came to believe that the public ownership of certain major industries would be economically beneficial. During Attlee's Labour governments of 1945-51, a number of important industries, including coal, electricity, the railways and gas were taken into public ownership, and legislation was passed for the nationalization of the steel industry. It was then argued that nationalization would lead to an improvement in the efficiency of these key sectors, on which the rest of British industry depended for inputs. Today, such a policy would be almost unthinkable. This study examines the historical issues and uses detailed case studies of industries to explore the public ownership debate.

Band theory is evident all around us and yet is one of the most stringent tests of quantum mechanics. This textbook, one of the first in the new Oxford Master Series in Physics, attempts to reveal in a quantitative and fairly rigorous fashion how band theory leads to the everyday properties of materials. The book is suitable for final-year undergraduate and first-year graduate students in physics and materials science.

Central banks are powerful but poorly understood organisations. In 1900 the Bank of Japan was the only central bank to exist outside Europe but over the past century central banking has proliferated. John Singleton here explains how central banks and the profession of central banking have evolved and spread across the globe during this period. He shows that the central banking world has experienced two revolutions in thinking and practice, the first after the depression of the early 1930s, and the second in response to the high inflation of the 1970s and 1980s. In addition, the central banking profession has changed radically. In 1900 the professional central banker was a specialised type of banker, whereas today he or she must also be a sophisticated economist and a public official. Understanding these changes is essential to explaining the role of central banks during the recent global financial crisis.