One of "The Eight"--a major group in the history of American painting--John Sloan was also an illustrator and cartoonist. Sloan kept an almost daily diary for eight years, for the most part to entertain his first wife, Dolly. Sloan's second wife and widow, Helen Fan Sloan, turned over the diaries and his letters, as well as notes and drawings to Bruce St. John of the Delaware Art Center, which houses the Sloan collection.

John Sloan was interested in every social issue that went on around him: the people across the street, the people in the parks, and the policies of his country. He and Dolly entertained almost every night, though they were so poor that often the only dish was spaghetti, and their guests included Robert Henri (Sloan's mentor) and Walt Kuhn, Walter Pach, Rollin Kirby, Stuart Davis (and his father), Alexander Calder (and his father), Rockwell Kent, John Butler Yeats, William Glackens, and George Luks.

Even if John Sloan had not been such an important figure in the American art world, these diaries would be splendid reading: they reveal a perceptive man and the city that fascinated him during one of its most interesting epochs. The editor writes that Sloan "was a direct and honest man, not afraid of expressing his opinions." This fascinating, unique, first-person view of New York City is a masterpiece. This edition includes a new introduction by Herbert I. London, providing insight into the social and political vision that animated Sloan's art.

One of "The Eight" a major group in the history of American painting John Sloan was also an illustrator and cartoonist. Sloan kept an almost daily diary for eight years, for the most part to entertain his first wife, Dolly. Sloan's second wife and widow, Helen Fan Sloan, turned over the diaries and his letters, as well as notes and drawings to Bruce St. John of the Delaware Art Center, which houses the Sloan collection. John Sloan was interested in every social issue that went on around him: the people across the street, the people in the parks, and the policies of his country. He and Dolly entertained almost every night, though they were so poor that often the only dish was spaghetti, and their guests included Robert Henri (Sloan's mentor) and Walt Kuhn, Walter Pach, Rollin Kirby, Stuart Davis (and his father), Alexander Calder (and his father), Rockwell Kent, John Butler Yeats, William Glackens, and George Luks. Even if John Sloan had not been such an important figure in the American art world, these diaries would be splendid reading: they reveal a perceptive man and the city that fascinated him during one of its most interesting epochs. The editor writes that Sloan "was a direct and honest man, not afraid of expressing his opinions." This fascinating, unique, first-person view of New York City is a masterpiece. This edition includes a new introduction by Herbert I. London, providing insight into the social and political vision that animated Sloan's art.

The involuntary soldiers of an unmilitary people such were the forces that American military planners had to pit against hardened Axis veterans, yet prewar unpreparedness dictated that whole divisions of such men would go to war under the supervision of tiny professional cadres. Much to his surprise and delight, Army Chief of Staff General George C. Marshall found that the 88th Infantry Division, his first draftee division, "fought like wildcats" and readily outclassed its German adversaries while measuring up to the best Regular Army divisions. Draftee Division is at once a history of the 88th Division, an analysis of American unit mobilization during World War II, and an insight into the savage Italian Campaign. After an introduction placing the division in historical context, separate chapters address personnel, training, logistics, and overseas deployment. Another chapter focuses upon preliminary adjustments to the realities of combat, after which two chapters trace the 88th's climactic drive through the Gustav Line into Rome itself. A final chapter takes the veteran 88th to final victory. Of particular interest are observations concerning differences connected with mobilization between the 88th and less successful divisions and discussions of the contemporary relevance of the 88th's experiences. Draftee Division is especially rich in its sources. John Sloan Brown, with close ties to the division, has secured extensive and candid contributions from veterans. To these he has added a full array of archival and secondary sources. The result is a definitive study of American cadremen creating a division out of raw draftees and leading them on to creditable victories. Its findings will be important for military and social historians and for students of defense policy

Oscar Wilde was already famous as a brilliant wit and raconteur when he first began to publish his short stories in the late 1880s. Admired by George Orwell and W. B. Yeats, the stories include poignant fairy-tales such as "The Happy Prince" and "The Selfish Giant," the extravagant comedy of "Lord Arthur Savile's Crime" and "The Canterville Ghost," and the daring narrative experiments of "The Portrait of Mr. W. H.," Wilde's fictional investigation into the identity of the dedicatee of Shakespeare's sonnets. John Sloan's Introduction argues for Wilde's originality and literary achievement as a short-story writer, emphasizing his literary skill and sophistication, and arguing for the centrality of Wilde's shorter fiction in his literary career. The collection includes a useful and up-to-date bibliography and extensive and helpful explanatory notes, and an Appendix reprints an important passage from the book-length version of "The Portrait of Mr. W. H." on the Neo-Platonic ideal of friendship between men, an important key to the short story's meaning.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This Is A New Release Of The Original 1913 Edition.

This Is A New Release Of The Original 1920 Edition.

This is the story of how the United States Army responded to the challenges of the end of the Cold War by transforming itself into the most capable ground force in the world today. It argues that from 1989 through 2005 the U.S. Army attempted, and largely achieved, a centrally directed and institutionally driven transformation relevant to ground warfare that exploited Information Age technology, adapted to post-Cold War strategic circumstances, and integrated into parallel Department of Defense efforts. The process not only modernized equipment, it also substantially altered doctrine, organization, training, administrative and logistical practices, and the service culture. Kevlar Legions further contends that the digitized expeditionary Army has withstood the test of combat, performing superbly with respect to deployment and high-end conventional combat and capably with respect to low-intensity conflict and the counterinsurgency challenges of Iraq and Afghanistan.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ BARON TRIGAULT'S VENGEANCE7 JOHN SLOAN

Full colour and black and white illustrations throughout. Center of Military History publication CMH 70-118-1. Describes the achievement from 1989 through 2005 of the United States Army of a centrally directed and institutionally driven transformation relevant to ground warfare that exploited Information Age technology, adapted to post-Cold War strategic circumstances, and integrated into parallel Department of Defense efforts. Combines participant observation with solid scholarship. Explains what happened in the transformation of the Army over the past twenty years, why it happened, and who was involved. Presents the hard choices, accepted risks, processes of decision making and institutional results.

Full colour illustrations throughout. Center of Military History publication CMH 70-118-1. Describes the achievement from 1989 through 2005 of the United States Army of a centrally directed and institutionallydriven transformation relevantto ground warfare that exploited Information Age technology, adapted to post-Cold War strategic circumstances, and integrated into parallelDepartment of Defense efforts. Combines participant observation with solid scholarship. Explains what happened in the transformation of the Army over the past twenty years, why it happened, and who was involved. Presents the hard choices, accepted risks, processes of decision making and institutional results.

1913. Gaboriau was the first French novelist to write detective novels. His character Monsieur Lecog, private detective, first appeared in the novel, The Widow Lerouge as well as four other books. Baron Trigault's Vengeance is part of Gaboriau's novel in two parts. The novel begins: Vengeance! that is the first, the only thought, when a man finds himself victimized, when his honor and fortune, his present and future, are wrecked by a vile conspiracy! The torment he endures under such circumstances can only be alleviated by the prospect of inflicting them a hundredfold upon his persecutors. And nothing seems impossible at the first moment, when hatred surges in the brain, and the foam of anger rises to the lips; no obstacle seems insurmountable, or, rather, none are perceived. See other titles by this author available from Kessinger Publishing.

1920. American poet and novelist who practiced law for nearly thirty years. Spoon River Anthology is the book that made his reputation and is regarded as one of the most popular and widely known works in all of American literature. Mitch Miller, one of his novels, is mostly about growing up in Illinois. The book begins: Supposin' you was lyin' in a room and was asleep or pretty near asleep; and bein'; asleep you could hear people talkin' but it didn't mean nothin' to you-just talk; and you kind of knew things was goin' on around you, but still you was way off in your sleep and belonged to yourself as a sleeper, and what was goin' on didn't make no difference to you; and really, supposin' you was tryin' to get back into deeper sleep before you heard these things. And then supposin' now and then as your eyes rolled back into your head while sleepin' you saw through the lids-not tryin' to look, but your eyes just saw as they rolled past the open place between the lids-and you saw squares of light and dark, or maybe roundish blurs. See other titles by this author available from Kessinger Publishing.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.